Difference between revisions of "Teac A-3300SX-2T"
 
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Die Teac A-3300SX-2T ist die Highspeed Version der Teac A-3300SX, da sie im Gegensatz zur A-3300SX über die Wiedergabegeschwindikeiten 19cm/s und 38 cm/s verfügt (A-3300SX 9,5 cm/s und 19 cm/s). Die Highspeed Version gab es nur als 2-Spur Version, während die A3300SX sowohl als Viertel-, als auch als Halbsur Version verkauft wurde. Durch die verdoppelung der Spur und die Erhöhung der Geschwindigkeit auf 38cm/s ergibt sich eine Verbesserung der Ruhegeräuschspannung von 58 dbm auf 60 dbm. Oft wird die A3300SX-2T als semiprofessionelle Maschine bezeichnet, da sie über keine symmetrischen Eingänge verfügt. Dennoch wurde Sie vielfach als Mastermaschine bei professionellen Produktionen eingesetzt (z.B. Gunther Gabriel). Auf Grund ihrer enormen Robustheit fand sie speziell in Japan Anwendung als Zuspielmaschine in Kassettenkopierwerken. Sowohl die A-3300SX als auch die Highspeed Version verfügen über Mikrophonvorverstärker und ein Mischpult zum Mischen von Mikrophon- und Linesignalen. Beide Maschinen haben Trimmer zum Einstellen sämtlicher Parameter, die notwendig sind zum Einmessen der Maschine. Es ist möglich, die Geräte auf vier verschiedene Typen von Bändern einzustellen und die Parameter Aufnahmeentzerrung und Vormagnetisierung auf der Front des Gerätes per Schalter zu wählen. Als Nachteil der Maschine wird häufig gesagt, dass sie nicht sehr hoch aussteuerbar ist, etwa 514 nWeber bei 38cm/s. Vom Werk her ist die Mascine auf 185 nWeber eingestellt. Dies ist bedingt durch die niedrige Voltzahl, bei der die Vorverstärker arbeiten (ca. 22-23 Volt) Durch die Existenz professioneller Rauschunterdrückungsmittel wie Dolby SR oder Telcom Ce (Verbesserung bis zu 30 dbm der Dynamik) ist diese 'Manko' obsolet, da sich gleichzeitig erheblich bessere Werte für Klirrfaktor und Kanaltrennung ergeben. Als Mastermaschine ist die A-3300SX-2T ein Leichtgewicht (ca. 22 kg) im Vergleich zur Telefunken M10 mit 60 kg alleine für das Chassis. Dennoch ist sie äusserst robust und verfügt über beste Phasenstabilität bei Stereobetrieb.
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__NOTOC__
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Die Entzerrungzeitkonstanten entsprechen der NAB Norm, d.h., 50 + 3180 mukros bei 19 cm/s und 38 cm/s. Zur Anpassung an verschiedene Drehmomente bei kleinen und grossen Spulen ist ein Tastenschalter an der Front vorhanden.
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== Data ==
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{{navigation}}
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'''General'''
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* Manufacturer: [[Teac]]
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* Model: A-3300 SX-2T
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* Type: Half-track tape machine
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* Years of manufacture: 1976 - 1979
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* Made in: Japan
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* Color: Silver / Black, housing side parts wood
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* Original price approx.: 2'148 DM
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'''Technical data'''
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[[File:Teac A-3300 SX-3300 SX 2-T-Daten.jpg]]
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[[File:Teac A-3300 SX-3300 SX 2-T-Prospekt-3.jpg|650px]]
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== Comments ==
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* Other models in the same series:
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* Tape machines:
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* [[Teac A-2300 SD]]
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* [[Teac A-2300SX]]
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* [[Teac A-2340SX]]
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* [[Teac A-3300SX]]
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* [[Teac A-3300SX-2T]]
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* [[Teac A-3440]]
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* [[Teac A-4300SX]]
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* [[Teac A-6100 MK II]]
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* [[Teac A-6300]]
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* [[Teac A-7300]]
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* [[Teac A-7300-2T]]
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* [[Teac A-7300 RX]]
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* [[Tape Decks]]
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* [[Teac A-103]]
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* [[Teac A-106]]
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* [[Teac A-107]]
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* [[Teac A-303]]
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* [[Teac A-700]]
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* [[Teac A-800]]
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* [[Teac C-1]]
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* [[Teac C-2]]
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* [[Teac C-3]]
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== Pictures ==
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* Extract from brochure: Teac A-3300 SX-2T
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[[File:Teac A-3300 SX-3300 SX 2-T-Prospekt-1.jpg|650px]]
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* Excerpt from brochure: Teac A-3300 SX-2T
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[[File:Teac A-3300 SX-3300 SX 2-T-Prospekt-2.jpg|650px]]
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 +
 
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== Reviews ==
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* The Teac A-3300SX-2T is the highspeed version of the Teac A-3300SX, as it has playback speeds of 19cm/s and 38 cm/s (A-3300SX 9.5 cm/s and 19 cm/s), unlike the A-3300SX.  
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* The high-speed version was only available as a 2-track version, while the A3300SX was sold in both quarter- and half-track versions. Doubling the width of the track and increasing the speed to 38cm/s results in an improvement of the quiescent noise voltage from 58 dbm to 60 dbm. Often the A3300SX-2T is called a semi-professional machine, because it has no balanced inputs. Nevertheless, it was often used as a master machine for professional productions (e.g. Gunther Gabriel). Due to its enormous robustness, it was used especially in Japan as a playback machine in cassette duplicators. Both the A-3300SX and the Highspeed version have microphone preamps and a mixer for mixing microphone and line signals. Both machines have trimmers for setting all parameters necessary to calibrate the machine. It is possible to set the machines to four different types of tapes, and to select the recording equalization and premagnetization parameters on the front of the machine by switch.
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* It is often said as a disadvantage of the machine that it is not very high output, about 514 nWeber at 38cm/s. From the factory the machine is set to 185 nWeber. This is due to the low volt number at which the preamps operate (about 22-23 volts).
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* Due to the existence of professional noise reduction devices such as Dolby SR or Telcom C4e (improving up to 30 dbm of dynamic range), this 'shortcoming' is obsolete, as a lower level setting results in considerably better distortion and channel separation values at the same time.  
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* As a master machine the A-3300SX-2T is a lightweight (approx. 22 kg) compared to the Telefunken M10 with 60 kg for the chassis alone. Nevertheless, it is extremely robust and has the best phase stability in stereo operation.
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* The equalization time constants comply with the NAB standard, i.e., 50 + 3180 micro at 19 cm/s and 38 cm/s.  
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* A push-button switch is provided on the front for adjustment to different torques for small and large coils.
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* In addition, the machine has switches for individual selection of the 2 tracks on the left and right as recording tracks.
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== Left ==
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[[Category:Tape machines]]

Latest revision as of 03:44, 18 May 2019

Data[edit]

General

  • Manufacturer: Teac
  • Model: A-3300 SX-2T
  • Type: Half-track tape machine
  • Years of manufacture: 1976 - 1979
  • Made in: Japan
  • Color: Silver / Black, housing side parts wood
  • Original price approx.: 2'148 DM


Technical data

Teac A-3300 SX-3300 SX 2-T-Daten.jpg


Teac A-3300 SX-3300 SX 2-T-Prospekt-3.jpg


Comments[edit]



Pictures[edit]

  • Extract from brochure: Teac A-3300 SX-2T

Teac A-3300 SX-3300 SX 2-T-Prospekt-1.jpg


  • Excerpt from brochure: Teac A-3300 SX-2T

Teac A-3300 SX-3300 SX 2-T-Prospekt-2.jpg


Reviews[edit]

  • The Teac A-3300SX-2T is the highspeed version of the Teac A-3300SX, as it has playback speeds of 19cm/s and 38 cm/s (A-3300SX 9.5 cm/s and 19 cm/s), unlike the A-3300SX.
  • The high-speed version was only available as a 2-track version, while the A3300SX was sold in both quarter- and half-track versions. Doubling the width of the track and increasing the speed to 38cm/s results in an improvement of the quiescent noise voltage from 58 dbm to 60 dbm. Often the A3300SX-2T is called a semi-professional machine, because it has no balanced inputs. Nevertheless, it was often used as a master machine for professional productions (e.g. Gunther Gabriel). Due to its enormous robustness, it was used especially in Japan as a playback machine in cassette duplicators. Both the A-3300SX and the Highspeed version have microphone preamps and a mixer for mixing microphone and line signals. Both machines have trimmers for setting all parameters necessary to calibrate the machine. It is possible to set the machines to four different types of tapes, and to select the recording equalization and premagnetization parameters on the front of the machine by switch.
  • It is often said as a disadvantage of the machine that it is not very high output, about 514 nWeber at 38cm/s. From the factory the machine is set to 185 nWeber. This is due to the low volt number at which the preamps operate (about 22-23 volts).
  • Due to the existence of professional noise reduction devices such as Dolby SR or Telcom C4e (improving up to 30 dbm of dynamic range), this 'shortcoming' is obsolete, as a lower level setting results in considerably better distortion and channel separation values at the same time.
  • As a master machine the A-3300SX-2T is a lightweight (approx. 22 kg) compared to the Telefunken M10 with 60 kg for the chassis alone. Nevertheless, it is extremely robust and has the best phase stability in stereo operation.
  • The equalization time constants comply with the NAB standard, i.e., 50 + 3180 micro at 19 cm/s and 38 cm/s.
  • A push-button switch is provided on the front for adjustment to different torques for small and large coils.
  • In addition, the machine has switches for individual selection of the 2 tracks on the left and right as recording tracks.


Left[edit]

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