Latest revision |
Your text |
Line 1: |
Line 1: |
− | == Short description == | + | == Kurzbeschreibung == |
− | This is an attempt to list the legendary cassette decks of all time. E.g. [[Nakamichi DRAGON]] and [[Pioneer CT-95]].
| + | Hier wird versucht die legendären Kassettendecks aller Zeiten aufzulisten. ZB. Der [[Nakamichi DRAGON]], der [[Revox B 215]] und der [[Pioneer CT-95]] |
| | | |
− | '''Limitation''' | + | '''Einschränkung''' |
| | | |
− | * Please no more than a maximum of four top cassette decks per manufacturer and under 0.025% synchronicity variation. | + | * Bitte nicht mehr als maximal drei Top Kassettendecks pro Hersteller. |
− | * Elcaset cassette decks are allowed. | + | * Elcaset Kassettendecks sind erlaubt. |
| | | |
− | '''Definition'''
| + | == Daten == |
− | | |
− | As high-end devices, also [https://de.wikipedia.org/wiki/State_of_the_art "state of the art"] - cassette decks are listed at Hifi-Wiki,
| |
− | which have synchronization fluctuations of 0.025% and less.
| |
− | The recording and playback of such devices have the claim to reproduce music at the original of the artist and the sound master.
| |
− | | |
− | == Data == | |
| {| class="wikitable sortable" | | {| class="wikitable sortable" |
− | |+ style="padding-bottom:1em"| specifications | + | |+ style="padding-bottom:1em"| Spezifikationen |
− | |- class="background-color6" | + | |- class="hintergrundfarbe6" |
− | ! style="width:15%;text-align:right" | Specifications || || ! colspan="3" | Sound heads || || || ! colspan="3" | Distortion factor || ! colspan="3" | Frequency response in Hz (± 3 dB) || ! colspan="3" | Signal to Noise Ratio (without Dolby) || Dolby NR || Bias || Auto- | + | ! style="width:15%;text-align:right" | Technische Daten || || ! colspan="3" | Tonköpfe || || || || ! colspan="3" | Klirrfaktor || ! colspan="3" | Frequenzgang in Hz || ! colspan="3" | Signalrauschabstand (ohne Dolby) || Bias || Auto- |
− | |- class="backgroundcolor6" | + | |- class="hintergrundfarbe6" |
− | ! style="width:15%;text-align:left"| Model || Year || No. || Erase || Record/Playback || Motors || Dual Capstan || Synchronization in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || (B/C/S/HXPro) || Calibration || reverse | + | ! style="width:15%;text-align:left"| Modell || Jahr || Anz. || Lösch || Record/Playback || Motoren || Dual Capstan || Gleichlaufschw. in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || Kalibration || reverse |
− | |-
| |
− | | |
− | |[[Aiwa XK-009]]||1988||3| || Yes|0.018 %| || ||20 - 22,000 ||20 - 21,000 || || ||B/C/HX-Pro, dbx||manual||No
| |
− | |-
| |
− | |[[Aiwa XK-S 9000]]||1992||3|| || 4|| Yes||0.018 %|| 0.002% || ||13 - 24,000 ||13 - 22,000 ||| 65 dB| || ||B/C/S/HX-Pro|manual||No
| |
− | |-
| |
− | |[[Akai GX-F 90]] ||1980|| 3 || || GF|| 2|| || 0.03 % || || || 25 - 21,000 || 25 - 17,000 || || 25 - 15,000 || || B ||
| |
− | ||
| |
− | |-
| |
− | |[[Akai GX-95]]||1990||3|| GF|| || Yes||0.025 %||<0.6%|| ||20 - 21,000 ||20 - 21,000 ||| 59 dB|| ||B/C/HX-Pro||manual||No
| |
− | |-
| |
− | |[[Arcam Delta 100]]||1992||3| || Yes ||0.04 %|| <1.0 %| || || 20 - 20,000|| || 66 dB|||| ||B/C/S|| manual ||No
| |
− | |-
| |
− | |[[Harman/kardon CD 491]]||1983|||3||||S&F/S&F||3|| Yes||0.025 %||0.9%|| ||20 - 26,000 ||20 - 24,000 ||58 dB| || ||B/C/HX-Pro||manual||No
| |
− | |-
| |
− | | [[Luxman Laboratory Reference Series 5K-50|Luxman 5K-50 Laboratory Reference Series]]||1978||3 || F||SD ||3|| Yes||< 0.03% ||< 1.2 %|| || 20 - 22,000|| 20 - 18,000 || 20 - 16,000|| ||58 dB|| 55 dB| B|| manual||
| |
| |- | | |- |
− | || [[Nakamichi DRAGON]] || 1983 || 3 || PA-1L || R-8L/E-8L || 5 || Yes || 0.019% || <0.8% || <0.8% || <0.8% || 20 - 22,000 || - || - || - || B/C || manual || Yes
| + | |[[Arcam Delta 100]]||1992||3|| || || |3|| Ja ||0,04 %|| < 1,0 %|| || || || 20 - 20.000|| || 66 dB|||| ||Ja ||Nein |
| |- | | |- |
− | |[[Onkyo TA-2070]]||1981||3|F ||SD&F || 3 ||Yes || 0.021 % || || ||20 - 21,000|| 20 - 19,000|| 20 - 17,000|| 60 dB| || B/C || Automatic || No || | + | | [[Nakamichi DRAGON]] || 1983 || 3 || PA-1L || R-8L/E-8L || 5 || Ja || 0,019% || < 0,8% || < 0,8% || < 0,8% || 20 - 22.000 || - || - || - || - || - || manuell || Ja |
| |- | | |- |
− | |[[Onkyo TA-2090]]||1983||3||F ||SD&F || 3 ||Yes || 0.020 % || || ||20 - 22,000|| 20 - 20,000|| 20 - 18,000|| 60 dB|| || B/C/HX-Pro/ dbx || Automatic || No || | + | | [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
| |- | | |- |
− | || [[Pioneer CT-95]] || 1993 || 3 || - || LA/LA || 3 || Yes || 0.022% || 0.6% || 0.6% || 10 - 30,000 || 10 - 21,000 || 64 dB || - || - || B/C/S/HX-Pro || Automatic || No
| + | | [[Sony TC-KA 3 ES]] || 1995 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
| |- | | |- |
− | | [[Revox B 710 MK II]]|| 1980||3|| || S&F/S&F ||4|| Yes || 0.1% ||1.5% ||0.8% ||30 - 20,000 || 30 - 20,000 || 30 - 18,000 || || B/C| ||No | + | | [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,027% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || manuell || Nein |
− | |-
| |
− | | [[Revox B 215]] || 1985 || 3 || - || S&F/S&F || 4 || Yes || 0.04% || 1.0% || 1.5% || 0.8% || 30 - 20,000 || 30 - 20,000 || - || - || B/C/HX-Pro || Automatic || No
| |
− | |-
| |
− | | [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 - 20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || B/C/S || Manual || No
| |
− | |-
| |
− | | [[Sony TC-KA 3 ES]] || 1995 || 3 || S&F || LA/LA || 3 || Yes || 0.022% || 1.3% || - || 0.4% || 15 - 22,000 || 15 -20,000 || 15 - 17,000 || 61 dB || 59 dB || 57 dB || B/C/S || manual || No
| |
− | |-
| |
− | | [[Tandberg TCD 3014]]||1984|| 3|| || 4 || Yes|| || |||| ||18 - 23.000 || 18 - 20.000 || || || B, C, Dyneq, Actilin.Rec.|| manual||No
| |
| |- | | |- |
− | | [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || Yes || 0.022% || - || - || - || 15 - 21,000 || 15 - 20,000 || 60 dB || - || - || B/C/S/HXPro || manual || No | + | | [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || manuell || Nein |
| |- | | |- |
− | | [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Yes || 0.022% || - || - || - || 15 - 21,000 || 15 - 20,000 || 15 - 18,000 || 60 dB || - || - || B/C/S/HXPro || manual || No | + | | [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || manuell || Nein |
| |- | | |- |
− | | [[Teac Z-7000]] || 1983 || 3 || - || AC/AC || 4 || Yes || 0.019% || 2% || - || - || 20 - 22.000 || 20 - 21.000 || 20 - 20.000 || 60 dB || - || - || B/C/dbx || Automatic || No | + | |[[Yamaha KX-690]]||1996||3|| F || HP/HP ||3|| Ja|| 0,04%||< 0,8% ||< 0,8% || < 0,8%|| 20 - 21.000|| 20 - 19.000|| 20 - 18.000 || || ||> 60 dB||Automatisch||Nein |
− | |-
| + | |} |
− | |[[Yamaha K-2000]]||1983||3||SD||2||Yes ||0.02%||<0,9%|| || || 20 - 20.000|| || ||>59 dB|| || B, dbx ||Automatic |</0,9%||> |No<0,9%|| || || 20 - 20.000|| || ||>
| |
− | |- | |
− | | |
− | ==Smoothness in WRMS==
| |
− | Professional cassette decks in the 80's were able to achieve synchronization fluctuations around 0.02%, which was called no longer audible.
| |
− | | |
− | Simple cassette decks reached values around 0.08% WRMS, which is still audible in some situations.
| |
| | | |
− | Real [https://de.wikipedia.org/wiki/Stereoanlage#High-End high-end] cassette decks managed to get closer to the magic 0.02% mark and some, like the [[Nakamichi DRAGON|Dragon]], even slightly below.
| + | ==Gleichlaufschwankung in WRMS== |
| + | Professionelle Kassettendecks konnten Gleichlaufschwankungen um 0,02% erreichen, was als nicht mehr hörbar bezeichnet wurde. <br /> |
| + | Consumer-Kassettendecks erreichten in etwa Werte von 0,08% WRMS, was in manchen Situationen noch hörbar ist.<br /> |
| + | Echte High-End-Decks schafften es näher an die 0,02% Marke zu kommen und für manche, wie der [[Nakamichi DRAGON|Dragon]], sogar darunter.<br /> |
| | | |
− | ==Soundheads== | + | ==Tonköpfe== |
− | Head types:
| + | Kopftypen: |
− | * F&F = ferrite & ferrites (Sony). | + | * F&F = Ferrite & Ferrite (Sony) |
− | * GF = nearly wearless glass ferrite sound heads (Akai)
| + | * S&F = Sendust & Ferrite (Sony) |
− | * S&F = Sendust & Ferrite (harman/kardon, Revox, Sony) | + | * SD = Sendust (Sony) |
− | * SD = Sendust (Sony, Onkyo, Yamaha) | |
| * LA = Laser Amorphous (Sony) | | * LA = Laser Amorphous (Sony) |
− | * AC = Amorphous Cobalt - consisting of 14 layers (TEAC) | + | * AC = Amorphous Cobalt - bestehend aus 14 Schichten. (TEAC) |
− | * F = Ferrite head - double gap (Onkyo, Yamaha) | + | * F = Ferrit Kopf - Doppelspalt (Yamaha) |
− | * HP = Hard Permalloy head (Yamaha) | + | * HP = Hard Permalloy Kopf (Yamaha) |
| | | |
− | ==Notes== | + | Siehe auch Artikel über Tonköpfe <ref group="Nachweis">http://www.stereo2go.com/topic/is-it-all-in-your-head</ref> |
| | | |
− | ==Weblinks== | + | ==Anmerkungen== |
− | * [https://de.wikipedia.org/wiki/Kassettenrekorder tape recorder] | + | <references group="*"/> |
− | * [https://de.wikipedia.org/wiki/Stereoanlage stereo]
| |
− | * [http://www.revoxsammler.ch/Testberichte%20Kassettengeraete/Cassettendeck%20B215_0003%201988.pdf Twilight of the Gods - Four top tape decks compared]
| |
| | | |
− | ==individual credits== | + | ==Einzelnachweise== |
| + | <references group="Nachweis"/> |
| | | |
− | [[Category:Encyclopedia]] | + | [[Kategorie:Lexikon]] |
− | [[Category:Cassette decks]] | + | [[Kategorie:Kassettendecks]] |
− | [[Category:Design]] | + | [[Kategorie:Entwurf]] |
− | __NOTOC__</0,9%||> | + | __NOTOC__ |