Difference between revisions of "Tascam M 312 B"
(Die Seite wurde neu angelegt: „__NOTOC__ == Daten == {{Navigation}} '''Allgemein''' * Hersteller: Tascam * Modell: M 312 B * Typ: Mischpult mit 12 in/4 PGM out, Mic-Line-Tape - Stereo ou…“) |
|||
| (3 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
__NOTOC__ | __NOTOC__ | ||
| − | == | + | == Data == |
| − | {{ | + | {{navigation}} |
| − | ''' | + | '''General''' |
| − | * | + | * Manufacturer: [[Tascam]] |
| − | * | + | * Model: M 312 B |
| − | + | Type: Mixing console with 12 in/4 PGM out, Mic-Line-Tape - Stereo out | |
| − | * | + | * Years of manufacture: 1987 - 1994 |
| − | * | + | * Made in: Japan |
| − | * | + | * Original price: 7'319 DM |
| − | ''' | + | '''Technical data''' |
| − | [[ | + | [[File:Tascam M-308-312-320 B-Daten-1988.jpg]] |
| + | [[File:Tascam M-312 B-Daten.jpg]] | ||
| − | == | + | |
| − | * | + | == Notes == |
| + | * Other models in the same series: | ||
* Tape Deck: | * Tape Deck: | ||
* [[Tascam 112]] | * [[Tascam 112]] | ||
| Line 31: | Line 33: | ||
| − | * | + | * [[Tape Machines: |
* [[Tascam 22-4]] | * [[Tascam 22-4]] | ||
* [[Tascam 32]] | * [[Tascam 32]] | ||
| Line 42: | Line 44: | ||
| − | * DBX | + | * [[DBX]] |
* [[Tascam DX-2]] | * [[Tascam DX-2]] | ||
* [[Tascam DX-4]] | * [[Tascam DX-4]] | ||
| Line 48: | Line 50: | ||
| − | * CD | + | * [[CD player]] |
* [[Tascam CD 501]] | * [[Tascam CD 501]] | ||
| Line 69: | Line 71: | ||
| − | * Equalizer | + | * [[Equalizer]] |
* [[Tascam GE20 B]] | * [[Tascam GE20 B]] | ||
* [[Tascam PE40]] | * [[Tascam PE40]] | ||
| − | * | + | * Headphone amplifier: |
* [[Tascam MH 40 B]] | * [[Tascam MH 40 B]] | ||
| − | * Peak | + | * Peak display: |
* [[Tascam MU 40]] | * [[Tascam MU 40]] | ||
| − | == | + | == Pictures == |
| − | * | + | * Excerpt from brochure: Tascam M-300 B Series |
| − | [[ | + | [[File:Tascam M-300-Mixer-Prospekt-1.jpg]] |
| − | == | + | == Reports == |
| − | * | + | * Report from "Tape Museum": |
| − | * TASCAM | + | * TASCAM SERIES 300 B |
* M-320: 20 In 14 PGM Out/STEREO Out/Mono Out M-312 B: 12 In/4 PGM Out/STEREO Out/Mono Out M-308: 8 In 14 PGM Out /STEREO Out/Mono Out | * M-320: 20 In 14 PGM Out/STEREO Out/Mono Out M-312 B: 12 In/4 PGM Out/STEREO Out/Mono Out M-308: 8 In 14 PGM Out /STEREO Out/Mono Out | ||
| − | + | ||
| + | * The new TASCAM M-300 Series consoles are equipped with a very flexible combination of capabilities and functions, allowing them to be used successfully in an enormously wide range of applications; from small recording studios to live event mixing, from broadcast production to video post-production dubbing. | ||
== Links == | == Links == | ||
| + | |||
| + | |||
| + | [[Category:Mixer]] | ||
Latest revision as of 03:52, 9 March 2021
Data[edit]
General
- Manufacturer: Tascam
- Model: M 312 B
Type: Mixing console with 12 in/4 PGM out, Mic-Line-Tape - Stereo out
- Years of manufacture: 1987 - 1994
- Made in: Japan
- Original price: 7'319 DM
Technical data
Notes[edit]
- Other models in the same series:
- Tape Deck:
- Tascam 112
- Tascam 112 R
- Tascam 122 MKII
- Tascam 133
- Tascam 234
- Tascam Porta One
- Tascam Porta Two
- Tascam Porta 05
- Tascam 244 Portastudio
- Tascam 246 Portastudio
- [[Tape Machines:
- Tascam 22-4
- Tascam 32
- Tascam 34-B
- Tascam 42
- Tascam 48 OB
- Tascam ATR-60
- Tascam MS-16
- Tascam 388
- Mixer:
- Tascam M 1 B
- Tascam MX 80
- Tascam M 06
- Tascam M 106
- Tascam M 208
- Tascam M 216
- Tascam M 224
- Tascam M 308 B
- Tascam M 312 B
- Tascam M 320 B
- Tascam M 512
- Tascam M 520
- Tascam M 600/32
- Tascam M 600/24
- Headphone amplifier:
- Tascam MH 40 B
- Peak display:
- Tascam MU 40
Pictures[edit]
- Excerpt from brochure: Tascam M-300 B Series
Reports[edit]
- Report from "Tape Museum":
- TASCAM SERIES 300 B
- M-320: 20 In 14 PGM Out/STEREO Out/Mono Out M-312 B: 12 In/4 PGM Out/STEREO Out/Mono Out M-308: 8 In 14 PGM Out /STEREO Out/Mono Out
- The new TASCAM M-300 Series consoles are equipped with a very flexible combination of capabilities and functions, allowing them to be used successfully in an enormously wide range of applications; from small recording studios to live event mixing, from broadcast production to video post-production dubbing.