Difference between revisions of "The Legendary Cassette Decks In Comparison"
Analoghatwas (talk | contribs) (Akai GX-95 ergänzt.) |
Analoghatwas (talk | contribs) (Yamaha K-2000 ergänzt.) |
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! style="width:15%;text-align:left"| Modell || Jahr || Anz. || Lösch || Record/Playback || Motoren || Dual Capstan || Gleichlaufschw. in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || (B/C/S/HXPro) || Kalibration || reverse | ! style="width:15%;text-align:left"| Modell || Jahr || Anz. || Lösch || Record/Playback || Motoren || Dual Capstan || Gleichlaufschw. in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || (B/C/S/HXPro) || Kalibration || reverse | ||
|- | |- | ||
| − | |[[Akai GX-95]]||1990||3|| || GF|| 3|| Ja||0,025 %||< 0,6%|| || ||20 - 21.000 ||20 - 21.000 ||20 - 19.000|| 59 dB|| || ||B/C/HX-Pro||manuell||Nein | + | |[[Akai GX-95]]||1990||3|| || GF|| 3|| Ja||0,025 %||<0,6%|| || ||20 - 21.000 ||20 - 21.000 ||20 - 19.000|| 59 dB|| || ||B/C/HX-Pro||manuell||Nein |
|- | |- | ||
| − | |[[Arcam Delta 100]]||1992||3|| || || |3|| Ja ||0,04 %|| < 1,0 %|| || || || 20 - 20.000|| || 66 dB|||| ||B/C/S|| manuell ||Nein | + | |[[Arcam Delta 100]]||1992||3|| || || |3|| Ja ||0,04 %|| <1,0 %|| || || || 20 - 20.000|| || 66 dB|||| ||B/C/S|| manuell ||Nein |
|- | |- | ||
|[[Harman/kardon CD 491]]||1983||3||||S&F/S&F||3|| Ja||0,025 %||0,9%|| || ||20 - 26.000 ||20 - 24.000 ||20 - 24.000||58 dB|| || ||B/C/HX-Pro||Ja||Nein | |[[Harman/kardon CD 491]]||1983||3||||S&F/S&F||3|| Ja||0,025 %||0,9%|| || ||20 - 26.000 ||20 - 24.000 ||20 - 24.000||58 dB|| || ||B/C/HX-Pro||Ja||Nein | ||
|- | |- | ||
| − | | [[Nakamichi DRAGON]] || 1983 || 3 || PA-1L || R-8L/E-8L || 5 || Ja || 0,019% || < 0,8% || < 0,8% || < 0,8% || 20 - 22.000 || - || - || - || - || - || B/C || manuell || Ja | + | | [[Nakamichi DRAGON]] || 1983 || 3 || PA-1L || R-8L/E-8L || 5 || Ja || 0,019% || <0,8% || <0,8% || <0,8% || 20 - 22.000 || - || - || - || - || - || B/C || manuell || Ja |
|- | |- | ||
| − | | [[Pioneer CT-95]] <ref group="*">Achtung! Frequenzgang ± 6 dB und nicht wie üblich ± 3 dB.</ref>|| 1993 || 3 || - || -/- || 3 || Ja || 0,022% || | + | | [[Pioneer CT-95]] <ref group="*">Achtung! Frequenzgang ± 6 dB und nicht wie üblich ± 3 dB.</ref>|| 1993 || 3 || - || -/- || 3 || Ja || 0,022% || 0,6% || 0,6% || 0,6% || 10 - 30.000 || 10 - 21.000 || 10 - 21.000 || 64 dB || - || - || B/C/S || manuell || Nein |
|- | |- | ||
| [[Revox B 215]] || 1985 || 3 || - || S&F/S&F || 4 || Ja || 0,1% || 1,0% || 1,5% || 0,8% || 30 - 20.000 || 30 - 20.000 || 30 - 18.000 || - || - || - || B/C || Automatisch|| Nein | | [[Revox B 215]] || 1985 || 3 || - || S&F/S&F || 4 || Ja || 0,1% || 1,0% || 1,5% || 0,8% || 30 - 20.000 || 30 - 20.000 || 30 - 18.000 || - || - || - || B/C || Automatisch|| Nein | ||
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| [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein | | [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein | ||
|- | |- | ||
| − | | [[Sony TC-KA 3 ES]] || 1995 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein | + | | [[Sony TC-KA 3 ES]] || 1995 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 -20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein |
|- | |- | ||
| [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,027% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein | | [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,027% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein | ||
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| [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein | | [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein | ||
|- | |- | ||
| − | |[[Yamaha KX-690]]||1996||3|| F || HP/HP ||3|| Ja|| 0,04%||< 0,8% ||< 0,8% || < 0,8%|| 20 - 21.000|| 20 - 19.000|| 20 - 18.000 || || ||> 60 dB|| B/C/S/HXPro ||Automatisch||Nein | + | |[[Yamaha K-2000]]||1983||3|| ||SD||2||Capstan ||0,02%||<0,9%|| || || 20 - 20.000|| || ||> 59 dB|| || || B ||Automatisch ||Nein |
| + | |- | ||
| + | |[[Yamaha KX-690]]||1996||3|| F || HP/HP ||3|| Ja|| 0,04%||<0,8% ||<0,8% || <0,8%|| 20 - 21.000|| 20 - 19.000|| 20 - 18.000 || || ||> 60 dB|| B/C/S/HXPro ||Automatisch||Nein | ||
|} | |} | ||
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* GF = nahezu verschleißfreie Glasferrit-Tonköpfe (Akai) | * GF = nahezu verschleißfreie Glasferrit-Tonköpfe (Akai) | ||
* S&F = Sendust & Ferrite (harman/kardon, Sony) | * S&F = Sendust & Ferrite (harman/kardon, Sony) | ||
| − | * SD = Sendust (Sony) | + | * SD = Sendust (Sony, Yamaha) |
* LA = Laser Amorphous (Sony) | * LA = Laser Amorphous (Sony) | ||
* AC = Amorphous Cobalt - bestehend aus 14 Schichten (TEAC) | * AC = Amorphous Cobalt - bestehend aus 14 Schichten (TEAC) | ||
Revision as of 16:22, 24 February 2016
Kurzbeschreibung
Hier wird versucht, die legendären Kassettendecks aller Zeiten aufzulisten. Z.B. Nakamichi DRAGON, Revox B 215 und Pioneer CT-95.
Einschränkung
- Bitte nicht mehr als maximal drei Top Kassettendecks pro Hersteller.
- Elcaset Kassettendecks sind erlaubt.
Daten
| Technische Daten | Tonköpfe | Klirrfaktor | Frequenzgang in Hz (± 3 dB) | Signalrauschabstand (ohne Dolby) | Dolby NR | Bias | Auto- | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Modell | Jahr | Anz. | Lösch | Record/Playback | Motoren | Dual Capstan | Gleichlaufschw. in WRMS | Metal | Chrome | Normal | Metal | Chrome | Normal | Metal | Chrome | Normal | (B/C/S/HXPro) | Kalibration | reverse |
| Akai GX-95 | 1990 | 3 | GF | 3 | Ja | 0,025 % | <0,6% | 20 - 21.000 | 20 - 21.000 | 20 - 19.000 | 59 dB | B/C/HX-Pro | manuell | Nein | |||||
| Arcam Delta 100 | 1992 | 3 | 3 | Ja | 0,04 % | <1,0 % | 20 - 20.000 | 66 dB | B/C/S | manuell | Nein | ||||||||
| Harman/kardon CD 491 | 1983 | 3 | S&F/S&F | 3 | Ja | 0,025 % | 0,9% | 20 - 26.000 | 20 - 24.000 | 20 - 24.000 | 58 dB | B/C/HX-Pro | Ja | Nein | |||||
| Nakamichi DRAGON | 1983 | 3 | PA-1L | R-8L/E-8L | 5 | Ja | 0,019% | <0,8% | <0,8% | <0,8% | 20 - 22.000 | - | - | - | - | - | B/C | manuell | Ja |
| Pioneer CT-95 <ref group="*">Achtung! Frequenzgang ± 6 dB und nicht wie üblich ± 3 dB.</ref> | 1993 | 3 | - | -/- | 3 | Ja | 0,022% | 0,6% | 0,6% | 0,6% | 10 - 30.000 | 10 - 21.000 | 10 - 21.000 | 64 dB | - | - | B/C/S | manuell | Nein |
| Revox B 215 | 1985 | 3 | - | S&F/S&F | 4 | Ja | 0,1% | 1,0% | 1,5% | 0,8% | 30 - 20.000 | 30 - 20.000 | 30 - 18.000 | - | - | - | B/C | Automatisch | Nein |
| Sony TC-K 909 ES | 1993 | 3 | S&F | LA/LA | 3 | Ja | 0,022% | 1,3% | - | 0,4% | 15 - 22.000 | 15 - 20.000 | 15 - 17.000 | 61 dB | 59 dB | 57 dB | B/C/S | manuell | Nein |
| Sony TC-KA 3 ES | 1995 | 3 | S&F | LA/LA | 3 | Ja | 0,022% | 1,3% | - | 0,4% | 15 - 22.000 | 15 -20.000 | 15 - 17.000 | 61 dB | 59 dB | 57 dB | B/C/S | manuell | Nein |
| Teac V-6030 S | 1995 | 3 | - | AC/AC | 4 | Ja | 0,027% | - | - | - | 15 - 21.000 | 15 - 20.000 | 15 - 18.000 | 60 dB | - | - | B/C/S/HXPro | manuell | Nein |
| Teac V-8000 S | 1991 | 3 | - | AC/AC | 4 | Ja | 0,022% | - | - | - | 15 - 21.000 | 15 - 20.000 | 15 - 18.000 | 60 dB | - | - | B/C/S/HXPro | manuell | Nein |
| Teac V-8030 S | 1995 | 3 | - | AC/AC | 4 | Ja | 0,022% | - | - | - | 15 - 21.000 | 15 - 20.000 | 15 - 18.000 | 60 dB | - | - | B/C/S/HXPro | manuell | Nein |
| Yamaha K-2000 | 1983 | 3 | SD | 2 | Capstan | 0,02% | <0,9% | 20 - 20.000 | > 59 dB | B | Automatisch | Nein | |||||||
| Yamaha KX-690 | 1996 | 3 | F | HP/HP | 3 | Ja | 0,04% | <0,8% | <0,8% | <0,8% | 20 - 21.000 | 20 - 19.000 | 20 - 18.000 | > 60 dB | B/C/S/HXPro | Automatisch | Nein | ||
Gleichlaufschwankung in WRMS
Professionelle Kassettendecks konnten Gleichlaufschwankungen um 0,02% erreichen, was als nicht mehr hörbar bezeichnet wurde.
Consumer-Kassettendecks erreichten in etwa Werte von 0,08% WRMS, was in manchen Situationen noch hörbar ist.
Echte High-End-Decks schafften es, näher an die 0,02% Marke zu kommen und manche, wie das Dragon, sogar etwas darunter.
Tonköpfe
Kopftypen:
- F&F = Ferrite & Ferrite (Sony)
- GF = nahezu verschleißfreie Glasferrit-Tonköpfe (Akai)
- S&F = Sendust & Ferrite (harman/kardon, Sony)
- SD = Sendust (Sony, Yamaha)
- LA = Laser Amorphous (Sony)
- AC = Amorphous Cobalt - bestehend aus 14 Schichten (TEAC)
- F = Ferrit Kopf - Doppelspalt (Yamaha)
- HP = Hard Permalloy Kopf (Yamaha)
Siehe auch Artikel über Tonköpfe <ref group="Nachweis">http://www.stereo2go.com/topic/is-it-all-in-your-head</ref>
Anmerkungen
<references group="*"/>
Einzelnachweise
<references group="Nachweis"/>
Kategorie:Lexikon Kategorie:Kassettendecks Kategorie:Entwurf