Difference between revisions of "Marantz PM-35"
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| − | + | == General == | |
| − | == | + | Manufacturer: [[Marantz]] |
| − | + | Model: PM-35 | |
| − | + | Years of manufacture: ca. 1988 - 1990 | |
| − | + | Made in: Japan | |
| − | + | Colour: Black | |
| − | + | Type: Analog | |
| − | + | Remote control: No | |
| − | + | Power consumption: 135W | |
| − | + | Dimensions: (WxHxD) 420 x 100 x 260 mm | |
| − | + | Weight: 6,7 Kg | |
| − | + | Original price approx.: DM 600,- | |
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| + | == Connections == | ||
| + | '''Number of inputs:''' 5 inputs | ||
| + | Phono (MM): | ||
| + | Frequency Response (IEC RIAA): +/- 0,5dB | ||
| + | Signal-to-noise ratio (IEC A weighted): 86dB | ||
| + | Input Impedance: 47 k ohms | ||
| + | Input Capacitance: 200pF | ||
| + | Input Sensitivity: 2.5mV | ||
| + | Equivalent Input Noise: 0.25µV | ||
| + | Phono (MC): | ||
| + | Input Sensitivity: 250µV | ||
| + | Input Impedance: 100 ohms | ||
| + | CD/Tuner/Tape (Line in): | ||
| + | Input Impedance: 20 k ohms | ||
| + | Input Sensitivity: 150mV | ||
| + | '''Number of outputs:''' 1 output | ||
| + | Tape (Line out): | ||
| + | Tape Out [PHONO (MM) 5.0mV 1kHz INPUT]: 300mV / 220 ohms | ||
| − | + | == Technical data == | |
| − | + | Continuous power (at distortion) | |
| − | + | 8 Ohm: 55W (according to DIN) | |
| − | + | 8 Ohm: 45W (RMS) | |
| − | + | 4 Ohm: 70W (according to DIN) | |
| + | 4 Ohm: 52W (RMS) | ||
| + | Dynamic power | ||
| + | 8 Ohm: 70W | ||
| + | 4 Ohm: 95W | ||
| + | 2 Ohm:110W | ||
| + | Total harmonic distortion: 0,025%. | ||
| + | Attenuation factor 8 Ohm (1 kHz): 100 | ||
| + | Frequency response (+/-1.0 dB): 10Hz ~ 70 kHz | ||
| + | Total dynamic range: 113dB | ||
| + | Signal-to-noise ratio (IEC A weighted): 96dB | ||
| + | Stereo channel separation (CD): 80dB | ||
| + | Tone control: Treble / Bass | ||
| + | Bass:(+/- 10dB) | ||
| + | Treble:(+/- 10dB) | ||
| + | Loudness: switchable | ||
| + | High Filter: No | ||
| + | Low Filter (Subsonic): No | ||
| + | Mute: No | ||
| + | Direct/Line-Straight: | ||
| + | Tone defeat - bypasses the high/low filters for TUNER/AUX/TAPE. | ||
| + | Direct Line - bypassing all filters and shortening the electrical switching paths for PHONO (MM/MC)/CD | ||
| + | == Special features == | ||
| − | + | == Remarks == | |
| − | + | "Digital Monitoring Series" Very fine sound - at higher levels possibly unclean bass reproduction with too large speakers. No performance bear - rather fine monitoring candidate. | |
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| + | Slightly lean tuning in the bass, fine resolution, gentle in the treble. | ||
| − | + | == Pictures == | |
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| − | + | == Reviews == | |
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== Links == | == Links == | ||
| − | [[ | + | [[Category:Integrated amplifier]] |
Latest revision as of 14:45, 28 February 2012
Contents
General
Manufacturer: Marantz Model: PM-35 Years of manufacture: ca. 1988 - 1990 Made in: Japan Colour: Black Type: Analog Remote control: No Power consumption: 135W Dimensions: (WxHxD) 420 x 100 x 260 mm Weight: 6,7 Kg Original price approx.: DM 600,-
Connections
Number of inputs: 5 inputs
Phono (MM):
Frequency Response (IEC RIAA): +/- 0,5dB
Signal-to-noise ratio (IEC A weighted): 86dB
Input Impedance: 47 k ohms
Input Capacitance: 200pF
Input Sensitivity: 2.5mV
Equivalent Input Noise: 0.25µV
Phono (MC):
Input Sensitivity: 250µV
Input Impedance: 100 ohms
CD/Tuner/Tape (Line in):
Input Impedance: 20 k ohms
Input Sensitivity: 150mV
Number of outputs: 1 output
Tape (Line out):
Tape Out [PHONO (MM) 5.0mV 1kHz INPUT]: 300mV / 220 ohms
Technical data
Continuous power (at distortion)
8 Ohm: 55W (according to DIN)
8 Ohm: 45W (RMS)
4 Ohm: 70W (according to DIN)
4 Ohm: 52W (RMS)
Dynamic power
8 Ohm: 70W
4 Ohm: 95W
2 Ohm:110W
Total harmonic distortion: 0,025%.
Attenuation factor 8 Ohm (1 kHz): 100
Frequency response (+/-1.0 dB): 10Hz ~ 70 kHz
Total dynamic range: 113dB
Signal-to-noise ratio (IEC A weighted): 96dB
Stereo channel separation (CD): 80dB
Tone control: Treble / Bass
Bass:(+/- 10dB)
Treble:(+/- 10dB)
Loudness: switchable
High Filter: No
Low Filter (Subsonic): No
Mute: No
Direct/Line-Straight:
Tone defeat - bypasses the high/low filters for TUNER/AUX/TAPE.
Direct Line - bypassing all filters and shortening the electrical switching paths for PHONO (MM/MC)/CD
Special features
Remarks
"Digital Monitoring Series" Very fine sound - at higher levels possibly unclean bass reproduction with too large speakers. No performance bear - rather fine monitoring candidate.
Slightly lean tuning in the bass, fine resolution, gentle in the treble.