Difference between revisions of "Kenwood KA-80"
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− | == | + | == Data == |
− | {{ | + | {{navigation}} |
− | ''' | + | '''General''' |
− | * | + | * Manufacturer: [[Kenwood]] |
− | * | + | * Model: KA-80 |
− | * | + | * Type: Integrated amplifier |
− | * | + | * Years of manufacture: 1980 - 1986 |
− | * | + | * Made in: Japan |
− | + | * Color: Silver, Black | |
− | * | + | * Remote control: no |
− | * | + | * Power consumption: 350 watts |
− | * | + | * Dimensions: 440 x 78 x 330 mm (WxHxD) |
− | * | + | * Weight: 7.9 kg |
− | * | + | * Original price approx.: 598 DM |
− | ''' | + | '''Connections''' |
− | * | + | * Number of inputs: 4 + 1 |
− | + | Phono MM (2.5 mV / 50 kOhm) | |
** Tuner, Aux, Tape Play (150 mV / 50 kOhm) | ** Tuner, Aux, Tape Play (150 mV / 50 kOhm) | ||
− | ** | + | ** additional microphone |
− | * | + | * Number of outputs: |
− | ** | + | ** 1 x loudspeaker |
+ | ** 1 x headphones | ||
+ | ** Rec-Out 150mV @ 47kOhm | ||
− | ''' | + | '''Technical Data''' |
− | * | + | * Continuous power (at distortion) |
** 8 Ohm: 2x 48 Watt (0,02%) | ** 8 Ohm: 2x 48 Watt (0,02%) | ||
− | ** 4 Ohm: 2x 60 Watt (0 | + | ** 4 Ohm: 2x 60 Watt (0.7%) |
− | ** | + | ** brought in tests measured 2 x 65W @ 8Ohm // 2 x 88W at 4Ohm |
− | + | * Dynamic power: | |
− | * | ||
** 8 Ohm: | ** 8 Ohm: | ||
** 4 Ohm: | ** 4 Ohm: | ||
− | * | + | * Total harmonic distortion: |
− | * | + | * Attenuation factor: > 120 @ 8Ohm |
− | * | + | * Frequency response: DC - 450 kHz |
− | + | Signal to Noise Ratio: Phono 86 dB / High Level 106 dB | |
− | * | + | * Stereo channel separation: > 68dB |
− | * | + | * Tone control: yes |
** Bass: ± 10 dB / 100 Hz | ** Bass: ± 10 dB / 100 Hz | ||
− | ** | + | ** Treble: ± 10 dB / 10 kHz |
− | * Loudness: | + | * Loudness: yes |
− | * High Filter: | + | * High Filter: No |
− | * Low Filter (Subsonic): | + | * Low Filter (Subsonic): Yes - with activated tone control |
− | * Mute: | + | * Mute: no |
− | * Direct/Line-Straight: | + | * Direct/Line-Straight: yes (DC-coupled) |
+ | |||
+ | |||
+ | '''Special Features''' | ||
+ | * Foldable front panel | ||
+ | * Microphone mixable | ||
+ | * Low feedback power amplifier circuit | ||
+ | * Very high slew rate - 150V/µsec. | ||
+ | * Test winner in many gazettes | ||
+ | * Reference device in its class | ||
+ | * Considered as high-end suspicious | ||
+ | |||
+ | |||
+ | == Comments == | ||
+ | * Other models in the same series: | ||
+ | * Amplifier: | ||
+ | * [[Kenwood KA-30]] | ||
+ | * [[Kenwood KA-50]] | ||
+ | * [[Kenwood KA-60]] | ||
+ | * [[Kenwood KA-70]] | ||
+ | * [[Kenwood KA-80]] | ||
+ | * [[Kenwood KA-500]] | ||
+ | * [[Kenwood KA-800]] | ||
+ | * [[Kenwood KA-900]] | ||
+ | * [[Kenwood KA-1000]] | ||
+ | |||
+ | |||
+ | * [[Tuner]] | ||
+ | * [[Kenwood KT-30]] | ||
+ | * [[Kenwood KT-50]] | ||
+ | * [[Kenwood KT-60]] | ||
+ | * [[Kenwood KT-80]] | ||
+ | * [[Kenwood KT-500]] | ||
+ | * [[Kenwood KT-800]] | ||
+ | * [[Kenwood KT-900]] | ||
+ | * [[Kenwood KT-1000]] | ||
+ | |||
+ | |||
+ | * [[Tape Deck]] | ||
+ | * [[Kenwood KX-50]] | ||
+ | * [[Kenwood KX-70]] | ||
+ | * [[Kenwood KX-400]] | ||
+ | * [[Kenwood KX-500]] | ||
+ | * [[Kenwood KX-600]] | ||
+ | * [[Kenwood KX-800]] | ||
+ | * [[Kenwood KX-1060]] | ||
+ | * [[Kenwood KX-2060]] | ||
+ | |||
+ | * [[Special accessories for this series]] | ||
+ | * [[Kenwood AT-50]] Timer | ||
+ | * [[Kenwood AT-80 D]] Timer | ||
+ | * [[Kenwood AT-500]] Timer | ||
+ | * [[Kenwood GE-80]] Equalizer | ||
+ | * [[Kenwood PM-80]] Level meter | ||
+ | * [[Kenwood RA-80]] Reverberator | ||
+ | * [[Kenwood RC-500]] Remote control | ||
− | |||
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− | |||
− | + | == Pictures == | |
− | * | + | * Extract from brochure: Kenwood KA-80 |
− | + | [[File:Kenwood KA-80-Prospekt-1.jpg|1500px]] | |
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− | == | + | == Reviews == |
+ | * By limiting itself to the essentials, 'spartanly' equipped, so to speak, in current "slim-line" design, this 'small' Kenwood KA-80 makes an appearance. It offers an excellent, discrete MM-phono preamplifier with FET-input, which follows the RIAA-curve with high precision and is distortion-free high driveable. The only OP's are found in the microphone preamp (for karaoke!? = superfluous) and in the tone control stage, which can be switched out of the signal path, resulting in a complete DC signal path! Not often used controls are hidden behind a front panel flap and give the amplifier a simple, elegant appearance. The all-metal construction of the amplifier results in a heavy, stable hi-fi unit. | ||
+ | |||
+ | * The power amplifier hybrid components (STK60II) of the KA-80 are not quite complete hybrid amplifiers, but contain only pre-driver/driver and power amplifier transistors (plus for optimal thematic coupling further components - diodes and R's) and are unjustly (!) often discriminated against. If you are interested you should have a look at the internal circuit of the STK60II and the environmental circuit chosen by Kenwood: If you know something about circuitry, a 'light' will come on: Everything is serious! At its time, the KA-80 was not exactly cheap (598,--DM), but today it is offered at a very reasonable price. The fact that it is equipped with two mains transformers does not mean a double mono setup, but is due to the flat design. The charge capacity of the power supply electrolytic capacitors is a modest 2 x 7.5mF/50V (too low dielectric strength), and can easily be increased to e.g. 2 x 15mF/63V electrolytic capacitors (35x50mm). There is further room for improvement: The stock power amp working points are set too high. This leads to a (too!) strong heating of the amplifier in idle state. Therefore, the output stage quiescent current should be reduced (by an expert!) by 1/3. This definitely has no effect on the sound, but it does lower the idle operating temperature considerably. Two further electrolytic capacitors (C105/C106) are undersized (25V) and should be replaced by 35V types. The resistors R167/R168 (390Ohm) should be replaced by 470Ohm/R168 and 560Ohm/R167, each at least 3Watt (!). | ||
+ | |||
+ | The 'small' Kenwood works best with 8 Ohm loudspeakers with good efficiency, but can also handle loudspeakers with 4 Ohm nominal impedance; especially if the load capacitors are increased as described above. Speakers with nominal impedances below 4 ohms should be avoided - the KA-80 is not designed for this! In terms of sound, the amplifier, as well as the matching analogue rotary capacitor tuner [[Kenwood KT-80|KT-80]], offers absolutely serious, contemporary top hi-fi. Because of its overall characteristics, the KA-80 can absolutely justifiably be suspected of being "high-end". When used with high-quality (!) loudspeakers that are capable of resolving amplifier differences, this amplifier easily plays in the 1st league in terms of sound quality. | ||
+ | |||
+ | PS: A fan must have edited my review here. To call KA-80 & KT-80 1st league is quite an exaggeration. It is styled middle class. | ||
+ | In no case more. | ||
− | |||
== Links == | == Links == | ||
+ | * Review at Good Old Hifi: [http://www.good-old-hifi.de/kenwood_ka-80/] | ||
+ | |||
− | [[ | + | [[Category:Integrated Amplifier]] |
Latest revision as of 05:38, 3 December 2020
Data[edit]
General
- Manufacturer: Kenwood
- Model: KA-80
- Type: Integrated amplifier
- Years of manufacture: 1980 - 1986
- Made in: Japan
- Color: Silver, Black
- Remote control: no
- Power consumption: 350 watts
- Dimensions: 440 x 78 x 330 mm (WxHxD)
- Weight: 7.9 kg
- Original price approx.: 598 DM
Connections
- Number of inputs: 4 + 1
Phono MM (2.5 mV / 50 kOhm)
- Tuner, Aux, Tape Play (150 mV / 50 kOhm)
- additional microphone
- Number of outputs:
- 1 x loudspeaker
- 1 x headphones
- Rec-Out 150mV @ 47kOhm
Technical Data
- Continuous power (at distortion)
- 8 Ohm: 2x 48 Watt (0,02%)
- 4 Ohm: 2x 60 Watt (0.7%)
- brought in tests measured 2 x 65W @ 8Ohm // 2 x 88W at 4Ohm
- Dynamic power:
- 8 Ohm:
- 4 Ohm:
- Total harmonic distortion:
- Attenuation factor: > 120 @ 8Ohm
- Frequency response: DC - 450 kHz
Signal to Noise Ratio: Phono 86 dB / High Level 106 dB
- Stereo channel separation: > 68dB
- Tone control: yes
- Bass: ± 10 dB / 100 Hz
- Treble: ± 10 dB / 10 kHz
- Loudness: yes
- High Filter: No
- Low Filter (Subsonic): Yes - with activated tone control
- Mute: no
- Direct/Line-Straight: yes (DC-coupled)
Special Features
- Foldable front panel
- Microphone mixable
- Low feedback power amplifier circuit
- Very high slew rate - 150V/µsec.
- Test winner in many gazettes
- Reference device in its class
- Considered as high-end suspicious
Comments[edit]
- Other models in the same series:
- Amplifier:
- Kenwood KA-30
- Kenwood KA-50
- Kenwood KA-60
- Kenwood KA-70
- Kenwood KA-80
- Kenwood KA-500
- Kenwood KA-800
- Kenwood KA-900
- Kenwood KA-1000
- Tuner
- Kenwood KT-30
- Kenwood KT-50
- Kenwood KT-60
- Kenwood KT-80
- Kenwood KT-500
- Kenwood KT-800
- Kenwood KT-900
- Kenwood KT-1000
- Tape Deck
- Kenwood KX-50
- Kenwood KX-70
- Kenwood KX-400
- Kenwood KX-500
- Kenwood KX-600
- Kenwood KX-800
- Kenwood KX-1060
- Kenwood KX-2060
- Special accessories for this series
- Kenwood AT-50 Timer
- Kenwood AT-80 D Timer
- Kenwood AT-500 Timer
- Kenwood GE-80 Equalizer
- Kenwood PM-80 Level meter
- Kenwood RA-80 Reverberator
- Kenwood RC-500 Remote control
Pictures[edit]
- Extract from brochure: Kenwood KA-80
Reviews[edit]
- By limiting itself to the essentials, 'spartanly' equipped, so to speak, in current "slim-line" design, this 'small' Kenwood KA-80 makes an appearance. It offers an excellent, discrete MM-phono preamplifier with FET-input, which follows the RIAA-curve with high precision and is distortion-free high driveable. The only OP's are found in the microphone preamp (for karaoke!? = superfluous) and in the tone control stage, which can be switched out of the signal path, resulting in a complete DC signal path! Not often used controls are hidden behind a front panel flap and give the amplifier a simple, elegant appearance. The all-metal construction of the amplifier results in a heavy, stable hi-fi unit.
- The power amplifier hybrid components (STK60II) of the KA-80 are not quite complete hybrid amplifiers, but contain only pre-driver/driver and power amplifier transistors (plus for optimal thematic coupling further components - diodes and R's) and are unjustly (!) often discriminated against. If you are interested you should have a look at the internal circuit of the STK60II and the environmental circuit chosen by Kenwood: If you know something about circuitry, a 'light' will come on: Everything is serious! At its time, the KA-80 was not exactly cheap (598,--DM), but today it is offered at a very reasonable price. The fact that it is equipped with two mains transformers does not mean a double mono setup, but is due to the flat design. The charge capacity of the power supply electrolytic capacitors is a modest 2 x 7.5mF/50V (too low dielectric strength), and can easily be increased to e.g. 2 x 15mF/63V electrolytic capacitors (35x50mm). There is further room for improvement: The stock power amp working points are set too high. This leads to a (too!) strong heating of the amplifier in idle state. Therefore, the output stage quiescent current should be reduced (by an expert!) by 1/3. This definitely has no effect on the sound, but it does lower the idle operating temperature considerably. Two further electrolytic capacitors (C105/C106) are undersized (25V) and should be replaced by 35V types. The resistors R167/R168 (390Ohm) should be replaced by 470Ohm/R168 and 560Ohm/R167, each at least 3Watt (!).
The 'small' Kenwood works best with 8 Ohm loudspeakers with good efficiency, but can also handle loudspeakers with 4 Ohm nominal impedance; especially if the load capacitors are increased as described above. Speakers with nominal impedances below 4 ohms should be avoided - the KA-80 is not designed for this! In terms of sound, the amplifier, as well as the matching analogue rotary capacitor tuner KT-80, offers absolutely serious, contemporary top hi-fi. Because of its overall characteristics, the KA-80 can absolutely justifiably be suspected of being "high-end". When used with high-quality (!) loudspeakers that are capable of resolving amplifier differences, this amplifier easily plays in the 1st league in terms of sound quality.
PS: A fan must have edited my review here. To call KA-80 & KT-80 1st league is quite an exaggeration. It is styled middle class. In no case more.
Links[edit]
- Review at Good Old Hifi: [1]