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− | __NOTOC__
| + | == Bilder == |
− | == Data ==
| + | [[bild:pcmr300.jpg]] |
− | {{navigation}}
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− | '''General'''
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− | * Manufacturer: [[Sony]]
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− | * Model: PCM-R 300
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− | * Years of manufacture:
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− | * Made in:
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− | * Color:
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− | * Remote control:
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− | * Power Consumption:
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− | * Dimensions:
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− | * Weight:
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− | * New price approx:
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− | '''Connections'''
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− | * Number of inputs:
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− | ** list the inputs here
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− | * Number of outputs:
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− | ** list the outputs here
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− | | |
− | | |
− | '''Technical Data'''
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− | * Sampling frequency:
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− | * Tape speed:
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− | * D/A converter:
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− | * Frequency response:
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− | * Dynamic range:
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− | * Signal-to-noise ratio:
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− | * Distortion factor:
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− | '''Special Features'''
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− | * list here if available
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− | | |
− | == Remarks == | |
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− | With the PCM-R300, Sony offered a comparatively inexpensive, "semi-professional" variant of the consumer model DTC-790 as a competitor to models from Tascam (e.g. DA-20). The PCM-R300 shows no differences to the DTC-790 except for the missing copy protection system SCMS and the grey colour scheme. And although the strategy to offer consumer models (e.g. DTC-77ES as PCM-2700/2700A) also as studio devices often went along with adapted connections (e.g. the PCM-2700 had XLR sockets instead of RCA analogue connections with adjustable sensitivity resp. output level via hidden rotary potentiometers, and no optical TOSL connectors), the PCM-R300 does not show any differences to the DTC-790. output level and no optical TOSLINK digital connections), the PCM-R300 did without them in favour of standard RCA sockets, which made this recorder fully suitable for any hi-fi system.
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− | Other models in the same series:
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− | == Pictures ==
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− | [[image:pcmr300.jpg]] | |
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− | == Reports ==
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− | == Links ==
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− | * [http://www.datrecorders.co.uk/pcmr300.php info page DAT]
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− | [[Category:DAT Recorder]]
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