Editing The Legendary Cassette Decks In Comparison

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== Short description ==
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== Kurzbeschreibung ==
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This is an attempt to list the legendary cassette decks of all time. E.g. [[Nakamichi DRAGON]] and [[Pioneer CT-95]].
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Hier wird versucht, die legendären Kassettendecks aller Zeiten aufzulisten. Z.B. [[Nakamichi DRAGON]] und [[Pioneer CT-95]].
  
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'''Limitation'''
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'''Einschränkung'''
  
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* Please no more than a maximum of four top cassette decks per manufacturer and under 0.025% synchronicity variation.
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* Bitte nicht mehr als maximal vier Top Kassettendecks pro Hersteller und unter 0,025% Gleichlaufschwankungen.
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* Elcaset cassette decks are allowed.
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* Elcaset Kassettendecks sind erlaubt.
  
 
'''Definition'''
 
'''Definition'''
  
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As high-end devices, also [https://de.wikipedia.org/wiki/State_of_the_art "state of the art"] - cassette decks are listed at Hifi-Wiki,
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Als High-End Geräte, auch [https://de.wikipedia.org/wiki/State_of_the_art "state of the art"] - werden bei Hifi-Wiki Kassettendecks aufgelistet,
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which have synchronization fluctuations of 0.025% and less.  
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welche Gleichlaufschwankungen von 0,025% und weniger haben.  
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The recording and playback of such devices have the claim to reproduce music at the original of the artist and the sound master.
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Die Aufnahme und Wiedergabe solcher Geräte haben den Anspruch Musik am Original des Künstlers und des Tonmeisters wiederzugeben.
  
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== Data ==
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== Daten ==
 
{| class="wikitable sortable"
 
{| class="wikitable sortable"
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|+ style="padding-bottom:1em"| specifications
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|+ style="padding-bottom:1em"| Spezifikationen
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|- class="background-color6"
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|- class="hintergrundfarbe6"
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! style="width:15%;text-align:right" | Specifications || || ! colspan="3" | Sound heads || || || ! colspan="3" | Distortion factor || ! colspan="3" | Frequency response in Hz (± 3 dB) || ! colspan="3" | Signal to Noise Ratio (without Dolby) || Dolby NR || Bias || Auto-
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! style="width:15%;text-align:right" | Technische Daten || || ! colspan="3" | Tonköpfe || || || || ! colspan="3" | Klirrfaktor || ! colspan="3" | Frequenzgang in Hz (± 3 dB) || ! colspan="3" | Signalrauschabstand (ohne Dolby) || Dolby NR || Bias || Auto-
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|- class="backgroundcolor6"
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|- class="hintergrundfarbe6"
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! style="width:15%;text-align:left"| Model || Year || No. || Erase || Record/Playback || Motors || Dual Capstan || Synchronization in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || (B/C/S/HXPro) || Calibration || reverse
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! style="width:15%;text-align:left"| Modell || Jahr || Anz. || Lösch || Record/Playback || Motoren || Dual Capstan || Gleichlaufschw. in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || (B/C/S/HXPro) || Kalibration || reverse
 
|-
 
|-
  
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|[[Aiwa XK-009]]||1988||3| || Yes|0.018 %| || ||20 - 22,000 ||20 - 21,000 || || ||B/C/HX-Pro, dbx||manual||No
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|[[Aiwa XK-009]]||1988||3|| || || 3|| Ja||0,018 %|| || || ||20 - 22.000 ||20 - 21.000 ||20 - 20.000|| || || ||B/C/HX-Pro, dbx||manuell||Nein
 
|-
 
|-
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|[[Aiwa XK-S 9000]]||1992||3|| || 4|| Yes||0.018 %|| 0.002% || ||13 - 24,000 ||13 - 22,000 ||| 65 dB| || ||B/C/S/HX-Pro|manual||No
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|[[Aiwa XK-S 9000]]||1992||3|| || || 4|| Ja||0,018 %|| 0,002% || || ||13 - 24.000 ||13 - 22.000 ||13 - 21.000|| 65 dB|| || ||B/C/S/HX-Pro||manuell||Nein
 
|-
 
|-
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|[[Akai GX-F 90]] ||1980|| 3 || || GF|| 2|| || 0.03 % || || || 25 - 21,000 || 25 - 17,000 || || 25 - 15,000 || || B ||
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|[[Akai GX-F 90]] ||1980|| 3 || || GF|| 2|| || 0,03 % || || || || 25 - 21.000 || 25 - 17.000 || 25 - 15.000 || || || || B ||
 
||  
 
||  
 
|-
 
|-
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|[[Akai GX-95]]||1990||3|| GF|| || Yes||0.025 %||<0.6%|| ||20 - 21,000 ||20 - 21,000 ||| 59 dB|| ||B/C/HX-Pro||manual||No
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|[[Akai GX-95]]||1990||3|| ||  GF|| || Ja||0,025 %||<0,6%|| || ||20 - 21.000 ||20 - 21.000 ||20 - 19.000|| 59 dB|| || ||B/C/HX-Pro||manuell||Nein
 
|-
 
|-
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|[[Arcam Delta 100]]||1992||3| || Yes ||0.04 %|| &lt;1.0 %| || || 20 - 20,000|| || 66 dB|||| ||B/C/S|| manual ||No
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|[[Arcam Delta 100]]||1992||3|| || ||  |3|| Ja ||0,04 %|| <1,0 %|| || || || 20 - 20.000|| || 66 dB|||| ||B/C/S|| manuell ||Nein
 
|-
 
|-
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|[[Harman/kardon CD 491]]||1983|||3||||S&amp;F/S&amp;F||3|| Yes||0.025 %||0.9%|| ||20 - 26,000 ||20 - 24,000 ||58 dB| || ||B/C/HX-Pro||manual||No
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|[[Harman/kardon CD 491]]||1983||3||||S&F/S&F||3|| Ja||0,025 %||0,9%|| || ||20 - 26.000 ||20 - 24.000 ||20 - 24.000||58 dB|| || ||B/C/HX-Pro||manuell||Nein
 
|-
 
|-
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| [[Luxman Laboratory Reference Series 5K-50|Luxman 5K-50 Laboratory Reference Series]]||1978||3 || F||SD ||3|| Yes||&lt; 0.03% ||&lt; 1.2 %|| || 20 - 22,000|| 20 - 18,000 || 20 - 16,000|| ||58 dB|| 55 dB| B|| manual||
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| [[Luxman Laboratory Reference Series 5K-50|Luxman 5K-50 Laboratory Reference Series]]||1978||3 || F||SD ||3|| Ja||< 0.03% ||< 1,2 %|| || || 20 - 22.000|| 20 - 18.000 || 20 - 16.000|| ||58 dB|| 55 dB|| B|| manuell||
 
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|-
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|| [[Nakamichi DRAGON]] || 1983 || 3 || PA-1L || R-8L/E-8L || 5 || Yes || 0.019% || &lt;0.8% || &lt;0.8% || &lt;0.8% || 20 - 22,000 || - || - || - || B/C || manual || Yes
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| [[Nakamichi DRAGON]] || 1983 || 3 || PA-1L || R-8L/E-8L || 5 || Ja || 0,019% || <0,8% || <0,8% || <0,8% || 20 - 22.000 || - || - || - || - || - || B/C || manuell || Ja
 
|-
 
|-
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|[[Onkyo TA-2070]]||1981||3|F ||SD&amp;F || 3 ||Yes || 0.021 % || || ||20 - 21,000|| 20 - 19,000|| 20 - 17,000|| 60 dB| || B/C || Automatic || No ||  
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|[[Onkyo TA-2070]]||1981||3||F ||SD&F || 3 ||Ja || 0,021 % || || ||  ||20 - 21.000|| 20 - 19.000|| 20 - 17.000|| 60 dB|| ||  || B/C || Automatisch || Nein ||  
 
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|-
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|[[Onkyo TA-2090]]||1983||3||F ||SD&amp;F || 3 ||Yes || 0.020 % || || ||20 - 22,000|| 20 - 20,000|| 20 - 18,000|| 60 dB|| || B/C/HX-Pro/ dbx || Automatic || No ||
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|[[Onkyo TA-2090]]||1983||3||F ||SD&F || 3 ||Ja || 0,020 % || || ||  ||20 - 22.000|| 20 - 20.000|| 20 - 18.000|| 60 dB|| ||  || B/C/HX-Pro/ dbx || Automatisch || Nein ||
 
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|-
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|| [[Pioneer CT-95]] || 1993 || 3 || - || LA/LA || 3 || Yes || 0.022% || 0.6% || 0.6% || 10 - 30,000 || 10 - 21,000 || 64 dB || - || - || B/C/S/HX-Pro || Automatic || No
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| [[Pioneer CT-95]] || 1993 || 3 || - || LA/LA || 3 || Ja || 0,022% || 0,6% || 0,6% || 0,6% || 10 - 30.000 || 10 - 21.000 || 10 - 21.000 || 64 dB || - || - || B/C/S/HX-Pro || Automatisch || Nein
 
|-
 
|-
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| [[Revox B 710 MK II]]|| 1980||3|| || S&amp;F/S&amp;F ||4|| Yes || 0.1% ||1.5% ||0.8% ||30 - 20,000 || 30 - 20,000 || 30 - 18,000 || || B/C| ||No
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| [[Revox B 710 MK II]]|| 1980||3|| || S&F/S&F ||4|| Ja || 0,1% ||1,5% ||1,5% ||0,8% ||30 - 20.000 || 30 - 20.000 || 30 - 18.000 || || || || B/C|| ||Nein
 
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|-
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| [[Revox B 215]] || 1985 || 3 || - || S&amp;F/S&amp;F || 4 || Yes || 0.04% || 1.0% || 1.5% || 0.8% || 30 - 20,000 || 30 - 20,000 || - || - || B/C/HX-Pro || Automatic || No
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| [[Revox B 215]] || 1985 || 3 || - || S&F/S&F || 4 || Ja || 0,04% || 1,0% || 1,5% || 0,8% || 30 - 20.000 || 30 - 20.000 || 30 - 18.000 || - || - || - || B/C/HX-Pro || Automatisch|| Nein
 
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|-
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| [[Sony TC-K 909 ES]] || 1993 || 3 || S&amp;F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 - 20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || B/C/S || Manual || No
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| [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein
 
|-
 
|-
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| [[Sony TC-KA 3 ES]] || 1995 || 3 || S&amp;F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 -20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || B/C/S || manual || No
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| [[Sony TC-KA 3 ES]] || 1995 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 -20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein
 
|-
 
|-
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| [[Tandberg TCD 3014]]||1984|| 3|| || 4 || Yes|| || |||| ||18 - 23.000 || 18 - 20.000 || || || B, C, Dyneq, Actilin.Rec.|| manual||No
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| [[Tandberg TCD 3014]]||1984|| 3|| || || 4 || Ja|| || |||| ||18 - 23.000 || 18 - 20.000|| 18 - 20.000 || || || || B, C, Dyneq, Actilin.Rec.|| manuell||Nein
 
|-  
 
|-  
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| [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || Yes || 0.022% || - || - || - || 15 - 21,000 || 15 - 20,000 || 60 dB || - || - || B/C/S/HXPro || manual || No
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| [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein
 
|-
 
|-
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| [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Yes || 0.022% || - || - || - || 15 - 21,000 || 15 - 20,000 || 15 - 18,000 || 60 dB || - || - || B/C/S/HXPro || manual || No
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| [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein
 
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|-
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| [[Teac Z-7000]] || 1983 || 3 || - || AC/AC || 4 || Yes || 0.019% || 2% || - || - || 20 - 22.000 || 20 - 21.000 || 20 - 20.000 || 60 dB || - || - || B/C/dbx || Automatic || No
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| [[Teac Z-7000]] || 1982 || 3 || - || AC/AC || 4 || Ja || 0.019% || 2% || - || - || 18 - 26.000 || 18 - 24.000 || 18 - 22.000 || 60 dB || - || - || B/C/dbx || Automatisch || Nein
 
|-
 
|-
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|[[Yamaha K-2000]]||1983||3||SD||2||Yes ||0.02%||<0,9%|| || || 20 - 20.000|| || ||>59 dB|| || B, dbx ||Automatic |</0,9%||> |No<0,9%|| || || 20 - 20.000|| || ||>
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|[[Yamaha K-2000]]||1983||3|| ||SD||2||Ja ||0,02%||<0,9%|| || || 20 - 20.000|| || ||> 59 dB|| || || B, dbx ||Automatisch ||Nein
 
|-
 
|-
  
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==Smoothness in WRMS==
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==Gleichlaufschwankung in WRMS==
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Professional cassette decks in the 80's were able to achieve synchronization fluctuations around 0.02%, which was called no longer audible.
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Professionelle Kassettendecks konnten in den 80'er Gleichlaufschwankungen um 0,02% erreichen, was als nicht mehr hörbar bezeichnet wurde.
  
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Simple cassette decks reached values around 0.08% WRMS, which is still audible in some situations.
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Einfache Kassettendecks erreichten in etwa Werte um 0,08% WRMS, was in manchen Situationen noch hörbar ist.
  
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Real [https://de.wikipedia.org/wiki/Stereoanlage#High-End high-end] cassette decks managed to get closer to the magic 0.02% mark and some, like the [[Nakamichi DRAGON|Dragon]], even slightly below.
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Echte [https://de.wikipedia.org/wiki/Stereoanlage#High-End High-End] Kassettendecks schafften es, näher an die magische 0,02% Marke zu kommen und manche, wie das [[Nakamichi DRAGON|Dragon]], sogar etwas darunter.
  
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==Soundheads==
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==Tonköpfe==
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Head types:
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Kopftypen:
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* F&amp;F = ferrite &amp; ferrites (Sony).
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* F&F = Ferrite & Ferrite (Sony)
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* GF = nearly wearless glass ferrite sound heads (Akai)
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* GF = nahezu verschleißfreie Glasferrit-Tonköpfe (Akai)
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* S&amp;F = Sendust &amp; Ferrite (harman/kardon, Revox, Sony)
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* S&F = Sendust & Ferrite (harman/kardon, Revox, Sony)
 
* SD = Sendust (Sony, Onkyo, Yamaha)
 
* SD = Sendust (Sony, Onkyo, Yamaha)
 
* LA = Laser Amorphous (Sony)
 
* LA = Laser Amorphous (Sony)
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* AC = Amorphous Cobalt - consisting of 14 layers (TEAC)
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* AC = Amorphous Cobalt - bestehend aus 14 Schichten (TEAC)
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* F = Ferrite head - double gap (Onkyo, Yamaha)
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* F = Ferrit Kopf - Doppelspalt (Onkyo, Yamaha)
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* HP = Hard Permalloy head (Yamaha)
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* HP = Hard Permalloy Kopf (Yamaha)
  
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==Notes==
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==Anmerkungen==
  
 
==Weblinks==
 
==Weblinks==
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* [https://de.wikipedia.org/wiki/Kassettenrekorder tape recorder]
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* [https://de.wikipedia.org/wiki/Kassettenrekorder Kassettenrekorder]
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* [https://de.wikipedia.org/wiki/Stereoanlage stereo]
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* [https://de.wikipedia.org/wiki/Stereoanlage Stereoanlage]
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* [http://www.revoxsammler.ch/Testberichte%20Kassettengeraete/Cassettendeck%20B215_0003%201988.pdf Twilight of the Gods - Four top tape decks compared]
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* [http://www.revoxsammler.ch/Testberichte%20Kassettengeraete/Cassettendeck%20B215_0003%201988.pdf Götterdämmerung - Vier Spitzen-Tape-Decks im Vergleich]
  
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==individual credits==
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==Einzelnachweise==
  
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[[Category:Encyclopedia]]
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[[Kategorie:Lexikon]]
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[[Category:Cassette decks]]
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[[Kategorie:Kassettendecks]]
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[[Category:Design]]
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[[Kategorie:Entwurf]]
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__NOTOC__

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