Difference between revisions of "Sony PCM-R 300"
m |
(→Bemerkungen) |
||
| (One intermediate revision by one other user not shown) | |||
| Line 1: | Line 1: | ||
__NOTOC__ | __NOTOC__ | ||
| − | == | + | == Data == |
| − | {{ | + | {{navigation}} |
| − | ''' | + | '''General''' |
| − | * | + | * Manufacturer: [[Sony]] |
| − | * | + | * Model: PCM-R 300 |
| − | * | + | * Years of manufacture: |
| − | * | + | * Made in: |
| − | * | + | * Color: |
| − | * | + | * Remote control: |
| − | * | + | * Power Consumption: |
| − | * | + | * Dimensions: |
| − | * | + | * Weight: |
| − | * | + | * New price approx: |
| − | ''' | + | '''Connections''' |
| − | * | + | * Number of inputs: |
| − | ** | + | ** list the inputs here |
| − | * | + | * Number of outputs: |
| − | ** | + | ** list the outputs here |
| − | ''' | + | '''Technical Data''' |
| − | * | + | * Sampling frequency: |
| − | * | + | * Tape speed: |
| − | * D/A | + | * D/A converter: |
| − | * | + | * Frequency response: |
| − | * | + | * Dynamic range: |
| − | * | + | * Signal-to-noise ratio: |
| − | * | + | * Distortion factor: |
| − | ''' | + | '''Special Features''' |
| − | * | + | * list here if available |
| − | == | + | == Remarks == |
| − | |||
| − | + | With the PCM-R300, Sony offered a comparatively inexpensive, "semi-professional" variant of the consumer model DTC-790 as a competitor to models from Tascam (e.g. DA-20). The PCM-R300 shows no differences to the DTC-790 except for the missing copy protection system SCMS and the grey colour scheme. And although the strategy to offer consumer models (e.g. DTC-77ES as PCM-2700/2700A) also as studio devices often went along with adapted connections (e.g. the PCM-2700 had XLR sockets instead of RCA analogue connections with adjustable sensitivity resp. output level via hidden rotary potentiometers, and no optical TOSL connectors), the PCM-R300 does not show any differences to the DTC-790. output level and no optical TOSLINK digital connections), the PCM-R300 did without them in favour of standard RCA sockets, which made this recorder fully suitable for any hi-fi system. | |
| − | |||
| − | == | + | Other models in the same series: |
| + | |||
| + | == Pictures == | ||
| + | [[image:pcmr300.jpg]] | ||
| + | |||
| + | == Reports == | ||
== Links == | == Links == | ||
| − | [[ | + | * [http://www.datrecorders.co.uk/pcmr300.php info page DAT] |
| + | |||
| + | [[Category:DAT Recorder]] | ||
Latest revision as of 18:58, 6 April 2021
Data[edit]
General
- Manufacturer: Sony
- Model: PCM-R 300
- Years of manufacture:
- Made in:
- Color:
- Remote control:
- Power Consumption:
- Dimensions:
- Weight:
- New price approx:
Connections
- Number of inputs:
- list the inputs here
- Number of outputs:
- list the outputs here
Technical Data
- Sampling frequency:
- Tape speed:
- D/A converter:
- Frequency response:
- Dynamic range:
- Signal-to-noise ratio:
- Distortion factor:
Special Features
- list here if available
Remarks[edit]
With the PCM-R300, Sony offered a comparatively inexpensive, "semi-professional" variant of the consumer model DTC-790 as a competitor to models from Tascam (e.g. DA-20). The PCM-R300 shows no differences to the DTC-790 except for the missing copy protection system SCMS and the grey colour scheme. And although the strategy to offer consumer models (e.g. DTC-77ES as PCM-2700/2700A) also as studio devices often went along with adapted connections (e.g. the PCM-2700 had XLR sockets instead of RCA analogue connections with adjustable sensitivity resp. output level via hidden rotary potentiometers, and no optical TOSL connectors), the PCM-R300 does not show any differences to the DTC-790. output level and no optical TOSLINK digital connections), the PCM-R300 did without them in favour of standard RCA sockets, which made this recorder fully suitable for any hi-fi system.
Other models in the same series:
Pictures[edit]
