Difference between revisions of "Sony DTC-ZA 5 ES"
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| − | == | + | == Data == |
| − | {{ | + | {{navigation}} |
| − | ''' | + | '''General''' |
| − | * | + | * Manufacturer: [[Sony]] |
| − | * | + | * Model: DTC-ZA 5 ES |
| − | * | + | * Type: DAT recorder |
| − | * | + | * Years of manufacture: 1995 - 1999 |
| − | * | + | * Made in: Japan |
| − | * | + | * Color: Black or champagne |
| − | * | + | * Remote control: Yes (RM-D 868) |
| − | * | + | * Power consumption: |
| − | * | + | * Dimensions: 430 x 125 x 340 mm (WxHxD). |
| − | * | + | * Weight: 7,5 kg |
| − | * | + | * Original price: 2.500.- DM (RRP, black), 2.600.- DM (RRP, champagne) |
| − | ''' | + | '''Connections''' |
| − | * | + | * Number of inputs: |
| − | ** | + | ** Line In Cinch: 47 kOhm |
| − | + | Digital In Cinch: 75 Ohm | |
| − | ** | + | ** Digital In Opto |
| − | ** | + | ** Microphone L/R 5kOhm |
| − | * | + | * Number of outputs: |
| − | ** | + | ** Line Out Cinch: 470 Ohm |
| − | ** | + | ** Digital Out Cinch: 75 Ohm |
| − | ** | + | ** Digital Out Opto |
| − | ** | + | ** Headphones: 220 Ohm |
| − | ''' | + | '''Technical Data''' |
| − | * | + | * Sampling Frequency: |
| − | ** | + | ** 48 kHz |
| − | ** | + | ** 44.1 kHz |
| − | ** | + | ** 32 kHz |
| − | * | + | * Tape speed: |
| − | ** | + | ** Standard: 8.15 mm/s |
| − | ** | + | ** Longplay: 4,075 mm/s |
| − | * D/A | + | ** Tape speed - Safe, 4 direct drive motors !!! |
| − | ** | + | * D/A converter: |
| − | ** | + | ** Standard: 16 bit linear |
| − | * | + | ** Longplay: 12 bit non linear |
| − | ** | + | * Frequency Response: |
| − | ** | + | ** Standard: 2 - 22000 Hz |
| − | * | + | ** Longplay: 2 - 14500 Hz |
| − | ** | + | * Dynamic range: |
| − | * | + | ** above 93 dB |
| − | ** | + | * Signal-to-noise ratio: |
| − | * | + | ** above 93 dB |
| − | ** | + | * Distortion factor: |
| − | ** | + | ** Standard: Below 0.0045% |
| + | ** Longplay: Under 0.08% | ||
| − | + | == Comments == | |
| − | == | + | * Other models in the same series: |
| − | * | ||
* [[Sony DTC-60 ES]] | * [[Sony DTC-60 ES]] | ||
* [[Sony DTC-790]] | * [[Sony DTC-790]] | ||
| Line 61: | Line 61: | ||
| − | == | + | == Pictures == |
| − | * | + | * [[Image: Sony DTC-ZA 5 ES |
| − | [[ | + | [[image: dtc-za5es.gif]] |
| + | |||
| + | |||
| + | * Picture: Sony DTC-ZA 5 ES | ||
| + | [[image: sony_za5es_003.jpg]] | ||
| − | * | + | * Excerpt from brochure: Sony DTC-ZA 5 ES |
| − | [[ | + | [[File:Sony DTC-ZA 5 ES-Prospekt-1998.jpg]] |
| − | == | + | == Reviews == |
| − | * | + | * The best DAT, 4!!direct drive motors(never had problems with cassettes),low noise mic.inputs!!better than the 2000.A dream.HW |
| − | * | + | * Such nonsense,it was the last and cheapest DAT unit from SONY when pretty much no DATs were bought at all. Inside it is almost completely empty, as one American smugly described it - "it is an empty box, nothing else". |
| − | * | + | * Have a look at the DAT history in the Hifimuseum : http://www.hifimuseum.de/dat-digital-technik.html |
| + | * Sorry, this is not a disc. Page, but not the museum is important,I own such a device since it was new, yes also streamers cassettes - no chatter!!HW | ||
| + | * After all, the ZA 5 ES uses the four-motor drive with direct drive and fully adjustable tape guides, which is also used in the 77ES and 2000ES, but only with 2-head technology. The drive (and this is what matters most in a DAT deck) is one of the finest ever built by Sony. The fact that the electronics department has a significantly higher level of integration (i.e. an "empty" housing) is merely due to the advancing state of technology. | ||
== Links == | == Links == | ||
| − | * [http://www.datrecorders.co.uk/dtcza5es.php | + | * [http://www.datrecorders.co.uk/dtcza5es.php info page DAT] |
| − | [[ | + | [[Category:DAT Recorder]] |
Latest revision as of 09:19, 10 March 2020
Data[edit]
General
- Manufacturer: Sony
- Model: DTC-ZA 5 ES
- Type: DAT recorder
- Years of manufacture: 1995 - 1999
- Made in: Japan
- Color: Black or champagne
- Remote control: Yes (RM-D 868)
- Power consumption:
- Dimensions: 430 x 125 x 340 mm (WxHxD).
- Weight: 7,5 kg
- Original price: 2.500.- DM (RRP, black), 2.600.- DM (RRP, champagne)
Connections
- Number of inputs:
- Line In Cinch: 47 kOhm
Digital In Cinch: 75 Ohm
- Digital In Opto
- Microphone L/R 5kOhm
- Number of outputs:
- Line Out Cinch: 470 Ohm
- Digital Out Cinch: 75 Ohm
- Digital Out Opto
- Headphones: 220 Ohm
Technical Data
- Sampling Frequency:
- 48 kHz
- 44.1 kHz
- 32 kHz
- Tape speed:
- Standard: 8.15 mm/s
- Longplay: 4,075 mm/s
- Tape speed - Safe, 4 direct drive motors !!!
- D/A converter:
- Standard: 16 bit linear
- Longplay: 12 bit non linear
- Frequency Response:
- Standard: 2 - 22000 Hz
- Longplay: 2 - 14500 Hz
- Dynamic range:
- above 93 dB
- Signal-to-noise ratio:
- above 93 dB
- Distortion factor:
- Standard: Below 0.0045%
- Longplay: Under 0.08%
Comments[edit]
- Other models in the same series:
- Sony DTC-60 ES
- Sony DTC-790
- Sony DTC-2000 ES
- Sony DTC-ZA 5 ES
- Sony DTC-ZE 700
Pictures[edit]
- [[Image: Sony DTC-ZA 5 ES
- Picture: Sony DTC-ZA 5 ES
- Excerpt from brochure: Sony DTC-ZA 5 ES
Reviews[edit]
- The best DAT, 4!!direct drive motors(never had problems with cassettes),low noise mic.inputs!!better than the 2000.A dream.HW
- Such nonsense,it was the last and cheapest DAT unit from SONY when pretty much no DATs were bought at all. Inside it is almost completely empty, as one American smugly described it - "it is an empty box, nothing else".
- Have a look at the DAT history in the Hifimuseum : http://www.hifimuseum.de/dat-digital-technik.html
- Sorry, this is not a disc. Page, but not the museum is important,I own such a device since it was new, yes also streamers cassettes - no chatter!!HW
- After all, the ZA 5 ES uses the four-motor drive with direct drive and fully adjustable tape guides, which is also used in the 77ES and 2000ES, but only with 2-head technology. The drive (and this is what matters most in a DAT deck) is one of the finest ever built by Sony. The fact that the electronics department has a significantly higher level of integration (i.e. an "empty" housing) is merely due to the advancing state of technology.