Difference between revisions of "Kenwood KX-7030"

(Angabe ein Bericht u. Links hwiki, bissl sortiert und entrümpelt.)
(Daten)
 
(29 intermediate revisions by 5 users not shown)
Line 1: Line 1:
 
__NOTOC__
 
__NOTOC__
== Daten ==
+
== Data ==
{{Navigation}}
+
{{navigation}}
'''Allgemein'''
+
'''General'''
* Hersteller: [[Kenwood]]
+
* Manufacturer: [[Kenwood]]
* Modell: KX-7030
+
* Model: KX-7030
* Typ: Einzel
+
* Type: Compact Cassette Tape Deck
* Baujahre: 1991-1992
+
* Type: Front loader
* Hergestellt in:
+
* Years of manufacture: 1991 - 1992
* Farbe:
+
* Made in: Japan
* Fernbedienung: Fernbedienbarkeit über passenden Verstärker
+
* Color: Black
* Leistungsaufnahme: 24 W
+
* Remote control: Yes
* Abmessungen: 440 x 127 x 324 mm
+
* Mains connection: 220 V / 50 Hz
* Gewicht: 5,1 kg
+
* Power consumption: 24 W
* Neupreis: 599,-DM (306,26€)
+
* Dimensions: 440 x 127 x 324 mm (WxHxD)
 +
* Weight: 5.1 kg
 +
* Original price approx.: 598 DM
  
  
'''Anschlüsse'''
+
'''Technical Data'''
*u.a. System Control Buchsen; vergoldeter Kopfhörerausgang
+
* HF premagnetization: 210 kHz
 +
* Tone heads: 3 (A/W hard permalloy, erase head double gap ferrite)
 +
* Motors: 3 electronically controlled DC rotors
 +
* Synchronous fluctuations: 0.045 % (WRMS) / 0.1 % (DIN)
 +
* Belt types: IEC Type I, II, IV
 +
* Frequency response:
 +
** Type I: 20 Hz - 18 kHz (+/- 3dB)
 +
Type II: 20 Hz - 19 kHz (+/- 3dB)
 +
Type IV: 20 Hz - 20 kHz (+/- 3dB)
 +
* Distortion factor: < 0.7 %
 +
* Signal-to-noise ratio (Type IV):
 +
** with Dolby C: 74 dB
 +
** with Dolby B: 67 dB
 +
** without Dolby : 59 dB
 +
* Input sensitivity/impedance:
 +
** Line RCA/RCA R/L = 77.5 mV / 50 kOhm.
 +
* Output level/impedance:
 +
** Line RCA/RCA R/L = 490 mV / 3 kOhm.
 +
** Headphones 6.35 mm jack = 0.85 mW / 8 Ohm (with level control)
 +
* Noise reduction Dolby B, C, dynamic extension HX-Pro
  
  
'''Technische Daten'''
+
* Further data at "Hifi-Engine": [https://www.hifiengine.com/manual_library/kenwood/kx-7030.shtml]
* Tonköpfe: 3
 
* Motoren: 3
 
* Gleichlaufschwankungen: 0,045%
 
* Bandarten:
 
* Frequenzgang:
 
**Normal: 20 - 18.000 Hz
 
**CrO2:  20 - 19.000 Hz
 
**Metal: 20 - 20.000 Hz
 
* Klirrfaktor: 0,7%
 
* Signalrauschabstand: 59 dB
 
* Auto-Reverse: nein
 
* Titelsuchlauf: Ja
 
* Dolby: B, C, HX-Pro
 
* MPX-Filter: Ja
 
* Fader:
 
* Pitch-Kontrolle:
 
* CD-Synchro-Aufnahme:
 
  
  
'''Besondere Ausstattungen'''
+
'''Special Features'''
*2 hochwertige Tonköpfe von sehr langer Lebensdauer
+
* 3 DC motors with silent mechanism
*3 Gleichstrommotoren mit Silent Mechanismus
+
* Closed loop dual capstan drive
*Motorbetriebener Kassettenauswurf
+
* Motor driven cassette eject
*Closed Loop Dual Capstan-Antrieb
+
* Cassette ejection via infrared remote control (option)
*Bias-Preset Taste (Speicherung der Vormagnetisierung)  
+
* MPX filter
*Auto-Bias Fine Tuning (automatische Vormagnetisierung für den jeweiligen Bandtyp)  
+
* Bias Preset button (pre-magnetization storage)  
*digitales Echtzeitzähllaufwerk
+
* Auto-Bias Fine Tuning (automatic pre-magnetization for the respective tape type)  
*Display abschaltbar
+
* digital real time counter
*DoHX-Prolby
+
* Display can be switched off
*Musiktitelsuchlauf (zum Vor-bzw. Rückspulen von bis 16 Titeln vor und zurück)  
+
* Music track search (for fast-forwarding or rewinding up to 16 tracks)  
*Repeatfunktion (Wiederholung eines Stückes)  
+
* Repeat function (repeat a track)  
*Index Scan (Titelanspielsuchlauf)  
+
Index Scan (track search)  
*CD Peak Search (Spitzenpegelsuche für Aufnahmen von CD)  
+
CD Peak Search (peak level search for CD recordings)  
*Rückspulen mit Wiedergabestart
+
Rewind with playback start
*Neuaufnahme-Bereitschaft (für erneute Aufnahme vom Startpunkt)  
+
* Re-record standby (for re-recording from start point)  
*Wiedergabe mit Schnellspulen bei Leerabschnitten
+
* Playback with fast rewind for empty sections
 +
Headphone output with level control
 +
* Timer switch for record/playback
 +
* Remote control via Kenwood system bus
  
== Bemerkungen ==
+
== Remarks ==
 +
* Other models in the same series:
 +
* [[Kenwood KX-3030]]
 +
* [[Kenwood KX-5030]]
 +
* [[Kenwood KX-5530]]
 +
* [[Kenwood KX-7030]]
  
"Nakamichi-Killer" -lt. Stereoplaytest klanglich in einer Klasse mit [[Nakamichi DRAGON|Nakamichi Dragon]] und [[Akai GX-95]].
 
  
Das KX-7030 gehört zu jener Generation -Anfang der Neunziger-, wo man die Produktion guter
+
* [[Predecessor model:
Wiedergabequalität auch in Leichtbauweise und mittels hochintegrierter Schaltungen gut im Griff hatte.
+
* [[Kenwood KX-5010|KX-5010]]
Ich habe selbst einen KX-7030 vor einiger Zeit erworben, der sich wohl beim Vorbesitzer fast kaputtgestanden
 
hat. Es läuft mittlerweile einwandfrei. Die Klangqualität, die das Deck original bietet, liegt irgendwo
 
zwischen einem [[Sony TC-K 690]] und TC-K 770. Was ja absolut gesehen schon sehr zufriedenstallend ist.
 
Als Dragonkiller oder als qualitätsäquivalent zu einem wirklichen Topdeck würde ich es aber nicht bezeichnen.
 
Es ist ein Deck der oberen Mittelklasse und kein Spitzenklassedeck aus jener Zeit.
 
  
Wer mit dem Lötkoben umgehen kann, kann noch etwas mehr an Wiedergabequalität aus dem Gerät herauskitzeln, indem
 
die zahlreichen Koppelelkos in den Signalwegen durch z.B. Nichicon bipolars (die Grünen, nicht teuer)ersetzt
 
werden. Auch die Siebelkos in den Spannungsversorgungszweigen sollten erneuert werden. Ebenfalls positiv bemerkbar
 
macht sich der Austausch der Keramikkondensatoren gegen Folientypen gleichen Wertes.
 
Wer noch auf Tape aufnimmt,sollte den NJM4565DD im Aufnahmezweig gegen einen NJM2068DD tauschen. Was allerdings
 
einen Neuabgleich des Aufnahmezweiges bedingt.
 
Insgesamt kommt ein so revidierter KX-7030 dann auf eine subtile Weise besser, smoother, mit besserer Auflösung und Konturiertheit.
 
Meine mit einem TC-K770 aufgenommenen Tapes werden nun klanglich 1:1 vom KX-7030 wiedergegeben. Einen Austausch des
 
verwendeten Toshiba Opamps kann man sich imho sparen, wenn man die Bauteilequalität in dessen Umgebung etwas erhöht.
 
Natürlich vorausgesetzt, der Azimuth stimmt, und die Tonköpfe sind entmagnetisiert.
 
  
== Bilder ==
+
* Successor model:
[[Datei:Kenwood KX-7030.jpg]]
+
* [[Kenwood KX-7050]] / [[Kenwood KX-7050 S]]
 +
 
 +
 
 +
== Pictures ==
 +
* Picture: Kenwood KX-7030
 +
[[File:Kenwood KX-7030.jpg]]
 +
 
 +
 
 +
* Picture from Kenwood catalog Hifi '91
 +
[[File:Kenwood_KX-7030_(Hifi_91).jpg]]
 +
 
 +
 
 +
== Reports ==
 +
* Report in "Audio" 02 / 1992
 +
 
 +
 
 +
* The KX-7030 belongs to that generation - at the beginning of the nineties - where the production of good playback quality even in lightweight construction and by means of highly integrated circuits was well under control.
 +
* I bought a KX-7030 myself some time ago, which must have almost broken down at the previous owner. It now runs flawlessly. The sound quality, which the deck originally offers, lies somewhere between a [[Sony TC-K 690]] and TC-K 770. Which is already very satisfying in absolute terms.
 +
* But I wouldn't call it a dragonkiller or the quality equivalent of a real top deck.
 +
* It is an upper middle class deck and not a top class deck from that time.
 +
 
 +
 
 +
If you know how to use a soldering iron, you can get a bit more playback quality out of the unit by replacing the numerous coupling electrolytic capacitors in the signal paths with e.g. Nichicon bipolars (the green ones, not expensive). The filter capacitors in the power supply branches should also be replaced. Replacing the ceramic capacitors with foil types of the same value will also have a positive effect. If you are still recording to tape, you should replace the NJM4565DD in the recording branch with an NJM2068DD. Which, however, requires a recalibration of the recording branch.
 +
* Overall, a KX-7030 so revised then comes across as subtly better, smoother, with better resolution and contouring.
 +
* My tapes recorded with a TC-K 770 are now sonically reproduced 1:1 by the KX-7030. Replacing the Toshiba opamp can be avoided if you increase the quality of the components around it a bit. Of course, provided that the azimuth is correct and the audio heads are demagnetized.
 +
 
 +
 
 +
* see in this context also link, especially section synchronous fluctuations.
  
== Testberichte ==
 
* Audio 02/1992
 
  
 
== Links ==
 
== Links ==
 +
* [[The legendary cassette decks in comparison| List High end cassette decks in comparison]]
 +
 +
* Product information in the "Kenwood Archive": [https://www.kenwood.de/WebFiles/File/de/download/archive/kx7030.pdf]
 +
  
[[Kategorie:Kassettendecks]]
+
[[Category:Cassette decks]]
__NOTOC__
 

Latest revision as of 06:51, 5 April 2021

Data[edit]

General

  • Manufacturer: Kenwood
  • Model: KX-7030
  • Type: Compact Cassette Tape Deck
  • Type: Front loader
  • Years of manufacture: 1991 - 1992
  • Made in: Japan
  • Color: Black
  • Remote control: Yes
  • Mains connection: 220 V / 50 Hz
  • Power consumption: 24 W
  • Dimensions: 440 x 127 x 324 mm (WxHxD)
  • Weight: 5.1 kg
  • Original price approx.: 598 DM


Technical Data

  • HF premagnetization: 210 kHz
  • Tone heads: 3 (A/W hard permalloy, erase head double gap ferrite)
  • Motors: 3 electronically controlled DC rotors
  • Synchronous fluctuations: 0.045 % (WRMS) / 0.1 % (DIN)
  • Belt types: IEC Type I, II, IV
  • Frequency response:
    • Type I: 20 Hz - 18 kHz (+/- 3dB)

Type II: 20 Hz - 19 kHz (+/- 3dB) Type IV: 20 Hz - 20 kHz (+/- 3dB)

  • Distortion factor: < 0.7 %
  • Signal-to-noise ratio (Type IV):
    • with Dolby C: 74 dB
    • with Dolby B: 67 dB
    • without Dolby : 59 dB
  • Input sensitivity/impedance:
    • Line RCA/RCA R/L = 77.5 mV / 50 kOhm.
  • Output level/impedance:
    • Line RCA/RCA R/L = 490 mV / 3 kOhm.
    • Headphones 6.35 mm jack = 0.85 mW / 8 Ohm (with level control)
  • Noise reduction Dolby B, C, dynamic extension HX-Pro


  • Further data at "Hifi-Engine": [1]


Special Features

  • 3 DC motors with silent mechanism
  • Closed loop dual capstan drive
  • Motor driven cassette eject
  • Cassette ejection via infrared remote control (option)
  • MPX filter
  • Bias Preset button (pre-magnetization storage)
  • Auto-Bias Fine Tuning (automatic pre-magnetization for the respective tape type)
  • digital real time counter
  • Display can be switched off
  • Music track search (for fast-forwarding or rewinding up to 16 tracks)
  • Repeat function (repeat a track)

Index Scan (track search) CD Peak Search (peak level search for CD recordings) Rewind with playback start

  • Re-record standby (for re-recording from start point)
  • Playback with fast rewind for empty sections

Headphone output with level control

  • Timer switch for record/playback
  • Remote control via Kenwood system bus

Remarks[edit]




Pictures[edit]

  • Picture: Kenwood KX-7030

Kenwood KX-7030.jpg


  • Picture from Kenwood catalog Hifi '91

Kenwood KX-7030 (Hifi 91).jpg


Reports[edit]

  • Report in "Audio" 02 / 1992


  • The KX-7030 belongs to that generation - at the beginning of the nineties - where the production of good playback quality even in lightweight construction and by means of highly integrated circuits was well under control.
  • I bought a KX-7030 myself some time ago, which must have almost broken down at the previous owner. It now runs flawlessly. The sound quality, which the deck originally offers, lies somewhere between a Sony TC-K 690 and TC-K 770. Which is already very satisfying in absolute terms.
  • But I wouldn't call it a dragonkiller or the quality equivalent of a real top deck.
  • It is an upper middle class deck and not a top class deck from that time.


If you know how to use a soldering iron, you can get a bit more playback quality out of the unit by replacing the numerous coupling electrolytic capacitors in the signal paths with e.g. Nichicon bipolars (the green ones, not expensive). The filter capacitors in the power supply branches should also be replaced. Replacing the ceramic capacitors with foil types of the same value will also have a positive effect. If you are still recording to tape, you should replace the NJM4565DD in the recording branch with an NJM2068DD. Which, however, requires a recalibration of the recording branch.

  • Overall, a KX-7030 so revised then comes across as subtly better, smoother, with better resolution and contouring.
  • My tapes recorded with a TC-K 770 are now sonically reproduced 1:1 by the KX-7030. Replacing the Toshiba opamp can be avoided if you increase the quality of the components around it a bit. Of course, provided that the azimuth is correct and the audio heads are demagnetized.


  • see in this context also link, especially section synchronous fluctuations.


Links[edit]

  • Product information in the "Kenwood Archive": [2]