Difference between revisions of "Accuton C50-8-043"

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== Beschreibung ==
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== Description ==
Dieses Modell ging aus dem [[Accuton C50-8-44]] hervor und wurde speziell für die [[Myro Time 2]] und das Zusammenspiel mit dem [[Mundorf AMT26-Myro-V2]] entwickelt. Für einen bruchlosen Übergang zu den Mitten braucht man dabei einen Mitteltöner, der selbst in den Höhen schnell und sauber übertragen kann. Die symmetrische Anordnung der Mitteltöner um den AMT und die geringen Abstände der Membranen zueinander ermöglichen zudem ein gutes vertikales Abstrahlverhalten. Dies erfüllen die Accuton C50 Mitteltonkalotten. Das Standardmodell ''Accuton C50-8-44'' mit den markentypischen Ohren wandelt unerwünschte Schwingungsenergie in Wärme und dämpft somit die Membranresonanzen. Dies geschieht allerdings nicht vollständig und hinterlässt eine Frequenzgangcharakteristik, die nicht einfach zu filtern ist. Für die ''Time 2'' stellte Accuton darum eine Modellvariante ohne die üblichen Ausschnitte zur Verfügung. Die Membran der ''Accuton C50-8-043'' ist stabiler als die der ''Accuton C50-8-044'' und besser im Impulsverhalten. Zudem gibt es ohne "Ohren" geringere Serienstreuungen. Rechter und linker Lautsprecher sind daher nicht nur gleich, es ergibt sich auch der Vorteil gleicher Weichenschaltungen und -bauteile; alles Vorteile für die stabile Stereowiedergabe. Das Zusammenspiel von AMT und C50 gelingt damit perfekt. Die drei Chassis spielen wie ein Chassis, fast oder sogar besser als ein Punktstrahler.
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This model emerged from the [[Accuton C50-8-44]] and was developed together with Michael Weidlich especially for the [[Myro Time 2]] and the interaction with the [[Mundorf AMT26-Myro-V2]]. For a smooth transition to the midrange, a midrange driver is needed that is able to transmit quickly and cleanly even in the highs. The symmetrical arrangement of the midrange drivers around the AMT and the small distances between the cones also allow for good vertical dispersion. This is fulfilled by the Accuton C50 midrange domes. The standard model ''Accuton C50-8-44'' with the brand typical ears converts unwanted vibrational energy into heat and thus dampens the cone resonances. However, this does not happen completely and leaves a frequency response characteristic that is not easy to filter. For the ''Time 2'' Accuton therefore provided a model variant without the usual cut-outs. The diaphragm of the ''Accuton C50-8-043'' is more stable than that of the ''Accuton C50-8-044'' and has a better impulse response. In addition, there is less series dispersion without ''ears''. Right and left speakers are therefore not only the same, there is also the advantage of identical crossover circuits and components; all advantages for stable stereo reproduction. The interplay between AMT and C50 is therefore perfect. The three drivers play like one chassis, almost or even better than a point source.
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== Pictures ==
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<gallery>
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Time_AMT.jpg|2 x Accuton C50 dome with Air Motion Transformer in the [[Myro Time 2]]
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</gallery>
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<''zurück: [[Accuton Lautsprecherchassis]]''>

Latest revision as of 14:06, 6 October 2016

Description[edit]

This model emerged from the Accuton C50-8-44 and was developed together with Michael Weidlich especially for the Myro Time 2 and the interaction with the Mundorf AMT26-Myro-V2. For a smooth transition to the midrange, a midrange driver is needed that is able to transmit quickly and cleanly even in the highs. The symmetrical arrangement of the midrange drivers around the AMT and the small distances between the cones also allow for good vertical dispersion. This is fulfilled by the Accuton C50 midrange domes. The standard model Accuton C50-8-44 with the brand typical ears converts unwanted vibrational energy into heat and thus dampens the cone resonances. However, this does not happen completely and leaves a frequency response characteristic that is not easy to filter. For the Time 2 Accuton therefore provided a model variant without the usual cut-outs. The diaphragm of the Accuton C50-8-043 is more stable than that of the Accuton C50-8-044 and has a better impulse response. In addition, there is less series dispersion without ears. Right and left speakers are therefore not only the same, there is also the advantage of identical crossover circuits and components; all advantages for stable stereo reproduction. The interplay between AMT and C50 is therefore perfect. The three drivers play like one chassis, almost or even better than a point source.

Pictures[edit]


<zurück: Accuton Lautsprecherchassis>