Difference between revisions of "Sony DTC-2000 ES"
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__NOTOC__ | __NOTOC__ | ||
| − | == | + | == Data == |
| − | {{ | + | {{navigation}} |
| − | ''' | + | '''General''' |
| − | * | + | * Manufacturer: [[Sony]] |
| − | * | + | * Model: DTC-2000 ES |
| − | * | + | * Type: DAT recorder |
| − | * | + | * Years of manufacture: 1994 - 1999 |
| − | * | + | * Made in: Japan |
| − | * | + | * Color: Black or Champagne |
| − | * | + | * Remote control: yes |
| − | * | + | * Power consumption: 50 W |
| − | * | + | * Dimensions: 470 x 135 x 380 mm (WxHxD) |
| − | * | + | * Weight: 12,5 kg |
| − | * | + | * Original price: 3'900 DM (RRP, black), 4'000 DM (RRP, champagne) |
| − | ''' | + | '''Connections''' |
| − | * | + | * Inputs: |
| − | ** LINE IN: Cinch 47 kOhm | + | ** LINE IN: Cinch 47 kOhm -4db |
| − | + | DIGITAL IN: Cinch 75 Ohm 0,5 Vss, +- 20% | |
| − | + | DIGITAL IN Optical: | |
| − | ** MIC: 6 | + | ** MIC: 6.3 mm jack. |
| − | * | + | * Outputs: |
| − | ** LINE OUT: Cinch 470 OHM | + | ** LINE OUT: Cinch 470 OHM -4 db |
| − | ** PHONES: 6 | + | ** PHONES: 6.3 mm jack, 220 Ohm 1.3 mW |
| − | ** DIGITAL OUT: Cinch 75 Ohm | + | ** DIGITAL OUT: Cinch 75 Ohm 0,5 Vss, +- 20% |
| − | ''' | + | '''Technical Data''' |
| − | * | + | * Tape recording data |
| − | ** | + | ** Track pitch: 13.6 um (20.4um) |
| − | ** | + | ** Sampling frequencies: 48 kHz, 44.1 kHz, 32 kHz |
| − | ** | + | ** Modulation type: 8-10 modulation |
| − | ** | + | ** Transfer rate: 2.46 MBit/s |
| − | ** | + | ** Number of channels: 2 (stereo) |
| − | ** D/A | + | ** D/A conversion (quantization) |
| − | *** Standardplay: 16 | + | *** Standardplay: 16 bit, linear |
| − | *** Longplay: | + | *** Longplay: 12 bit, non-linear |
| − | * | + | * Frequency response |
| − | ** | + | ** Standard play: 2-22,000 Hz (+-0.5 db) |
| − | ** Longplay: | + | ** Longplay: 2-14,500 Hz (+-0.5 db) |
| − | + | Signal-to-noise ratio | |
| − | + | Standard play: above 94 db | |
| − | + | Longplay: above 94 db | |
| − | + | Dynamic Range | |
| − | + | Standardplay: above 94 db | |
| − | ** Longplay: | + | ** Longplay: over 94 db |
| − | * | + | * Total harmonic distortion |
| − | ** Standardplay: | + | ** Standardplay: below 0.0035% (1kHz) |
| − | ** Longplay: | + | ** Longplay: below 0,075% (1kHz) |
| − | * | + | * Coincidence fluctuations: below measuring limit |
| − | ''' | + | '''Special Features''' |
| − | * | + | * Wide range mode (High Sampling) |
| − | * | + | * Long play mode (LP) |
| − | == | + | == Remarks == |
| − | * | + | * Other models in the same series: |
* [[Sony DTC-60 ES]] | * [[Sony DTC-60 ES]] | ||
* [[Sony DTC-790]] | * [[Sony DTC-790]] | ||
| Line 67: | Line 67: | ||
| − | == | + | == Pictures == |
| − | * | + | * [[Sony DTC-2000 ES |
| − | [[ | + | [[File:2000es.JPG]] |
| − | == | + | * Excerpt from report "Stereoplay": Sony DTC-2000 ES |
| − | * | + | [[File:Sony DTC-2000 ES-Prospekt-1995.jpg]] |
| − | * | + | |
| − | * | + | |
| + | == Reports == | ||
| + | * Only for the German market was initially offered a version different in technical terms, which can not be directly identified by a different device designation. | ||
| + | * It lacked here the real rear tape conroll offered in all other markets from model start. The device intended for the German market had a head drum with only 2 heads, the international version had a 4-head drum. | ||
| + | * The 4-head version was subsequently offered in Germany at the same price. | ||
| + | |||
| + | Important for second-hand buyers: Units with a 2-head drum can be identified by the missing "Tape Monitor" switch directly above the level control. | ||
| − | |||
== Links == | == Links == | ||
| − | * | + | * DAT info page: [http://www.datrecorders.co.uk/dtc2000es.php] |
| − | [[ | + | [[Category:DAT Recorder]] |
Latest revision as of 12:37, 8 January 2020
Data[edit]
General
- Manufacturer: Sony
- Model: DTC-2000 ES
- Type: DAT recorder
- Years of manufacture: 1994 - 1999
- Made in: Japan
- Color: Black or Champagne
- Remote control: yes
- Power consumption: 50 W
- Dimensions: 470 x 135 x 380 mm (WxHxD)
- Weight: 12,5 kg
- Original price: 3'900 DM (RRP, black), 4'000 DM (RRP, champagne)
Connections
- Inputs:
- LINE IN: Cinch 47 kOhm -4db
DIGITAL IN: Cinch 75 Ohm 0,5 Vss, +- 20% DIGITAL IN Optical:
- MIC: 6.3 mm jack.
- Outputs:
- LINE OUT: Cinch 470 OHM -4 db
- PHONES: 6.3 mm jack, 220 Ohm 1.3 mW
- DIGITAL OUT: Cinch 75 Ohm 0,5 Vss, +- 20%
Technical Data
- Tape recording data
- Track pitch: 13.6 um (20.4um)
- Sampling frequencies: 48 kHz, 44.1 kHz, 32 kHz
- Modulation type: 8-10 modulation
- Transfer rate: 2.46 MBit/s
- Number of channels: 2 (stereo)
- D/A conversion (quantization)
- Standardplay: 16 bit, linear
- Longplay: 12 bit, non-linear
- Frequency response
- Standard play: 2-22,000 Hz (+-0.5 db)
- Longplay: 2-14,500 Hz (+-0.5 db)
Signal-to-noise ratio Standard play: above 94 db Longplay: above 94 db Dynamic Range Standardplay: above 94 db
- Longplay: over 94 db
- Total harmonic distortion
- Standardplay: below 0.0035% (1kHz)
- Longplay: below 0,075% (1kHz)
- Coincidence fluctuations: below measuring limit
Special Features
- Wide range mode (High Sampling)
- Long play mode (LP)
Remarks[edit]
- Other models in the same series:
- Sony DTC-60 ES
- Sony DTC-790
- Sony DTC-2000 ES
- Sony DTC-ZA 5 ES
- Sony DTC-ZE 700
Pictures[edit]
- [[Sony DTC-2000 ES
- Excerpt from report "Stereoplay": Sony DTC-2000 ES
Reports[edit]
- Only for the German market was initially offered a version different in technical terms, which can not be directly identified by a different device designation.
- It lacked here the real rear tape conroll offered in all other markets from model start. The device intended for the German market had a head drum with only 2 heads, the international version had a 4-head drum.
- The 4-head version was subsequently offered in Germany at the same price.
Important for second-hand buyers: Units with a 2-head drum can be identified by the missing "Tape Monitor" switch directly above the level control.
Links[edit]
- DAT info page: [1]