Difference between revisions of "Nakamichi Receiver 3"
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− | == | + | == Data == |
− | {{ | + | {{navigation}} |
− | ''' | + | '''General''' |
− | * | + | * Manufacturer: [[Nakamichi]] |
− | * | + | * Model: Receiver 3 |
− | * | + | * Year of manufacture: 1991 - 1994 |
− | * | + | * Manufactured in: |
− | * | + | * Color: Black, silver |
− | * | + | * Remote control: Yes |
− | * | + | * Power consumption: 200 watts (230 V version) |
− | * | + | * Dimensions (W x H x D): 430 x 100 x 275 mm |
− | * | + | * Weight: 6 kg |
− | * | + | * Original price approx.: 798, - DM (UVP) |
− | ''' | + | '''Connections''' |
− | * | + | * Number of inputs: |
− | ** Phono: 2 | + | ** Phono: 2.5 mV/47 kOhm |
** CD, Tape : 150 mV/20 kOhm | ** CD, Tape : 150 mV/20 kOhm | ||
− | * | + | * Number of outputs: |
** Rec-Out | ** Rec-Out | ||
− | ** 2 | + | ** 2 pairs of speakers |
− | ** | + | ** Headphones |
− | ''' | + | '''Technical Specifications''' |
− | '' | + | ''Amplifier'' |
− | * | + | * Continuous power (at distortion) |
** 8 Ohm: 2x 37 Watt IHF | ** 8 Ohm: 2x 37 Watt IHF | ||
** 4 Ohm: | ** 4 Ohm: | ||
− | * | + | * Dynamic power |
** 8 Ohm: | ** 8 Ohm: | ||
** 4 Ohm: | ** 4 Ohm: | ||
− | * | + | * Total harmonic distortion: < 0,01% |
* Dämpfungsfaktor: | * Dämpfungsfaktor: | ||
* Frequenzgang: | * Frequenzgang: | ||
− | * Signalrauschabstand: > 98 dB | + | * Signalrauschabstand: >98 dB |
− | * | + | * Stereo channel separation: |
− | * | + | * Tone control: |
** Bass: | ** Bass: | ||
− | ** | + | ** Treble: |
− | * Loudness: | + | * Loudness: Switchable |
− | * High Filter: | + | * High Filter: No |
* Low Filter (Subsonic): | * Low Filter (Subsonic): | ||
* Mute: | * Mute: | ||
− | * Direct/Line-Straight: | + | * Direct/Line-Straight: No |
''Tuner'' | ''Tuner'' | ||
− | * | + | * Reception: FM, MW |
− | * | + | * Frequencies: |
− | ** | + | ** FM: 87.5 - 108 MHz |
** MW: 522 - 1611 kHz | ** MW: 522 - 1611 kHz | ||
− | * | + | * Frequency response: |
− | * | + | * Input sensitivity: 2.2 µV/46.1 µV (mono/stereo). |
− | * | + | * Distortion factor: < 0,15% |
* Signalrauschabstand: | * Signalrauschabstand: | ||
* Kanaltrennung: | * Kanaltrennung: | ||
− | * Trennschärfe: > 55 dB | + | * Trennschärfe: >55 dB |
− | * | + | * Co-wave selection: 2 dB |
− | * | + | * Spurious wave selection: > 80 dB |
− | * | + | * IF attenuation: |
− | * | + | * IF attenuation: |
− | * AM | + | * AM suppression: |
− | * | + | * Output level: |
− | * RDS: | + | * RDS: No |
− | * | + | * Station memory: 10 |
− | ''' | + | '''Special Features''' |
* - | * - | ||
− | == | + | == Remarks == |
− | + | Other models in the same series: | |
* [[Nakamichi Receiver1|Receiver1]] | * [[Nakamichi Receiver1|Receiver1]] | ||
* [[Nakamichi Receiver2|Receiver2]] | * [[Nakamichi Receiver2|Receiver2]] | ||
* [[Nakamichi Receiver3|Receiver3]] | * [[Nakamichi Receiver3|Receiver3]] | ||
− | == | + | == Pictures == |
− | == | + | == Reports == |
− | * Rainer Kruse | + | * Rainer Kruse at hifi-classic-reparatur.de (April 2, 2014), see also link below: |
− | " | + | "The Stasis circuit developed by Threshold, guarantor for load stable power supply in the low impedance power range, worked in the well-known power amplifiers, and in the flat receivers!". |
− | + | The SR-2,3 and 4 receivers, the SR-4 even remote controllable, had a good sounding phono section (the 2 unfortunately only MM) and of course an excellent tuner built in. | |
− | + | Sound-wise, these parts tend to have a natural low and wide, rather than high, stage. | |
− | + | An SR-4 sounds much more natural than, say, an [[Accuphase E-206]], which plays louder and bigger, but much less musical. | |
− | Details | + | Details are beautifully resolved with an emphasis on subtleties and textures, analytical in the best sense. |
− | ... | + | ... [[Accuphase E-206]] are well placed, just not rubble. ... <br /> |
− | + | Today, after more than 20 years, if you get your hands on a semi-maintained unit, they run flawlessly. A manufacturing quality that the Europeans and Americans were running behind! <br /> | |
− | + | ... the newer ones from the series Amp 1, 2 , Receiver 1,2,3,4 and CD Player with Music Bank System. | |
− | + | This series is often badmouthed, because it was produced in a time of a declining HIFI market. Despite the use of simpler components, these units are excellently finished, well designed and make stress-free music! | |
+ | More so than many units from that era. | ||
+ | The amplifiers with the amplification principle developed by Nakamichi himself are musically, warmly and bass-strongly tuned, owed to the absolute priority of the CD-its time. | ||
+ | Unfortunately, they are no longer as stable under load, but still very good! ... " <br /> | ||
== Links == | == Links == | ||
− | *[https://hifi-classic-reparatur.de/2014/04/nakamichi-eben-nicht-nur-tape-decks/ Nakamichi | + | *[https://hifi-classic-reparatur.de/2014/04/nakamichi-eben-nicht-nur-tape-decks/ Nakamichi (receiver) review at hifi-classic-reparatur.de] dated 2 April 2014, retrieved 17 December 2017.<br /> |
− | [[ | + | [[Category:Receiver]]</0,15%></0,01%> |
Latest revision as of 12:05, 17 December 2017
Data[edit]
General
- Manufacturer: Nakamichi
- Model: Receiver 3
- Year of manufacture: 1991 - 1994
- Manufactured in:
- Color: Black, silver
- Remote control: Yes
- Power consumption: 200 watts (230 V version)
- Dimensions (W x H x D): 430 x 100 x 275 mm
- Weight: 6 kg
- Original price approx.: 798, - DM (UVP)
Connections
- Number of inputs:
- Phono: 2.5 mV/47 kOhm
- CD, Tape : 150 mV/20 kOhm
- Number of outputs:
- Rec-Out
- 2 pairs of speakers
- Headphones
Technical Specifications
Amplifier
- Continuous power (at distortion)
- 8 Ohm: 2x 37 Watt IHF
- 4 Ohm:
- Dynamic power
- 8 Ohm:
- 4 Ohm:
- Total harmonic distortion: < 0,01%
- Dämpfungsfaktor:
- Frequenzgang:
- Signalrauschabstand: >98 dB
- Stereo channel separation:
- Tone control:
- Bass:
- Treble:
- Loudness: Switchable
- High Filter: No
- Low Filter (Subsonic):
- Mute:
- Direct/Line-Straight: No
Tuner
- Reception: FM, MW
- Frequencies:
- FM: 87.5 - 108 MHz
- MW: 522 - 1611 kHz
- Frequency response:
- Input sensitivity: 2.2 µV/46.1 µV (mono/stereo).
- Distortion factor: < 0,15%
- Signalrauschabstand:
- Kanaltrennung:
- Trennschärfe: >55 dB
- Co-wave selection: 2 dB
- Spurious wave selection: > 80 dB
- IF attenuation:
- IF attenuation:
- AM suppression:
- Output level:
- RDS: No
- Station memory: 10
Special Features
- -
Remarks[edit]
Other models in the same series:
Pictures[edit]
Reports[edit]
- Rainer Kruse at hifi-classic-reparatur.de (April 2, 2014), see also link below:
"The Stasis circuit developed by Threshold, guarantor for load stable power supply in the low impedance power range, worked in the well-known power amplifiers, and in the flat receivers!".
The SR-2,3 and 4 receivers, the SR-4 even remote controllable, had a good sounding phono section (the 2 unfortunately only MM) and of course an excellent tuner built in.
Sound-wise, these parts tend to have a natural low and wide, rather than high, stage.
An SR-4 sounds much more natural than, say, an Accuphase E-206, which plays louder and bigger, but much less musical.
Details are beautifully resolved with an emphasis on subtleties and textures, analytical in the best sense.
... Accuphase E-206 are well placed, just not rubble. ...
Today, after more than 20 years, if you get your hands on a semi-maintained unit, they run flawlessly. A manufacturing quality that the Europeans and Americans were running behind!
... the newer ones from the series Amp 1, 2 , Receiver 1,2,3,4 and CD Player with Music Bank System.
This series is often badmouthed, because it was produced in a time of a declining HIFI market. Despite the use of simpler components, these units are excellently finished, well designed and make stress-free music!
More so than many units from that era.
The amplifiers with the amplification principle developed by Nakamichi himself are musically, warmly and bass-strongly tuned, owed to the absolute priority of the CD-its time.
Unfortunately, they are no longer as stable under load, but still very good! ... "
Links[edit]
- Nakamichi (receiver) review at hifi-classic-reparatur.de dated 2 April 2014, retrieved 17 December 2017.
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