Difference between revisions of "Tascam 42"
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__NOTOC__ | __NOTOC__ | ||
− | == | + | == Data == |
− | {{ | + | {{navigation}} |
− | ''' | + | '''General''' |
− | * | + | * Manufacturer: [[Tascam]] |
− | * | + | * Model: 42-B-dB |
− | * | + | * Type: Tape machine with 2 channel, 1/4", 19/38 cm/sec, 0.75 mm separation track |
− | * | + | * Years of manufacture: 1984 - 1989 |
− | * | + | * Made in: Japan |
− | * | + | * Color: Black |
− | * | + | * Dimensions (WxHxD): 432 x 505 x 254 mm |
+ | * Original price: 8'432 DM | ||
− | ''' | + | '''Technical Data''' |
+ | * 2-track, 2-channel, 1/4" tape | ||
+ | * 26,5 cm reels | ||
+ | * Speed 19 cm/s and 38 cm/s | ||
+ | * Wow and flutter 0.05% at 38cm/s, 0.06% at 19cm/s | ||
+ | * Frequency range 30Hz-16kHz at 19cm/s, 30 Hz-22 kHz at 38 cm/s, 0 VU | ||
+ | * Spurious 68 dB at 19 cm/s, 70db at 38cm/s, 107db with dbx NR | ||
+ | * THD 0.8%, 0 VU, 1 kHz | ||
− | |||
− | + | == Comments == | |
− | == | + | * Other models in the same series: |
− | * | ||
* Tape Deck: | * Tape Deck: | ||
* [[Tascam 112]] | * [[Tascam 112]] | ||
Line 32: | Line 38: | ||
− | * | + | * [[Tape Machines: |
* [[Tascam 22-4]] | * [[Tascam 22-4]] | ||
* [[Tascam 32]] | * [[Tascam 32]] | ||
Line 44: | Line 50: | ||
− | * DBX | + | * [[DBX]] |
* [[Tascam DX-2]] | * [[Tascam DX-2]] | ||
* [[Tascam DX-4]] | * [[Tascam DX-4]] | ||
Line 50: | Line 56: | ||
− | * CD | + | * [[CD player]] |
* [[Tascam CD 501]] | * [[Tascam CD 501]] | ||
Line 71: | Line 77: | ||
− | * Equalizer | + | * [[Equalizer]] |
* [[Tascam GE20 B]] | * [[Tascam GE20 B]] | ||
* [[Tascam PE40]] | * [[Tascam PE40]] | ||
− | * | + | * Headphone amplifier: |
* [[Tascam MH 40 B]] | * [[Tascam MH 40 B]] | ||
− | * Peak | + | * Peak display: |
* [[Tascam MU 40]] | * [[Tascam MU 40]] | ||
− | == | + | == Pictures == |
− | * | + | * Extract from brochure: Tascam 42-B |
− | [[ | + | [[File:Tascam 42-B-Daten-1987.jpg|777px]] |
+ | |||
+ | |||
+ | * Excerpt from advertisement: Tascam Series-40 | ||
+ | [[File:Tascam 42-44-48-Werbung.jpg|1000px]] | ||
+ | |||
+ | |||
+ | == Reports == | ||
+ | * Report from "Tape Museum": | ||
+ | * Series 40 details | ||
+ | * Series 40 units are designed for faster and more versatile production: | ||
− | + | * Manual, Damp and Stop editing capabilities for fast and convenient editing (42B-dB). | |
+ | * 2 independent input and output level controls per channel. (42B-dB) | ||
+ | * Monitor tracks or inputs as needed using individual pre-load and record selector switches plus output selector switch. | ||
+ | * XLR jacks for inputs and outputs 600 ohm balanced. | ||
+ | * Synchronous recording capability. The 42 2-track machine can be used for 1-track overdubs. | ||
+ | * Tacho controlled digital display with positive or negative real time display. | ||
+ | * Auto loader controls a "search-to-cue" in both directions during fast rewind. | ||
+ | * Switching for input and output O-VU at -10dB and + 4dB (42 B-db). | ||
+ | * A "Return-to-Zero" button acts as a second auto-locator, stopping the tape at "00:00". | ||
+ | * Speed adjustment: for +/-12%. | ||
+ | * Cue possibility with one hand. | ||
+ | * Rear SMPTE connectivity (accessory) carries TTL levels and is compatible with Adam Smith, Audio Kinetics, BTX, Convergence, EECO, HD, Fernseh, United Media and other popular brands. | ||
+ | * Retrofittable dbx noise reduction, dx4d, dx2d. | ||
+ | * Series 40 units incorporate leading edge technology in electronics as well: | ||
+ | * All amplifier stages are directly coupled to achieve lowest distortion and optimal frequency response even for very low frequencies. | ||
+ | * The input amplifiers for the sync and playback heads incorporate ultra-low noise differential FET's for improved pulse and phase response. | ||
+ | * Eight different supply voltages including bipolar 15V for all audio stages provide optimum reliability. | ||
+ | VU meter plus peak LED's allow fast and accurate indication of short high output peaks. | ||
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− | [[ | + | [[Category:Tape machines]] |
Latest revision as of 04:32, 8 March 2021
Data[edit]
General
- Manufacturer: Tascam
- Model: 42-B-dB
- Type: Tape machine with 2 channel, 1/4", 19/38 cm/sec, 0.75 mm separation track
- Years of manufacture: 1984 - 1989
- Made in: Japan
- Color: Black
- Dimensions (WxHxD): 432 x 505 x 254 mm
- Original price: 8'432 DM
Technical Data
- 2-track, 2-channel, 1/4" tape
- 26,5 cm reels
- Speed 19 cm/s and 38 cm/s
- Wow and flutter 0.05% at 38cm/s, 0.06% at 19cm/s
- Frequency range 30Hz-16kHz at 19cm/s, 30 Hz-22 kHz at 38 cm/s, 0 VU
- Spurious 68 dB at 19 cm/s, 70db at 38cm/s, 107db with dbx NR
- THD 0.8%, 0 VU, 1 kHz
Comments[edit]
- Other models in the same series:
- Tape Deck:
- Tascam 112
- Tascam 112 R
- Tascam 122 MKII
- Tascam 133
- Tascam 234
- Tascam Porta One
- Tascam Porta Two
- Tascam Porta 05
- Tascam 244 Portastudio
- Tascam 246 Portastudio
- [[Tape Machines:
- Tascam 22-4
- Tascam 32
- Tascam 34-B
- Tascam 38
- Tascam 42
- Tascam 48 OB
- Tascam ATR-60
- Tascam MS-16
- Tascam 388
- Mixer:
- Tascam M 1 B
- Tascam MX 80
- Tascam M 06
- Tascam M 106
- Tascam M 208
- Tascam M 216
- Tascam M 224
- Tascam M 308 B
- Tascam M 312 B
- Tascam M 320 B
- Tascam M 512
- Tascam M 520
- Tascam M 600/32
- Tascam M 600/24
- Headphone amplifier:
- Tascam MH 40 B
- Peak display:
- Tascam MU 40
Pictures[edit]
- Extract from brochure: Tascam 42-B
- Excerpt from advertisement: Tascam Series-40
Reports[edit]
- Report from "Tape Museum":
- Series 40 details
- Series 40 units are designed for faster and more versatile production:
- Manual, Damp and Stop editing capabilities for fast and convenient editing (42B-dB).
- 2 independent input and output level controls per channel. (42B-dB)
- Monitor tracks or inputs as needed using individual pre-load and record selector switches plus output selector switch.
- XLR jacks for inputs and outputs 600 ohm balanced.
- Synchronous recording capability. The 42 2-track machine can be used for 1-track overdubs.
- Tacho controlled digital display with positive or negative real time display.
- Auto loader controls a "search-to-cue" in both directions during fast rewind.
- Switching for input and output O-VU at -10dB and + 4dB (42 B-db).
- A "Return-to-Zero" button acts as a second auto-locator, stopping the tape at "00:00".
- Speed adjustment: for +/-12%.
- Cue possibility with one hand.
- Rear SMPTE connectivity (accessory) carries TTL levels and is compatible with Adam Smith, Audio Kinetics, BTX, Convergence, EECO, HD, Fernseh, United Media and other popular brands.
- Retrofittable dbx noise reduction, dx4d, dx2d.
- Series 40 units incorporate leading edge technology in electronics as well:
- All amplifier stages are directly coupled to achieve lowest distortion and optimal frequency response even for very low frequencies.
- The input amplifiers for the sync and playback heads incorporate ultra-low noise differential FET's for improved pulse and phase response.
- Eight different supply voltages including bipolar 15V for all audio stages provide optimum reliability.
VU meter plus peak LED's allow fast and accurate indication of short high output peaks.