Editing The Legendary Cassette Decks In Comparison
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− | == | + | == Kurzbeschreibung == |
− | + | Hier wird versucht, die legendären Kassettendecks aller Zeiten aufzulisten. Z.B. [[Nakamichi DRAGON]] und [[Pioneer CT-95]]. | |
− | ''' | + | '''Einschränkung''' |
− | * | + | * Bitte nicht mehr als maximal vier Top Kassettendecks pro Hersteller und unter 0,025% Gleichlaufschwankungen.. |
− | * Elcaset | + | * Elcaset Kassettendecks sind erlaubt. |
− | + | == Daten == | |
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− | == | ||
{| class="wikitable sortable" | {| class="wikitable sortable" | ||
− | |+ style="padding-bottom:1em"| | + | |+ style="padding-bottom:1em"| Spezifikationen |
− | |- class=" | + | |- class="hintergrundfarbe6" |
− | ! style="width:15%;text-align:right" | | + | ! style="width:15%;text-align:right" | Technische Daten || || ! colspan="3" | Tonköpfe || || || || ! colspan="3" | Klirrfaktor || ! colspan="3" | Frequenzgang in Hz (± 3 dB) || ! colspan="3" | Signalrauschabstand (ohne Dolby) || Dolby NR || Bias || Auto- |
− | |- class=" | + | |- class="hintergrundfarbe6" |
− | ! style="width:15%;text-align:left"| | + | ! style="width:15%;text-align:left"| Modell || Jahr || Anz. || Lösch || Record/Playback || Motoren || Dual Capstan || Gleichlaufschw. in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || (B/C/S/HXPro) || Kalibration || reverse |
|- | |- | ||
− | |[[Aiwa XK-009]]||1988||3| || | + | |[[Aiwa XK-009]]||1988||3|| || || 3|| Ja||0,018 %|| || || ||20 - 22.000 ||20 - 21.000 ||20 - 20.000|| || || ||B/C/HX-Pro, dbx||manuell||Nein |
|- | |- | ||
− | |[[Aiwa XK-S 9000]]||1992||3|| || 4|| | + | |[[Aiwa XK-S 9000]]||1992||3|| || || 4|| Ja||0,018 %|| 0,002% || || ||13 - 24.000 ||13 - 22.000 ||13 - 21.000|| 65 dB|| || ||B/C/S/HX-Pro||manuell||Nein |
|- | |- | ||
− | |[[Akai GX-F 90]] ||1980|| 3 || || GF|| 2|| || 0 | + | |[[Akai GX-F 90]] ||1980|| 3 || || GF|| 2|| || 0,03 % || || || || 25 - 21.000 || 25 - 17.000 || 25 - 15.000 || || || || B || |
|| | || | ||
|- | |- | ||
− | |[[Akai GX-95]]||1990||3|| GF|| || | + | |[[Akai GX-95]]||1990||3|| || GF|| || Ja||0,025 %||<0,6%|| || ||20 - 21.000 ||20 - 21.000 ||20 - 19.000|| 59 dB|| || ||B/C/HX-Pro||manuell||Nein |
|- | |- | ||
− | |[[Arcam Delta 100]]||1992||3| || | + | |[[Arcam Delta 100]]||1992||3|| || || |3|| Ja ||0,04 %|| <1,0 %|| || || || 20 - 20.000|| || 66 dB|||| ||B/C/S|| manuell ||Nein |
|- | |- | ||
− | |[[Harman/kardon CD 491]]||1983 | + | |[[Harman/kardon CD 491]]||1983||3||||S&F/S&F||3|| Ja||0,025 %||0,9%|| || ||20 - 26.000 ||20 - 24.000 ||20 - 24.000||58 dB|| || ||B/C/HX-Pro||manuell||Nein |
|- | |- | ||
− | | [[Luxman Laboratory Reference Series 5K-50|Luxman 5K-50 Laboratory Reference Series]]||1978||3 || F||SD ||3|| | + | | [[Luxman Laboratory Reference Series 5K-50|Luxman 5K-50 Laboratory Reference Series]]||1978||3 || F||SD ||3|| Ja||< 0.03% ||< 1,2 %|| || || 20 - 22.000|| 20 - 18.000 || 20 - 16.000|| ||58 dB|| 55 dB|| B|| manuell|| |
|- | |- | ||
− | + | | [[Nakamichi DRAGON]] || 1983 || 3 || PA-1L || R-8L/E-8L || 5 || Ja || 0,019% || <0,8% || <0,8% || <0,8% || 20 - 22.000 || - || - || - || - || - || B/C || manuell || Ja | |
|- | |- | ||
− | |[[Onkyo TA-2070]]||1981||3|F ||SD& | + | |[[Onkyo TA-2070]]||1981||3||F ||SD&F || 3 ||Ja || 0,021 % || || || ||20 - 21.000|| 20 - 19.000|| 20 - 17.000|| 60 dB|| || || B/C || Automatisch || Nein || |
|- | |- | ||
− | |[[Onkyo TA-2090]]||1983||3||F ||SD& | + | |[[Onkyo TA-2090]]||1983||3||F ||SD&F || 3 ||Ja || 0,020 % || || || ||20 - 22.000|| 20 - 20.000|| 20 - 18.000|| 60 dB|| || || B/C/HX-Pro/ dbx || Automatisch || Nein || |
|- | |- | ||
− | + | | [[Pioneer CT-95]] || 1993 || 3 || - || -/- || 3 || Ja || 0,022% || 0,6% || 0,6% || 0,6% || 10 - 30.000 || 10 - 21.000 || 10 - 21.000 || 64 dB || - || - || B/C/S/HX-Pro || Automatisch || Nein | |
|- | |- | ||
− | | [[Revox B 710 MK II]]|| 1980||3|| || S& | + | | [[Revox B 710 MK II]]|| 1980||3|| || S&F/S&F ||4|| Ja || 0,1% ||1,5% ||1,5% ||0,8% ||30 - 20.000 || 30 - 20.000 || 30 - 18.000 || || || || B/C|| ||Nein |
|- | |- | ||
− | | [[Revox B 215]] || 1985 || 3 || - || S& | + | | [[Revox B 215]] || 1985 || 3 || - || S&F/S&F || 4 || Ja || 0,04% || 1,0% || 1,5% || 0,8% || 30 - 20.000 || 30 - 20.000 || 30 - 18.000 || - || - || - || B/C/HX-Pro || Automatisch|| Nein |
|- | |- | ||
− | | [[Sony TC-K 909 ES]] || 1993 || 3 || S& | + | | [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein |
|- | |- | ||
− | | [[Sony TC-KA 3 ES]] || 1995 || 3 || S& | + | | [[Sony TC-KA 3 ES]] || 1995 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 -20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || B/C/S || manuell || Nein |
|- | |- | ||
− | | [[Tandberg TCD 3014]]||1984|| 3|| || 4 || | + | | [[Tandberg TCD 3014]]||1984|| 3|| || || 4 || Ja|| || |||| ||18 - 23.000 || 18 - 20.000|| 18 - 20.000 || || || || B, C, Dyneq, Actilin.Rec.|| manuell||Nein |
+ | |- | ||
+ | | [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,027% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein | ||
|- | |- | ||
− | | [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || | + | | [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein |
|- | |- | ||
− | | [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || | + | | [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || B/C/S/HXPro || manuell || Nein |
|- | |- | ||
− | | [[ | + | |[[Yamaha K-2000]]||1983||3|| ||SD||2||Ja ||0,02%||<0,9%|| || || 20 - 20.000|| || ||> 59 dB|| || || B, dbx ||Automatisch ||Nein |
|- | |- | ||
− | |[[Yamaha | + | |[[Yamaha KX-690]]||1996||3|| F || HP/HP ||3|| Ja|| 0,04%||<0,8% ||<0,8% || <0,8%|| 20 - 21.000|| 20 - 19.000|| 20 - 18.000 || || ||> 60 dB|| B/C/S/HXPro ||Automatisch||Nein |
− | | | + | |} |
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− | + | ==Gleichlaufschwankung in WRMS== | |
+ | Professionelle Kassettendecks konnten in den 80'er Gleichlaufschwankungen um 0,02% erreichen, was als nicht mehr hörbar bezeichnet wurde. | ||
+ | [https://en.wikipedia.org/wiki/Home_audio Home-Audio] Kassettendecks erreichten in etwa Werte um 0,08% WRMS, was in manchen Situationen noch hörbar ist. | ||
− | + | Echte High-End-Decks schafften es, näher an die 0,02% Marke zu kommen und manche, wie das [[Nakamichi DRAGON|Dragon]], sogar etwas darunter. | |
− | == | + | ==Tonköpfe== |
− | + | Kopftypen: | |
− | * F& | + | * F&F = Ferrite & Ferrite (Sony) |
− | * GF = | + | * GF = nahezu verschleißfreie Glasferrit-Tonköpfe (Akai) |
− | * S& | + | * S&F = Sendust & Ferrite (harman/kardon, Revox, Sony) |
* SD = Sendust (Sony, Onkyo, Yamaha) | * SD = Sendust (Sony, Onkyo, Yamaha) | ||
* LA = Laser Amorphous (Sony) | * LA = Laser Amorphous (Sony) | ||
− | * AC = Amorphous Cobalt - | + | * AC = Amorphous Cobalt - bestehend aus 14 Schichten (TEAC) |
− | * F = | + | * F = Ferrit Kopf - Doppelspalt (Onkyo, Yamaha) |
− | * HP = Hard Permalloy | + | * HP = Hard Permalloy Kopf (Yamaha) |
− | == | + | ==Anmerkungen== |
==Weblinks== | ==Weblinks== | ||
− | + | [http://www.revoxsammler.ch/Testberichte%20Kassettengeraete/Cassettendeck%20B215_0003%201988.pdf Götterdämmerung - Vier Spitzen-Tape-Decks im Vergleich] | |
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− | == | + | ==Einzelnachweise== |
− | [[ | + | [[Kategorie:Lexikon]] |
− | [[ | + | [[Kategorie:Kassettendecks]] |
− | [[ | + | [[Kategorie:Entwurf]] |
− | __NOTOC__ | + | __NOTOC__ |