Difference between revisions of "Kenwood KX-7030"

(Daten)
 
(40 intermediate revisions by 8 users not shown)
Line 1: Line 1:
'''Marke''': [[Kenwood]]
+
__NOTOC__
 +
== Data ==
 +
{{navigation}}
 +
'''General'''
 +
* Manufacturer: [[Kenwood]]
 +
* Model: KX-7030
 +
* Type: Compact Cassette Tape Deck
 +
* Type: Front loader
 +
* Years of manufacture: 1991 - 1992
 +
* Made in: Japan
 +
* Color: Black
 +
* Remote control: Yes
 +
* Mains connection: 220 V / 50 Hz
 +
* Power consumption: 24 W
 +
* Dimensions: 440 x 127 x 324 mm (WxHxD)
 +
* Weight: 5.1 kg
 +
* Original price approx.: 598 DM
 +
 
 +
 
 +
'''Technical Data'''
 +
* HF premagnetization: 210 kHz
 +
* Tone heads: 3 (A/W hard permalloy, erase head double gap ferrite)
 +
* Motors: 3 electronically controlled DC rotors
 +
* Synchronous fluctuations: 0.045 % (WRMS) / 0.1 % (DIN)
 +
* Belt types: IEC Type I, II, IV
 +
* Frequency response:
 +
** Type I: 20 Hz - 18 kHz (+/- 3dB)
 +
Type II: 20 Hz - 19 kHz (+/- 3dB)
 +
Type IV: 20 Hz - 20 kHz (+/- 3dB)
 +
* Distortion factor: < 0.7 %
 +
* Signal-to-noise ratio (Type IV):
 +
** with Dolby C: 74 dB
 +
** with Dolby B: 67 dB
 +
** without Dolby : 59 dB
 +
* Input sensitivity/impedance:
 +
** Line RCA/RCA R/L = 77.5 mV / 50 kOhm.
 +
* Output level/impedance:
 +
** Line RCA/RCA R/L = 490 mV / 3 kOhm.
 +
** Headphones 6.35 mm jack = 0.85 mW / 8 Ohm (with level control)
 +
* Noise reduction Dolby B, C, dynamic extension HX-Pro
 +
 
 +
 
 +
* Further data at "Hifi-Engine": [https://www.hifiengine.com/manual_library/kenwood/kx-7030.shtml]
 +
 
  
'''Modell''': KX-7030
+
'''Special Features'''
 +
* 3 DC motors with silent mechanism
 +
* Closed loop dual capstan drive
 +
* Motor driven cassette eject
 +
* Cassette ejection via infrared remote control (option)
 +
* MPX filter
 +
* Bias Preset button (pre-magnetization storage)
 +
* Auto-Bias Fine Tuning (automatic pre-magnetization for the respective tape type)
 +
* digital real time counter
 +
* Display can be switched off
 +
* Music track search (for fast-forwarding or rewinding up to 16 tracks)
 +
* Repeat function (repeat a track)
 +
Index Scan (track search)
 +
CD Peak Search (peak level search for CD recordings)
 +
Rewind with playback start
 +
* Re-record standby (for re-recording from start point)
 +
* Playback with fast rewind for empty sections
 +
Headphone output with level control
 +
* Timer switch for record/playback
 +
* Remote control via Kenwood system bus
  
Neupreis: 598 DM
+
== Remarks ==
 +
* Other models in the same series:
 +
* [[Kenwood KX-3030]]
 +
* [[Kenwood KX-5030]]
 +
* [[Kenwood KX-5530]]
 +
* [[Kenwood KX-7030]]
  
  
 +
* [[Predecessor model:
 +
* [[Kenwood KX-5010|KX-5010]]
  
== Technische Daten ==
 
*Motorbetriebener Kassettenauswurf
 
*Closed Loop Dual Capstan Antrieb
 
*digitales Echtzeitzähllaufwerk
 
*MPX-Filter
 
*Bias-Preset Taste (Speicherung der Vormagnetisierung)
 
*Auto-Bias Fine Tuning (automatische Vormagnetisierung für den jeweiligen Bandtyp)
 
*sehr großes, übersichtliches Display mit vielen Anzeigemöglichkeiten, abschaltbar
 
*Musiktitelsuchlauf (zum Vor-bzw. Rückspulen von bis 16 Titeln vor und zurück)
 
*Repeatfunktion (Wiederholung eines Stückes)
 
*Index Scan (Titelanspielsuchlauf)
 
*CD Peak Search (Spitzenpegelsuche für Aufnahmen von CD)
 
*Rückspulen mit Wiedergabestart
 
*Neuaufnahme-Bereitschaft (für erneute Aufnahme vom Startpunkt)
 
*Wiedergabe mit Schnellspulen bei Leerabschnitten
 
*Zählwerk-Reset
 
*System Control Buchsen (Fernbedienbarkeit über passenden Verstärker)
 
*Dolby B/C NR
 
*Dolby HX-Pro
 
*Regler für Rec-Level und Rec-Balance
 
*vergoldeter Kopfhörerausgang
 
*4 Spuren, 2-Kanal Stereo
 
*2 hochwertige Tonköpfe von sehr langer Lebensdauer
 
*1 Aufnahme/Wiedergabekopf
 
*1 Löschkopf
 
*3 Gleichstrommotoren mit Silent Mechanismus
 
*Metallband 20-20000 Hz
 
*CrO2-Band 20-19000 Hz
 
*Maße (B x H x T): 440 x 127 x 324 mm
 
  
== Bemerkungen ==
+
* Successor model:
"Nakamichi-Killer" -lt. Stereoplaytest klanglich in einer Klasse mit Nakamichi Dragon und Akai GX-95.
+
* [[Kenwood KX-7050]] / [[Kenwood KX-7050 S]]
  
  
Das KX-7030 gehört zu jener Generation in der man die Produktion guter
+
== Pictures ==
Wiedergabequalität auch in Leichtbauweise und mittels hochintegrierter
+
* Picture: Kenwood KX-7030
Schaltungen ganz gut im Griff hatte. Ich habe selbst einen KX-7030 vor
+
[[File:Kenwood KX-7030.jpg]]
einiger Zeit erworben der sich wohl beim Vorbesitzer fast kaputtgestanden
+
 
hat. Es läuft mittlerweile einwandfrei. Die Klangqualität die das Deck
+
 
bietet liegt irgendwo zwischen einem TC-K 690 und TC-K 770. Was ja absolut
+
* Picture from Kenwood catalog Hifi '91
gesehen schon sehr zufriedenstallend ist. Als Dragonkiller oder als qualitäts-
+
[[File:Kenwood_KX-7030_(Hifi_91).jpg]]
äquivalent zu einem GX95/75 würde ich es aber nicht bezeichnen. Es ist ein
+
 
Deck der oberen Mittelklasse und kein Spitzenklassedeck.
+
 
 +
== Reports ==
 +
* Report in "Audio" 02 / 1992
 +
 
 +
 
 +
* The KX-7030 belongs to that generation - at the beginning of the nineties - where the production of good playback quality even in lightweight construction and by means of highly integrated circuits was well under control.
 +
* I bought a KX-7030 myself some time ago, which must have almost broken down at the previous owner. It now runs flawlessly. The sound quality, which the deck originally offers, lies somewhere between a [[Sony TC-K 690]] and TC-K 770. Which is already very satisfying in absolute terms.
 +
* But I wouldn't call it a dragonkiller or the quality equivalent of a real top deck.
 +
* It is an upper middle class deck and not a top class deck from that time.
 +
 
 +
 
 +
If you know how to use a soldering iron, you can get a bit more playback quality out of the unit by replacing the numerous coupling electrolytic capacitors in the signal paths with e.g. Nichicon bipolars (the green ones, not expensive). The filter capacitors in the power supply branches should also be replaced. Replacing the ceramic capacitors with foil types of the same value will also have a positive effect. If you are still recording to tape, you should replace the NJM4565DD in the recording branch with an NJM2068DD. Which, however, requires a recalibration of the recording branch.
 +
* Overall, a KX-7030 so revised then comes across as subtly better, smoother, with better resolution and contouring.
 +
* My tapes recorded with a TC-K 770 are now sonically reproduced 1:1 by the KX-7030. Replacing the Toshiba opamp can be avoided if you increase the quality of the components around it a bit. Of course, provided that the azimuth is correct and the audio heads are demagnetized.
 +
 
 +
 
 +
* see in this context also link, especially section synchronous fluctuations.
  
== Bilder ==
 
[[Datei:Kenwood KX-7030.jpg]]
 
== Testberichte ==
 
  
 
== Links ==
 
== Links ==
 +
* [[The legendary cassette decks in comparison| List High end cassette decks in comparison]]
 +
 +
* Product information in the "Kenwood Archive": [https://www.kenwood.de/WebFiles/File/de/download/archive/kx7030.pdf]
 +
  
[[Kategorie:Kassettendecks]]
+
[[Category:Cassette decks]]
__NOTOC__
 

Latest revision as of 06:51, 5 April 2021

Data[edit]

General

  • Manufacturer: Kenwood
  • Model: KX-7030
  • Type: Compact Cassette Tape Deck
  • Type: Front loader
  • Years of manufacture: 1991 - 1992
  • Made in: Japan
  • Color: Black
  • Remote control: Yes
  • Mains connection: 220 V / 50 Hz
  • Power consumption: 24 W
  • Dimensions: 440 x 127 x 324 mm (WxHxD)
  • Weight: 5.1 kg
  • Original price approx.: 598 DM


Technical Data

  • HF premagnetization: 210 kHz
  • Tone heads: 3 (A/W hard permalloy, erase head double gap ferrite)
  • Motors: 3 electronically controlled DC rotors
  • Synchronous fluctuations: 0.045 % (WRMS) / 0.1 % (DIN)
  • Belt types: IEC Type I, II, IV
  • Frequency response:
    • Type I: 20 Hz - 18 kHz (+/- 3dB)

Type II: 20 Hz - 19 kHz (+/- 3dB) Type IV: 20 Hz - 20 kHz (+/- 3dB)

  • Distortion factor: < 0.7 %
  • Signal-to-noise ratio (Type IV):
    • with Dolby C: 74 dB
    • with Dolby B: 67 dB
    • without Dolby : 59 dB
  • Input sensitivity/impedance:
    • Line RCA/RCA R/L = 77.5 mV / 50 kOhm.
  • Output level/impedance:
    • Line RCA/RCA R/L = 490 mV / 3 kOhm.
    • Headphones 6.35 mm jack = 0.85 mW / 8 Ohm (with level control)
  • Noise reduction Dolby B, C, dynamic extension HX-Pro


  • Further data at "Hifi-Engine": [1]


Special Features

  • 3 DC motors with silent mechanism
  • Closed loop dual capstan drive
  • Motor driven cassette eject
  • Cassette ejection via infrared remote control (option)
  • MPX filter
  • Bias Preset button (pre-magnetization storage)
  • Auto-Bias Fine Tuning (automatic pre-magnetization for the respective tape type)
  • digital real time counter
  • Display can be switched off
  • Music track search (for fast-forwarding or rewinding up to 16 tracks)
  • Repeat function (repeat a track)

Index Scan (track search) CD Peak Search (peak level search for CD recordings) Rewind with playback start

  • Re-record standby (for re-recording from start point)
  • Playback with fast rewind for empty sections

Headphone output with level control

  • Timer switch for record/playback
  • Remote control via Kenwood system bus

Remarks[edit]




Pictures[edit]

  • Picture: Kenwood KX-7030

Kenwood KX-7030.jpg


  • Picture from Kenwood catalog Hifi '91

Kenwood KX-7030 (Hifi 91).jpg


Reports[edit]

  • Report in "Audio" 02 / 1992


  • The KX-7030 belongs to that generation - at the beginning of the nineties - where the production of good playback quality even in lightweight construction and by means of highly integrated circuits was well under control.
  • I bought a KX-7030 myself some time ago, which must have almost broken down at the previous owner. It now runs flawlessly. The sound quality, which the deck originally offers, lies somewhere between a Sony TC-K 690 and TC-K 770. Which is already very satisfying in absolute terms.
  • But I wouldn't call it a dragonkiller or the quality equivalent of a real top deck.
  • It is an upper middle class deck and not a top class deck from that time.


If you know how to use a soldering iron, you can get a bit more playback quality out of the unit by replacing the numerous coupling electrolytic capacitors in the signal paths with e.g. Nichicon bipolars (the green ones, not expensive). The filter capacitors in the power supply branches should also be replaced. Replacing the ceramic capacitors with foil types of the same value will also have a positive effect. If you are still recording to tape, you should replace the NJM4565DD in the recording branch with an NJM2068DD. Which, however, requires a recalibration of the recording branch.

  • Overall, a KX-7030 so revised then comes across as subtly better, smoother, with better resolution and contouring.
  • My tapes recorded with a TC-K 770 are now sonically reproduced 1:1 by the KX-7030. Replacing the Toshiba opamp can be avoided if you increase the quality of the components around it a bit. Of course, provided that the azimuth is correct and the audio heads are demagnetized.


  • see in this context also link, especially section synchronous fluctuations.


Links[edit]

  • Product information in the "Kenwood Archive": [2]