Dolby S Cassette Decks In Comparison
Short description[edit]
Most Dolby S<ref group="*"> Dolby S at German Wikipedia </ref> cassette decks are listed here, so you can easily compare the specifications at a glance.
Limitation
To keep the list from getting too long, only units with synchronicity fluctuations of less than 0.08% are listed.
Data[edit]
Pioneer CT-S 430 S <ref group="*">Attention. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 2 || || No || 0.07% || <1.0% || - || - || 25 - 18,000 || 25 - 17,000 || - || - || 57 dB || Automatic || No Pioneer CT-S 630 S <ref group="*">Caution. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 3 || || 2 || No || 0.05% || <0.6% || - || - || 20 - 19,000 || 20 - 21,000 || - || - 59 dB || Automatic || No Pioneer CT-S 830 S <ref group="*">Caution. Frequency response ± 6 dB and not ± 3 dB as usual.</ref>|| 1994 || 3 || || 2 || No || 0.023% || <0.6% || - || - || 15 - 20,000 || 15 - 20,000 || - || - 59 dB || Automatic || No Sony TC-K 511 S || 1993 || 3 || S&F || SD/SD || 2 || No || 0.07% || 1.5% || - || 0.4% || 30 - 19,000 || 30 - 18,000 || 30 - 17,000 || 60 dB || 59 dB || 57 dB || Manual || No Sony TC-K 611 S || 1993 || 3 || F&F || SD/SD || 3 || No || 0.05% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 60 dB || - || - || manual || No Sony TC-K 711 S || 1993 || 3 || S&F || SD/SD || 3 || Yes || 0.05% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-K 715 S || 1994 || 3 || F&F || SD/SD || 3 || No || 0.045% <ref group="*">The previous model 711 S had a dual capstan, but the 715 S had a quartz locked servo, but only one capstan and still slightly better</ref>. || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-K 815 S || 1994 || 3 || S&F || SD/SD || 3 || Yes || 0.04% || 1.5% || - || 0.4% || 20 - 20,000 || 20 - 18,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-KA 3 ES || 1995 || 3 || S&F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 - 20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-KA 6 ES || 1995 || 3 || S&F || SD/SD || 3 || Yes || 0.025% || 1.5% || - || 0.4% || 20 - 21,000 || 20 - 19,000 || 20 - 17,000 || 61 dB || 59 dB || 57 dB || manual || No Sony TC-S 1 || 1995 || 2 || F&F || SD || - || No || 0.06% || 1.5% || - || 0.4% || 25 - 19,000 || 25 - 17,000 || 25 - 16,000 || 58 dB || 57 dB || 55 dB || Automatic || Yes| Specifications | Sound heads | Distortion factor | Frequency response in Hz | Signal to noise ratio (without Dolby) | Bias | Auto- | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Model | Year | No. | Erase | Record/Playback | Motors | Dual Capstan | Synchronization in WRMS | Metal | Chrome | Normal | Metal | Chrome | Normal | Metal | Chrome | Normal | Calibration | reverse |
| Aiwa XK-S 7000 | 1992 | 3 | 3 | 13 - 23.000 | 13 - 21.000 | 13 - 20.000 | manual | No | ||||||||||
| Aiwa XK-S 9000 | 1992 | 3 | 4 | 0,018% | 0,002% | 13 - 24.000 <ref group="*">Attention! Frequency response ± 0.3 dB and not ± 3 dB as usual.</ref> | 13 - 22.000 | 13 - 21.000 | manual | No | ||||||||
| Arcam Delta 100 | 1992 | Yes | 0.04 % | 20 - 20,000 | 66 dB | manual | No | |||||||||||
| Harman/kardon TD 4600 | 1990 | 2 | A | 20 - 20.000 | 57 dB | manual | No | |||||||||||
| Harman/kardon TD 470 | 1995 | 3 | A | Yes | 0.06% (DIN)<ref group="*"> The DIN requirements for synchronization were higher than WRMS.</ref> | 1.1% | 1.3% | 0.6% | 20 - 20,000 | 56 dB<ref group="*"> File:Hk td470 Infos 2016.pdf </ref> | manual | No | ||||||
| Kenwood KX-7060 S | 1994 | 3 | Yes | 0.055% / 0.15% (DIN) | 20 - 22,000 | 20 - 19,000 | 60 dB | - | - | Automatic | No | |||||||
| Kenwood KX-9050 S | 1992 | 3 | A | 4 | Yes | 0.024% / 0.05% (DIN) | 20 - 22,000 | 20 - 19,000 | 59 dB | - | - | Automatic<ref group="*"> Manual fine tuning of the automatically determined bias in +/- 3 steps possible</ref>. | No | |||||
| Pioneer CT-95 <ref group="*">Attention! Frequency response ± 6 dB and not ± 3 dB as usual.</ref> | 1993 | 3 | - | -/- | 3 | Yes | 0.022% | 0.6% | 0.6% | 10 - 30,000 | 10 - 21,000 | 64 dB | - | - | Manual | No | ||
| Sony TC-RX 611 S | 1993 | 2 | F&F | LA | 3 | No | 0.06% | 1.8% | - | 0.4% | 20 - 19,000 | 25 - 18,000 | 25 - 16,000 | 59 dB | - | Automatic | Yes | |
| Sony TC-K 707 ES | 1993 | 3 | S&F | SD/LA | 3 | Yes | 0,05% | 1,5% | - | 0,4% | 20 - 21.000 | 20 - 19.000 | 20 - 17.000 | 61 dB | 59 dB | 57 dB | Manual | No |
| Sony TC-K 717 ES | 1994 | 3 | S&F | SD/LA | 3 | Yes | 0.04% | 1.5% | - | 0.4% | 20 - 21,000 | 20 - 19,000 | 20 - 17,000 | 61 dB | 59 dB | 57 dB | manual | No |
| Sony TC-K 909 ES | 1993 | 3 | S&F | LA/LA | 3 | Yes | 0.022% | 1.3% | - | 0.4% | 15 - 22,000 | 15 - 20,000 | 15 - 17,000 | 61 dB | 59 dB | 57 dB | manual | No |
| Sony TC-KE 600 S <ref group="*">Although the 600 S may have a lower-quality impression and technically has only SD heads, the smoothness and frequency response are excellent .</ref> | 1996 | 3 | S&F | SD/SD | 3 | No | 0.045% | 1.5% | - | 0.4% | 15 - 21,000 | 15 - 18,000 | 61 dB | 59 dB | 57 dB | manual | No | |
| Sony TC-WA 7 ES | 1995 | 2x2 | - | - | 2x2 | No | 0.07% | 1.8% | - | 0.4 % | 30 - 18,000 | 30 - 17,000 | 30 - 15,000 | 58 dB | 57 dB | 55 dB | Automatic | Yes |
| Teac V-2030 S | 1995 | 3 | - | - | 2 | No | 0,045% | - | - | - | 15 - 21.000 | 15 - 20.000 | 15 - 18.000 | 60 dB | - | - | Manual | No |
| Teac V-6030 S | 1995 | 3 | - | AC/AC | 4 | Yes | 0.027% | - | - | - | 15 - 21,000 | 15 - 20,000 | 15 - 18,000 | 60 dB | - | - | manual | No |
| Teac V-8000 S | 1991 | 3 | - | AC/AC | 4 | Yes | 0.022% | - | - | - | 15 - 21,000 | 15 - 20,000 | 15 - 18,000 | 60 dB | - | - | manual | No |
| Teac V-8030 S | 1995 | 3 | - | AC/AC | 4 | Yes | 0.022% | - | - | - | 15 - 21,000 | 15 - 20,000 | 15 - 18,000 | 60 dB | - | - | manual | No |
| Yamaha KX-580 | 1994 | 2 | F | HP | 2 | Yes | 0.05% | < 0.8% | < 0.8% | < 0,8% | 20 - 20.000 | 20 - 18.000 | 20 - 17.000 | >60 dB | Automatic | No | ||
| Yamaha KX-690 | 1996 | 3 | F | HP/HP | 3 | Yes | < 0.8% | < 0.8% | < 0,8% | 20 - 21.000 | 20 - 19.000 | 20 - 18.000 | >60 dB | Automatic | No | |||
Deviation in WRMS[edit]
Professional cassette decks could achieve synchronization fluctuations around 0.02%, which was described as no longer audible.
Consumer cassette decks reached values around 0.08% WRMS, which is still audible in some situations.
Dolby S decks and other high-end decks managed to get closer to the 0.02% mark.
Sound heads[edit]
Head types:
- A = Amorphous (harman/kardon, Kenwood).
- F&F = Ferrite & Ferrite (Sony)
- S&F = Sendust & Ferrite (Sony)
- SD = Sendust (Sony)
- LA = Laser Amorphous (Sony)
- AC = Amorphous Cobalt - consisting of 14 layers. (TEAC)
- F = Ferrite Head - Double Slit (Yamaha)
- HP = Hard Permalloy head (Yamaha)
See also article about tone heads <ref group="Nachweis">http://www.stereo2go.com/topic/is-it-all-in-your-head</ref>
Notes[edit]
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Individual references[edit]
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