Difference between revisions of "Tascam M 600/24"
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__NOTOC__ | __NOTOC__ | ||
| − | == | + | == Data == |
| − | {{ | + | {{navigation}} |
| − | ''' | + | '''General''' |
| − | * | + | * Manufacturer: [[Tascam]] |
| − | * | + | * Model: M 600/24 |
| − | + | Type: Mixing console with 24 in / 16 monitor channels, without accessories | |
| − | * | + | * Years of manufacture: 1987 - 1994 |
| − | * | + | * Made in: Japan |
| − | * | + | * Original price: 24'428 DM |
| − | ''' | + | '''Technical data''' |
| − | [[ | + | [[File:Tascam M-600-Werbung.jpg]] |
| − | == | + | == Notes == |
| − | * | + | * Other models in the same series: |
* Tape Deck: | * Tape Deck: | ||
* [[Tascam 112]] | * [[Tascam 112]] | ||
| Line 31: | Line 31: | ||
| − | * | + | * [[Tape Machines: |
* [[Tascam 22-4]] | * [[Tascam 22-4]] | ||
* [[Tascam 32]] | * [[Tascam 32]] | ||
| Line 42: | Line 42: | ||
| − | * DBX | + | * [[DBX]] |
* [[Tascam DX-2]] | * [[Tascam DX-2]] | ||
* [[Tascam DX-4]] | * [[Tascam DX-4]] | ||
| Line 48: | Line 48: | ||
| − | * CD | + | * [[CD player]] |
* [[Tascam CD 501]] | * [[Tascam CD 501]] | ||
| Line 69: | Line 69: | ||
| − | * Equalizer | + | * [[Equalizer]] |
* [[Tascam GE20 B]] | * [[Tascam GE20 B]] | ||
* [[Tascam PE40]] | * [[Tascam PE40]] | ||
| − | * | + | * Headphone amplifier: |
* [[Tascam MH 40 B]] | * [[Tascam MH 40 B]] | ||
| − | * Peak | + | * Peak display: |
* [[Tascam MU 40]] | * [[Tascam MU 40]] | ||
| − | == | + | == Pictures == |
| − | * | + | * Excerpt from brochure: Tascam M 600/24 |
| − | [[ | + | [[File:Tascam M-600-Werbung.jpg]] |
| − | == | + | == Reports == |
| − | * | + | * Report from "Tape Museum": |
| − | * TASCAM M-600 | + | * TASCAM M-600 Series Mixer |
| − | * | + | * The TASCAM M-600 Series mixers were designed to meet the market's demands for TASCAM quality in a larger mixer, specifically for professional recording needs. The result is a top-of-the-line mixer that offers a wide range of control and connectivity options, while remaining remarkably compact and easy to use. Versions with 24 and 32 input channels are available, with both versions featuring a total of 16 program summing bars and balanced inputs and outputs (except Direct Out). |
| − | * | + | * With the exception of the XLR microphone inputs, all input and output signals are routed to 25-pin D-sub connectors, which can be directly coupled to a Bantam-type patch panel available as an accessory. Two monitor options allow the choice of 16 monitor returns for direct connection to 16-track tape machines, or 32 monitor returns for compatibility with 24- or 32-track machines. |
| − | * | + | * Stereo input modules are also available as accessories, intended for applications where primarily stereo signals are to be processed. As with all TASCAM consoles, the electrical specifications, sound quality, signal routing flexibility and reliability are outstanding. The TASCAM M-600 Series mixers are unbeatable in use for professional multitrack recording practice. |
== Links == | == Links == | ||
| + | |||
| + | |||
| + | [[Category:Mixer]] | ||
Latest revision as of 04:01, 1 November 2020
Data[edit]
General
- Manufacturer: Tascam
- Model: M 600/24
Type: Mixing console with 24 in / 16 monitor channels, without accessories
- Years of manufacture: 1987 - 1994
- Made in: Japan
- Original price: 24'428 DM
Technical data
Notes[edit]
- Other models in the same series:
- Tape Deck:
- Tascam 112
- Tascam 112 R
- Tascam 122 MKII
- Tascam 133
- Tascam 234
- Tascam Porta One
- Tascam Porta Two
- Tascam Porta 05
- Tascam 244 Portastudio
- Tascam 246 Portastudio
- [[Tape Machines:
- Tascam 22-4
- Tascam 32
- Tascam 34-B
- Tascam 42
- Tascam 48 OB
- Tascam ATR-60
- Tascam MS-16
- Tascam 388
- Mixer:
- Tascam M 1 B
- Tascam MX 80
- Tascam M 06
- Tascam M 106
- Tascam M 208
- Tascam M 216
- Tascam M 224
- Tascam M 308 B
- Tascam M 312 B
- Tascam M 320 B
- Tascam M 512
- Tascam M 520
- Tascam M 600/32
- Tascam M 600/24
- Headphone amplifier:
- Tascam MH 40 B
- Peak display:
- Tascam MU 40
Pictures[edit]
- Excerpt from brochure: Tascam M 600/24
Reports[edit]
- Report from "Tape Museum":
- TASCAM M-600 Series Mixer
- The TASCAM M-600 Series mixers were designed to meet the market's demands for TASCAM quality in a larger mixer, specifically for professional recording needs. The result is a top-of-the-line mixer that offers a wide range of control and connectivity options, while remaining remarkably compact and easy to use. Versions with 24 and 32 input channels are available, with both versions featuring a total of 16 program summing bars and balanced inputs and outputs (except Direct Out).
- With the exception of the XLR microphone inputs, all input and output signals are routed to 25-pin D-sub connectors, which can be directly coupled to a Bantam-type patch panel available as an accessory. Two monitor options allow the choice of 16 monitor returns for direct connection to 16-track tape machines, or 32 monitor returns for compatibility with 24- or 32-track machines.
- Stereo input modules are also available as accessories, intended for applications where primarily stereo signals are to be processed. As with all TASCAM consoles, the electrical specifications, sound quality, signal routing flexibility and reliability are outstanding. The TASCAM M-600 Series mixers are unbeatable in use for professional multitrack recording practice.