Difference between revisions of "Dolby S Cassette Decks In Comparison"

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== Kurzbeschreibung ==
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== Short description ==
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Hier sind die meisten Dolby S Kassettendecks gelistet, damit man die Spezifikationen im überblick einfach Vergleichen kann.
+
Most Dolby S<ref group="*"> [https://de.wikipedia.org/wiki/Dolby#Dolby_S Dolby S at German Wikipedia] </ref> cassette decks are listed here, so you can easily compare the specifications at a glance.
  
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'''Einschränkung'''
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'''Limitation'''
  
−
Damit die Liste nicht al zu lang wird, werden nur Geräte mit Gleichaufschwankungen weniger als 0,08% gelistet.
+
To keep the list from getting too long, only units with synchronicity fluctuations of less than 0.08% are listed.
  
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== Daten ==
+
== Data ==
 
{| class="wikitable sortable"
 
{| class="wikitable sortable"
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|+ style="padding-bottom:1em"| Spezifikationen
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|+ style="padding-bottom:1em"| specifications
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|- class="hintergrundfarbe6"
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|- class="background-color6"
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! style="width:15%;text-align:right" | Technische Daten || || ! colspan="3" | Tonköpfe || || || || ! colspan="3" | Klirrfaktor || ! colspan="3" | Frequenzgang in Hz || ! colspan="3" | Signalrausabstand (ohne Dolby) || Bias || Auto-
+
! style="width:15%;text-align:right" | Specifications || || ! colspan="3" | Sound heads || || || ! colspan="3" | Distortion factor || ! colspan="3" | Frequency response in Hz || ! colspan="3" | Signal to noise ratio (without Dolby) || Bias || Auto-
−
|- class="hintergrundfarbe6"
+
|- class="backgroundcolor6"
−
! style="width:15%;text-align:left"| Modell || Jahr || Anz. || Lösch || Record/Playback || Motoren || Dual Capstan || Gleichlaufschw. in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || Kalibration || reverse
+
! style="width:15%;text-align:left"| Model || Year || No. || Erase || Record/Playback || Motors || Dual Capstan || Synchronization in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || Calibration || reverse
 
|-
 
|-
−
| [[Sony TC-K 511 S]] || 1993 || 3 || S&F || SD/SD || 2 || Nein || 0,07% ||  1,5% || - || 0,4 % || 30 - 19.000 || 30 - 18.000 || 30 - 17.000 || 60 dB || 59 dB || 57 dB || Manuel || Nein
+
|[[Aiwa XK-S 7000]]||1992||3|| || 3|| ||0,025%| || || 13 - 23.000|| 13 - 21.000|| 13 - 20.000|| || manual||No ||
 
|-
 
|-
−
| [[Sony TC-K 611 S]] || 1993 || 3 || F&F || SD/SD || 3 || Nein || 0,05% || 1,5% || - || 0,4% || 20 - 20.000 || 20 - 18.000 || 20 - 17.000 || 60 dB || - || - || Manuel || Nein
+
|[[Aiwa XK-S 9000]]||1992||3|| || 4|| ||0,018%||0,002%|| || 13 - 24.000 <ref group="*">Attention! Frequency response ± 0.3 dB and not ± 3 dB as usual.</ref> || 13 - 22.000|| 13 - 21.000||65 dB| || manual||No ||
 
|-
 
|-
−
| [[Sony TC-K 711 S]] || 1993 || 3 || F&F || SD/LA|| 3 || Ja || 0,05% || 1,5% || - || 0,4% || 20 - 21.000 || 20 - 19.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || Manuel || Nein
+
|[[Arcam Delta 100]]||1992||3| || Yes ||0.04 %|| &lt; 1.0 %| || || 20 - 20,000|| || 66 dB|||| ||manual ||No
 
|-
 
|-
−
| [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA|| 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || Manuel || Nein
+
|[[Harman/kardon TD 4600]] ||1990||2|| ||A || || || || || 20 - 20.000 || || ||57 dB || ||manual ||No ||
 
|-
 
|-
−
| [[Sony TC-S 1]] || 1995 || 2 || F&F || SD || - || Nein || 0,06% || 1,5% || - || 0,4% || 25 - 19.000 || 25 - 17.000 || 25 - 16.000 || 58 dB || 57 dB || 55 dB || Automatisch || Ja
+
| [[Harman/kardon TD 470]] || 1995 || 3 || || A || ||Yes ||0.06% (DIN)<ref group="*"> The DIN requirements for synchronization were higher than WRMS.</ref>|| 1.1%|| 1.3% || 0.6%|| 20 - 20,000 || || || 56 dB<ref group="*"> [[ File:Hk_td470_Infos_2016.pdf|mail-copies hk-support]] </ref> || ||manual || No
 
|-
 
|-
−
| [[Sony TC-WA 7 ES]] || 1995 || 2x2 || - || - || 2x2 || Nein || 0,07% ||  1,8% || - || 0,4 % || 30 - 18.000 || 30 - 17.000 || 30 - 15.000 || 58 dB || 57 dB || 55 dB || Automatisch|| Ja
+
| [[Kenwood KX-7060 S]] || 1994|| 3 || || Yes || 0.055% / 0.15% (DIN)|| || || 20 - 22,000 || 20 - 19,000 || 60 dB || - ||- || Automatic || No
 
|-
 
|-
−
| [[Teac V-2030 S]] || 1995 || 3 || - || - || 2 || Nein || 0,045% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || Manuel || Nein
+
| [[Kenwood KX-9050 S]] || 1992|| 3 || || A || 4 || Yes || 0.024% / 0.05% (DIN)|| || &lt;0.7%| || 20 - 22,000 || 20 - 19,000 || 59 dB || - ||- || Automatic<ref group="*"> Manual fine tuning of the automatically determined bias in +/- 3 steps possible</ref>. || No
 
|-
 
|-
−
| [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,027% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || Manuel || Nein
+
| [[Pioneer CT-95]] <ref group="*">Attention! Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1993 || 3 || - || -/- || 3 || Yes || 0.022% || 0.6% || 0.6% || 10 - 30,000 || 10 - 21,000 || 64 dB || - || - || Manual || No
 +
|-
 +
[[Pioneer CT-S 430 S]] <ref group="*">Attention. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 2 || || No || 0.07% || &lt;1.0% || - || - || 25 - 18,000 || 25 - 17,000 || - || - || 57 dB || Automatic || No
 +
|-
 +
[[Pioneer CT-S 630 S]] <ref group="*">Caution. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 3 || || 2 || No || 0.05% || &lt;0.6% || - || - || 20 - 19,000 || 20 - 21,000 || - || - 59 dB || Automatic || No
 +
|-
 +
[[Pioneer CT-S 830 S]] <ref group="*">Caution. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 3 || || 2 || No || 0.023% || &lt;0.6% || - || - || 15 - 20,000 || 15 - 20,000 || - || - 59 dB || Automatic || No
 +
|-
 +
[[Sony TC-K 511 S]] || 1993 || 3 || S&amp;F || SD/SD || 2 || No || 0.07% || 1.5% || - || 0.4% || 30 - 19,000 || 30 - 18,000 || 30 - 17,000 || 60 dB || 59 dB || 57 dB || Manual || No
 +
|-
 +
[[Sony TC-K 611 S]] || 1993 || 3 || F&amp;F || SD/SD || 3 || No || 0.05% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 60 dB || - || - || manual || No
 +
|-
 +
| [[Sony TC-RX 611 S]] || 1993 || 2 || F&amp;F || LA || 3 || No || 0.06% || 1.8% || - || 0.4% || 20 - 19,000 || 25 - 18,000 || 25 - 16,000 || 59 dB || - || Automatic || Yes
 +
|-
 +
| [[Sony TC-K 707 ES]] || 1993 || 3 || S&amp;F || SD/LA || 3 || Yes || 0,05% || 1,5% || - || 0,4% || 20 - 21.000 || 20 - 19.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || Manual || No
 +
|-
 +
[[Sony TC-K 711 S]] || 1993 || 3 || S&amp;F || SD/SD || 3 || Yes || 0.05% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
[[Sony TC-K 715 S]] || 1994 || 3 || F&amp;F || SD/SD || 3 || No || 0.045% <ref group="*">The previous model [[Sony TC-K 711 S|711 S]] had a dual capstan, but the [[Sony TC-K 715 S|715 S]] had a quartz locked servo, but only one capstan and still slightly better</ref>.  || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
| [[Sony TC-K 717 ES]] || 1994 || 3 || S&amp;F || SD/LA || 3 || Yes || 0.04% || 1.5% || - || 0.4% || 20 - 21,000 || 20 - 19,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
[[Sony TC-K 815 S]] || 1994 || 3 || S&amp;F || SD/SD || 3 || Yes || 0.04% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
| [[Sony TC-K 909 ES]] || 1993 || 3 || S&amp;F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 - 20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
[[Sony TC-KA 3 ES]] || 1995 || 3 || S&amp;F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 - 20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
[[Sony TC-KA 6 ES]] || 1995 || 3 || S&amp;F || SD/SD || 3 || Yes || 0.025% || 1.5% || - || 0.4% || 20 - 21,000 || 20 - 19,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
| [[Sony TC-KE 600 S]] <ref group="*">Although the [[Sony TC-KE 600 S|600 S]] may have a lower-quality impression and technically has only SD heads, the smoothness and frequency response are excellent .</ref> || 1996 || 3 || S&amp;F || SD/SD || 3 || No || 0.045% || 1.5% || - || 0.4% || 15 - 21,000 || 15 - 18,000 || 61 dB || 59 dB || 57 dB || manual || No
 +
|-
 +
[[Sony TC-S 1]] || 1995 || 2 || F&amp;F || SD || - || No || 0.06% || 1.5% || - || 0.4% || 25 - 19,000 || 25 - 17,000 || 25 - 16,000 || 58 dB || 57 dB || 55 dB || Automatic || Yes
 +
|-
 +
| [[Sony TC-WA 7 ES]] || 1995 || 2x2 || - || - || 2x2 || No || 0.07% || 1.8% || - || 0.4 % || 30 - 18,000 || 30 - 17,000 || 30 - 15,000 || 58 dB || 57 dB || 55 dB || Automatic || Yes
 +
|-
 +
| [[Teac V-2030 S]] || 1995 || 3 || - || - || 2 || No || 0,045% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || Manual || No
 +
|-
 +
| [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || Yes || 0.027% || - || - || - || 15 - 21,000 || 15 - 20,000 || 15 - 18,000 || 60 dB || - || - || manual || No
 
|-  
 
|-  
−
| [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || Manuel || Nein
+
| [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || Yes || 0.022% || - || - || - || 15 - 21,000 || 15 - 20,000 || 15 - 18,000 || 60 dB || - || - || manual || No
 
|-
 
|-
 +
| [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Yes || 0.022% || - || - || - || 15 - 21,000 || 15 - 20,000 || 15 - 18,000 || 60 dB || - || - || manual || No
 +
|-
 +
|[[Yamaha KX-580]]||1994||2|| F || HP || 2 || Yes || 0.05%|| &lt; 0.8%|| &lt; 0.8%|| < 0,8%|| 20 - 20.000|| 20 - 18.000|| 20 - 17.000 || || || >60 dB||Automatic||No
 +
|-
 +
|[[Yamaha KX-690]]||1996||3|| F || HP/HP ||3|| Yes|| 0.04%|&lt; 0.8% ||&lt; 0.8% || < 0,8%|| 20 - 21.000|| 20 - 19.000|| 20 - 18.000 || || ||>60 dB||Automatic||No
 
|}
 
|}
  
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==Gleichlaufschwankung in WRMS==
+
==Deviation in WRMS==
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Professionelle Kassettendecks konnte Gleichlaufschwankungen um 0,02% erreichen, was als nicht mehr hörbar bezeichnet wurde. Konsumer Kassettendecks kämpften damit in der nähe von 0,08% WRMS zu kommen, was in manche Situationen noch hörbar ist. Dolby S Decks und andere High-End Decks schafften dass aber relativ gut.
+
Professional cassette decks could achieve synchronization fluctuations around 0.02%, which was described as no longer audible. <br />
 +
Consumer cassette decks reached values around 0.08% WRMS, which is still audible in some situations.<br />
 +
Dolby S decks and other high-end decks managed to get closer to the 0.02% mark.
 +
 
 +
==Sound heads==
 +
Head types:
 +
* A = Amorphous (harman/kardon, Kenwood).
 +
* F&amp;F = Ferrite &amp; Ferrite (Sony)
 +
* S&amp;F = Sendust &amp; Ferrite (Sony)
 +
* SD = Sendust (Sony)
 +
* LA = Laser Amorphous (Sony)
 +
* AC = Amorphous Cobalt - consisting of 14 layers. (TEAC)
 +
* F = Ferrite Head - Double Slit (Yamaha)
 +
* HP = Hard Permalloy head (Yamaha)
 +
 
 +
See also article about tone heads <ref group="Nachweis">http://www.stereo2go.com/topic/is-it-all-in-your-head</ref>
  
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==Tonköpfe==
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==Notes==
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Kopf typen:
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<references group="*"/>
−
* F&F = Ferrite & Ferrite
 
−
* LA = Laser Amorphous
 
  
−
Siehe auch Artikel über Tonköpfe <ref>http://www.stereo2go.com/topic/is-it-all-in-your-head</ref>
+
==Individual references==
 +
<references group="Nachweis"/>
  
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==Einzelnachweise==
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[[Category:Encyclopedia]]
−
<references>
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[[Category:Dolby-S]]
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[[Kategorie:Lexikon]]
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__NOTOC__</0,8%||></0,8%||>
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[[Kategorie:Dolby-S]]
 
−
__NOTOC__
 

Latest revision as of 16:46, 17 January 2020

Short description[edit]

Most Dolby S<ref group="*"> Dolby S at German Wikipedia </ref> cassette decks are listed here, so you can easily compare the specifications at a glance.

Limitation

To keep the list from getting too long, only units with synchronicity fluctuations of less than 0.08% are listed.

Data[edit]

Pioneer CT-S 430 S <ref group="*">Attention. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 2 || || No || 0.07% || <1.0% || - || - || 25 - 18,000 || 25 - 17,000 || - || - || 57 dB || Automatic || No Pioneer CT-S 630 S <ref group="*">Caution. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 3 || || 2 || No || 0.05% || <0.6% || - || - || 20 - 19,000 || 20 - 21,000 || - || - 59 dB || Automatic || No Pioneer CT-S 830 S <ref group="*">Caution. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 3 || || 2 || No || 0.023% || <0.6% || - || - || 15 - 20,000 || 15 - 20,000 || - || - 59 dB || Automatic || No Sony TC-K 511 S || 1993 || 3 || S&F || SD/SD || 2 || No || 0.07% || 1.5% || - || 0.4% || 30 - 19,000 || 30 - 18,000 || 30 - 17,000 || 60 dB || 59 dB || 57 dB || Manual || No Sony TC-K 611 S || 1993 || 3 || F&F || SD/SD || 3 || No || 0.05% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 60 dB || - || - || manual || No Sony TC-K 711 S || 1993 || 3 || S&F || SD/SD || 3 || Yes || 0.05% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-K 715 S || 1994 || 3 || F&F || SD/SD || 3 || No || 0.045% <ref group="*">The previous model 711 S had a dual capstan, but the 715 S had a quartz locked servo, but only one capstan and still slightly better</ref>. || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-K 815 S || 1994 || 3 || S&F || SD/SD || 3 || Yes || 0.04% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-KA 3 ES || 1995 || 3 || S&F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 - 20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-KA 6 ES || 1995 || 3 || S&F || SD/SD || 3 || Yes || 0.025% || 1.5% || - || 0.4% || 20 - 21,000 || 20 - 19,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-S 1 || 1995 || 2 || F&F || SD || - || No || 0.06% || 1.5% || - || 0.4% || 25 - 19,000 || 25 - 17,000 || 25 - 16,000 || 58 dB || 57 dB || 55 dB || Automatic || Yes
specifications
Specifications Sound heads Distortion factor Frequency response in Hz Signal to noise ratio (without Dolby) Bias Auto-
Model Year No. Erase Record/Playback Motors Dual Capstan Synchronization in WRMS Metal Chrome Normal Metal Chrome Normal Metal Chrome Normal Calibration reverse
Aiwa XK-S 7000 1992 3 3 13 - 23.000 13 - 21.000 13 - 20.000 manual No
Aiwa XK-S 9000 1992 3 4 0,018% 0,002% 13 - 24.000 <ref group="*">Attention! Frequency response ± 0.3 dB and not ± 3 dB as usual.</ref> 13 - 22.000 13 - 21.000 manual No
Arcam Delta 100 1992 Yes 0.04 % 20 - 20,000 66 dB manual No
Harman/kardon TD 4600 1990 2 A 20 - 20.000 57 dB manual No
Harman/kardon TD 470 1995 3 A Yes 0.06% (DIN)<ref group="*"> The DIN requirements for synchronization were higher than WRMS.</ref> 1.1% 1.3% 0.6% 20 - 20,000 56 dB<ref group="*"> File:Hk td470 Infos 2016.pdf </ref> manual No
Kenwood KX-7060 S 1994 3 Yes 0.055% / 0.15% (DIN) 20 - 22,000 20 - 19,000 60 dB - - Automatic No
Kenwood KX-9050 S 1992 3 A 4 Yes 0.024% / 0.05% (DIN) 20 - 22,000 20 - 19,000 59 dB - - Automatic<ref group="*"> Manual fine tuning of the automatically determined bias in +/- 3 steps possible</ref>. No
Pioneer CT-95 <ref group="*">Attention! Frequency response ± 6 dB and not ± 3 dB as usual.</ref> 1993 3 - -/- 3 Yes 0.022% 0.6% 0.6% 10 - 30,000 10 - 21,000 64 dB - - Manual No
Sony TC-RX 611 S 1993 2 F&F LA 3 No 0.06% 1.8% - 0.4% 20 - 19,000 25 - 18,000 25 - 16,000 59 dB - Automatic Yes
Sony TC-K 707 ES 1993 3 S&F SD/LA 3 Yes 0,05% 1,5% - 0,4% 20 - 21.000 20 - 19.000 20 - 17.000 61 dB 59 dB 57 dB Manual No
Sony TC-K 717 ES 1994 3 S&F SD/LA 3 Yes 0.04% 1.5% - 0.4% 20 - 21,000 20 - 19,000 20 - 17,000 61 dB 59 dB 57 dB manual No
Sony TC-K 909 ES 1993 3 S&F LA/LA 3 Yes 0.022% 1.3% - 0.4% 15 - 22,000 15 - 20,000 15 - 17,000 61 dB 59 dB 57 dB manual No
Sony TC-KE 600 S <ref group="*">Although the 600 S may have a lower-quality impression and technically has only SD heads, the smoothness and frequency response are excellent .</ref> 1996 3 S&F SD/SD 3 No 0.045% 1.5% - 0.4% 15 - 21,000 15 - 18,000 61 dB 59 dB 57 dB manual No
Sony TC-WA 7 ES 1995 2x2 - - 2x2 No 0.07% 1.8% - 0.4 % 30 - 18,000 30 - 17,000 30 - 15,000 58 dB 57 dB 55 dB Automatic Yes
Teac V-2030 S 1995 3 - - 2 No 0,045% - - - 15 - 21.000 15 - 20.000 15 - 18.000 60 dB - - Manual No
Teac V-6030 S 1995 3 - AC/AC 4 Yes 0.027% - - - 15 - 21,000 15 - 20,000 15 - 18,000 60 dB - - manual No
Teac V-8000 S 1991 3 - AC/AC 4 Yes 0.022% - - - 15 - 21,000 15 - 20,000 15 - 18,000 60 dB - - manual No
Teac V-8030 S 1995 3 - AC/AC 4 Yes 0.022% - - - 15 - 21,000 15 - 20,000 15 - 18,000 60 dB - - manual No
Yamaha KX-580 1994 2 F HP 2 Yes 0.05% < 0.8% < 0.8% < 0,8% 20 - 20.000 20 - 18.000 20 - 17.000 >60 dB Automatic No
Yamaha KX-690 1996 3 F HP/HP 3 Yes < 0.8% < 0.8% < 0,8% 20 - 21.000 20 - 19.000 20 - 18.000 >60 dB Automatic No

Deviation in WRMS[edit]

Professional cassette decks could achieve synchronization fluctuations around 0.02%, which was described as no longer audible.
Consumer cassette decks reached values around 0.08% WRMS, which is still audible in some situations.
Dolby S decks and other high-end decks managed to get closer to the 0.02% mark.

Sound heads[edit]

Head types:

  • A = Amorphous (harman/kardon, Kenwood).
  • F&F = Ferrite & Ferrite (Sony)
  • S&F = Sendust & Ferrite (Sony)
  • SD = Sendust (Sony)
  • LA = Laser Amorphous (Sony)
  • AC = Amorphous Cobalt - consisting of 14 layers. (TEAC)
  • F = Ferrite Head - Double Slit (Yamaha)
  • HP = Hard Permalloy head (Yamaha)

See also article about tone heads <ref group="Nachweis">http://www.stereo2go.com/topic/is-it-all-in-your-head</ref>

Notes[edit]

<references group="*"/>

Individual references[edit]

<references group="Nachweis"/> </0,8%||></0,8%||>

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