Difference between revisions of "Tascam 112"
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__NOTOC__ | __NOTOC__ | ||
| − | == | + | == Data == |
| − | {{ | + | {{navigation}} |
| − | ''' | + | '''General''' |
| − | * | + | * Manufacturer: [[Tascam]] |
| − | * | + | * Model: 112 |
| − | * | + | * Type: Cassette Tape Deck with 2 channel - 4 track, Dolby B + C + HX, 19" |
| − | * | + | * Years of manufacture: 1984 - 1989 |
| − | * | + | * Made in: Japan |
| − | * | + | * Color: Black |
| − | * | + | * Original price: 1'351 DM |
| − | ''' | + | '''Technical data''' |
| + | [[File:Tascam 112-Daten.jpg]] | ||
| − | + | == Remarks == | |
| − | == | + | * Other models in the same series: |
| − | * | ||
* Tape Deck: | * Tape Deck: | ||
* [[Tascam 112]] | * [[Tascam 112]] | ||
| Line 32: | Line 32: | ||
| − | * | + | * [[Tape Machines: |
* [[Tascam 22-4]] | * [[Tascam 22-4]] | ||
* [[Tascam 32]] | * [[Tascam 32]] | ||
| Line 43: | Line 43: | ||
| − | * DBX | + | * [[DBX]] |
* [[Tascam DX-2]] | * [[Tascam DX-2]] | ||
* [[Tascam DX-4]] | * [[Tascam DX-4]] | ||
| Line 49: | Line 49: | ||
| − | * CD | + | * [[CD player]] |
* [[Tascam CD 501]] | * [[Tascam CD 501]] | ||
| Line 70: | Line 70: | ||
| − | * Equalizer | + | * [[Equalizer]] |
* [[Tascam GE20 B]] | * [[Tascam GE20 B]] | ||
* [[Tascam PE40]] | * [[Tascam PE40]] | ||
| − | * | + | * Headphone amplifier: |
* [[Tascam MH 40 B]] | * [[Tascam MH 40 B]] | ||
| − | * Peak | + | * Peak display: |
* [[Tascam MU 40]] | * [[Tascam MU 40]] | ||
| − | == | + | == Pictures == |
| − | * | + | * Image: Tascam 112 |
| − | [[ | + | [[File:Tascam 112-1.jpg]] |
| − | == | + | == Reports == |
| − | * | + | * Review by "Tape Museum": |
| − | * | + | * Outstanding operating data, versatile capabilities and reassuring reliability, designed for professional applications. |
| − | * | + | * The TASCAM 112 model is a unique 4-track 2-channel cassette machine designed specifically for professional applications. To be qualified for this task, it offers outstanding stability and reliability, so that it can easily handle the rough and tumble of professional use. At the same time, it exhibits an extremely high standard of sound reproduction technology - and maintains it over time thanks to the exceptionally high stability of the circuitry used and the solid construction. There are no unnecessary gimmicks, only what is absolutely necessary for top technical data. The 112 is a robust and reliable workhorse that allows the cassette to hold its own as a sound carrier against the tough competition in the professional field. |
* Dolby HX Pro | * Dolby HX Pro | ||
| − | * | + | * The 112 incorporates the Dolby HX Pro system for enhanced high-frequency reproduction due to increased high-frequency MOL The high-frequency content of normal music signals can sometimes overlap with the cassette deck's premagnetization signal, thereby driving the tape into saturation and significantly reducing the high-frequency MOL. |
| − | * Dolby HX Pro | + | * Dolby HX Pro is an active premagnetization system that helps avoid this problem and adds an additional 6dB of high-frequency overload protection. This is achieved by monitoring the total premagnetisation level coming onto the tape, automatically reducing this level if it exceeds the optimum data. This means the best possible high-frequency response with any type of tape, even if the source signal has a very strong high-frequency content. |
| − | + | Furthermore, Dolby HX Pro only works during recording, but not during playback. This means that tapes recorded with HX Pro can be played back on any other cassette deck without any problems. Dolby HX Pro is always on during recording. | |
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| − | [[ | + | [[Category:Cassette decks]] |
Latest revision as of 10:21, 1 October 2019
Data[edit]
General
- Manufacturer: Tascam
- Model: 112
- Type: Cassette Tape Deck with 2 channel - 4 track, Dolby B + C + HX, 19"
- Years of manufacture: 1984 - 1989
- Made in: Japan
- Color: Black
- Original price: 1'351 DM
Technical data
Remarks[edit]
- Other models in the same series:
- Tape Deck:
- Tascam 112
- Tascam 112 R
- Tascam 122 MKII
- Tascam 133
- Tascam 234
- Tascam Porta One
- Tascam Porta Two
- Tascam Porta 05
- Tascam 244 Portastudio
- Tascam 246 Portastudio
- [[Tape Machines:
- Tascam 22-4
- Tascam 32
- Tascam 34-B
- Tascam 42
- Tascam 48 OB
- Tascam ATR-60
- Tascam MS-16
- Tascam 388
- Mixer:
- Tascam M 1 B
- Tascam MX 80
- Tascam M 06
- Tascam M 106
- Tascam M 208
- Tascam M 216
- Tascam M 224
- Tascam M 308 B
- Tascam M 312 B
- Tascam M 320 B
- Tascam M 512
- Tascam M 520
- Tascam M 600/32
- Tascam M 600/24
- Headphone amplifier:
- Tascam MH 40 B
- Peak display:
- Tascam MU 40
Pictures[edit]
- Image: Tascam 112
Reports[edit]
- Review by "Tape Museum":
- Outstanding operating data, versatile capabilities and reassuring reliability, designed for professional applications.
- The TASCAM 112 model is a unique 4-track 2-channel cassette machine designed specifically for professional applications. To be qualified for this task, it offers outstanding stability and reliability, so that it can easily handle the rough and tumble of professional use. At the same time, it exhibits an extremely high standard of sound reproduction technology - and maintains it over time thanks to the exceptionally high stability of the circuitry used and the solid construction. There are no unnecessary gimmicks, only what is absolutely necessary for top technical data. The 112 is a robust and reliable workhorse that allows the cassette to hold its own as a sound carrier against the tough competition in the professional field.
- Dolby HX Pro
- The 112 incorporates the Dolby HX Pro system for enhanced high-frequency reproduction due to increased high-frequency MOL The high-frequency content of normal music signals can sometimes overlap with the cassette deck's premagnetization signal, thereby driving the tape into saturation and significantly reducing the high-frequency MOL.
- Dolby HX Pro is an active premagnetization system that helps avoid this problem and adds an additional 6dB of high-frequency overload protection. This is achieved by monitoring the total premagnetisation level coming onto the tape, automatically reducing this level if it exceeds the optimum data. This means the best possible high-frequency response with any type of tape, even if the source signal has a very strong high-frequency content.
Furthermore, Dolby HX Pro only works during recording, but not during playback. This means that tapes recorded with HX Pro can be played back on any other cassette deck without any problems. Dolby HX Pro is always on during recording.