Editing Dolby S Cassette Decks In Comparison
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− | == | + | == Kurzbeschreibung == |
− | + | Hier sind die meisten Dolby S<ref group="*"> [https://de.wikipedia.org/wiki/Dolby#Dolby_S Dolby S bei deutscher Wikipedia] </ref>-Kassettendecks gelistet, damit man die Spezifikationen im Überblick einfach vergleichen kann. | |
− | ''' | + | '''Einschränkung''' |
− | + | Damit die Liste nicht all zu lang wird, werden nur Geräte mit Gleichlaufschwankungen von weniger als 0,08% gelistet. | |
− | == | + | == Daten == |
{| class="wikitable sortable" | {| class="wikitable sortable" | ||
− | |+ style="padding-bottom:1em"| | + | |+ style="padding-bottom:1em"| Spezifikationen |
− | |- class=" | + | |- class="hintergrundfarbe6" |
− | ! style="width:15%;text-align:right" | | + | ! style="width:15%;text-align:right" | Technische Daten || || ! colspan="3" | Tonköpfe || || || || ! colspan="3" | Klirrfaktor || ! colspan="3" | Frequenzgang in Hz || ! colspan="3" | Signalrauschabstand (ohne Dolby) || Bias || Auto- |
− | |- class=" | + | |- class="hintergrundfarbe6" |
− | ! style="width:15%;text-align:left"| | + | ! style="width:15%;text-align:left"| Modell || Jahr || Anz. || Lösch || Record/Playback || Motoren || Dual Capstan || Gleichlaufschw. in WRMS || Metal || Chrome || Normal || Metal || Chrome || Normal || Metal || Chrome || Normal || Kalibration || reverse |
|- | |- | ||
− | |[[Aiwa XK-S 7000]]||1992||3|| || 3|| ||0,025%| || || 13 - 23.000|| 13 - 21.000|| 13 - 20.000|| || | + | |[[Aiwa XK-S 7000]]||1992||3|| || || 3|| ||0,025%|| || || || 13 - 23.000|| 13 - 21.000|| 13 - 20.000|| || || || manuell||Nein || |
|- | |- | ||
− | |[[Aiwa XK-S 9000]]||1992||3|| || 4|| ||0,018%||0,002%|| || 13 - 24.000 <ref group="*"> | + | |[[Aiwa XK-S 9000]]||1992||3|| || || 4|| ||0,018%||0,002%|| || || 13 - 24.000 <ref group="*">Achtung! Frequenzgang ± 0,3 dB und nicht wie üblich ± 3 dB.</ref> || 13 - 22.000|| 13 - 21.000||65 dB|| || || manuell||Nein || |
|- | |- | ||
− | |[[Arcam Delta 100]]||1992||3| || | + | |[[Arcam Delta 100]]||1992||3|| || || |3|| Ja ||0,04 %|| < 1,0 %|| || || || 20 - 20.000|| || 66 dB|||| ||manuell ||Nein |
|- | |- | ||
− | |[[Harman/kardon TD 4600]] ||1990||2|| ||A || || || || || 20 - 20.000 || || ||57 dB || || | + | |[[Harman/kardon TD 4600]] ||1990||2|| ||A || || || || || || || || 20 - 20.000 || || ||57 dB || ||manuell ||Nein || |
|- | |- | ||
− | | [[Harman/kardon TD 470]] || 1995 || 3 || || A || || | + | | [[Harman/kardon TD 470]] || 1995 || 3 || || A || ||Ja ||0,06% (DIN)<ref group="*"> Die Anforderungen der DIN an den Gleichlauf lagen höher als bei WRMS.</ref>|| 1,1 %|| 1,3% || 0,6%|| 20 - 20.000 || || || || 56 dB<ref group="*"> [[ Datei:Hk_td470_Infos_2016.pdf|mail-Kopien hk-Support]] </ref> || ||manuell || Nein |
|- | |- | ||
− | | [[Kenwood KX-7060 S]] || 1994|| 3 || || | + | | [[Kenwood KX-7060 S]] || 1994|| 3 || || || || Ja || 0,055% / 0,15% (DIN)|| || || || 20 - 22.000 || 20 - 19.000|| 20 - 19.000 || 60 dB || - ||- || Automatisch || Nein |
|- | |- | ||
− | | [[Kenwood KX-9050 S]] || 1992|| 3 || || A || 4 || | + | | [[Kenwood KX-9050 S]] || 1992|| 3 || || A || 4 || Ja || 0,024% / 0,05% (DIN)|| || <0,7%|| || 20 - 22.000 || 20 - 19.000|| 20 - 19.000 || 59 dB || - ||- || Automatisch || Nein |
|- | |- | ||
− | | [[Pioneer CT-95]] <ref group="*"> | + | | [[Pioneer CT-95]] <ref group="*">Achtung! Frequenzgang ± 6 dB und nicht wie üblich ± 3 dB.</ref>|| 1993 || 3 || - || -/- || 3 || Ja || 0,022% || 0,6% || 0,6% || 0,6% || 10 - 30.000 || 10 - 21.000 || 10 - 21.000 || 64 dB || - || - || manuell || Nein |
|- | |- | ||
− | [[ | + | | [[Sony TC-K 511 S]] || 1993 || 3 || S&F || SD/SD || 2 || Nein || 0,07% || 1,5% || - || 0,4 % || 30 - 19.000 || 30 - 18.000 || 30 - 17.000 || 60 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | [[ | + | | [[Sony TC-K 611 S]] || 1993 || 3 || F&F || SD/SD || 3 || Nein || 0,05% || 1,5% || - || 0,4% || 20 - 20.000 || 20 - 18.000 || 20 - 17.000 || 60 dB || - || - || manuell || Nein |
|- | |- | ||
− | [[ | + | | [[Sony TC-RX 611 S]] || 1993 || 2 || F&F || LA || 3 || Nein || 0,06% || 1,8% || - || 0,4% || 20 - 19.000 || 25 - 18.000 || 25 - 16.000 || 59 dB || - || - || Automatisch || Ja |
|- | |- | ||
− | [[Sony TC-K | + | | [[Sony TC-K 707 ES]] || 1993 || 3 || S&F || SD/LA || 3 || Ja || 0,05% || 1,5% || - || 0,4% || 20 - 21.000 || 20 - 19.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | [[Sony TC-K | + | | [[Sony TC-K 711 S]] || 1993 || 3 || S&F || SD/SD || 3 || Ja || 0,05% || 1,5% || - || 0,4% || 20 - 20.000 || 20 - 18.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | | [[Sony TC- | + | | [[Sony TC-K 715 S]] || 1994 || 3 || F&F || SD/SD || 3 || Nein || 0,045% <ref group="*">Der Vorgänger Modell [[Sony TC-K 711 S|711 S]] hatte ein Dual Capstan, der [[Sony TC-K 715 S|715 S]] jedoch ein Quartz Locked Servo, aber nur ein Capstan und trotzdem etwas besser.</ref> || 1,5% || - || 0,4% || 20 - 20.000 || 20 - 18.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | | [[Sony TC-K | + | | [[Sony TC-K 717 ES]] || 1994 || 3 || S&F || SD/LA || 3 || Ja|| 0,04% || 1,5% || - || 0,4% || 20 - 21.000 || 20 - 19.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | [[Sony TC-K | + | | [[Sony TC-K 815 S]] || 1994 || 3 || S&F || SD/SD || 3 || Ja || 0,04% || 1,5% || - || 0,4% || 20 - 20.000 || 20 - 18.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | [[Sony TC-K | + | | [[Sony TC-K 909 ES]] || 1993 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | | [[Sony TC- | + | | [[Sony TC-KA 3 ES]] || 1995 || 3 || S&F || LA/LA || 3 || Ja || 0,022% || 1,3% || - || 0,4% || 15 - 22.000 || 15 - 20.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | [[Sony TC- | + | | [[Sony TC-KA 6 ES]] || 1995 || 3 || S&F || SD/SD || 3 || Ja || 0,025% || 1,5% || - || 0,4% || 20 - 21.000 || 20 - 19.000 || 20 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | | [[Sony TC- | + | | [[Sony TC-KE 600 S]] <ref group="*">Obwohl der [[Sony TC-KE 600 S|600 S]] vielleicht einen weniger wertigen Eindruck macht und technisch nur SD Köpfe hat, sind Gleichlaufschwankung und die Frequenzgänge hervorragend .</ref> || 1996 || 3 || S&F || SD/SD || 3 || Nein|| 0,045% || 1,5% || - || 0,4% || 15 - 21.000 || 15 - 18.000 || 15 - 17.000 || 61 dB || 59 dB || 57 dB || manuell || Nein |
|- | |- | ||
− | [[Sony TC- | + | | [[Sony TC-S 1]] || 1995 || 2 || F&F || SD || - || Nein || 0,06% || 1,5% || - || 0,4% || 25 - 19.000 || 25 - 17.000 || 25 - 16.000 || 58 dB || 57 dB || 55 dB || Automatisch || Ja |
|- | |- | ||
− | [[Sony TC- | + | | [[Sony TC-WA 7 ES]] || 1995 || 2x2 || - || - || 2x2 || Nein || 0,07% || 1,8% || - || 0,4 % || 30 - 18.000 || 30 - 17.000 || 30 - 15.000 || 58 dB || 57 dB || 55 dB || Automatisch|| Ja |
|- | |- | ||
− | | [[ | + | | [[Teac V-2030 S]] || 1995 || 3 || - || - || 2 || Nein || 0,045% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || manuell || Nein |
|- | |- | ||
− | + | | [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,027% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || manuell || Nein | |
− | |||
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− | |||
− | | [[Teac V-6030 S]] || 1995 || 3 || - || AC/AC || 4 || | ||
|- | |- | ||
− | | [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || | + | | [[Teac V-8000 S]] || 1991 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || manuell || Nein |
|- | |- | ||
− | | [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || | + | | [[Teac V-8030 S]] || 1995 || 3 || - || AC/AC || 4 || Ja || 0,022% || - || - || - || 15 - 21.000 || 15 - 20.000 || 15 - 18.000 || 60 dB || - || - || manuell || Nein |
|- | |- | ||
− | |[[Yamaha KX-580]]||1994||2|| F || HP || 2 || | + | |[[Yamaha KX-580]]||1994||2|| F || HP || 2 || Ja || 0,05%|| < 0,8%|| < 0,8%|| < 0,8%|| 20 - 20.000|| 20 - 18.000|| 20 - 17.000 || || || > 60 dB||Automatisch||Nein |
|- | |- | ||
− | |[[Yamaha KX-690]]||1996||3|| F || HP/HP ||3|| | + | |[[Yamaha KX-690]]||1996||3|| F || HP/HP ||3|| Ja|| 0,04%||< 0,8% ||< 0,8% || < 0,8%|| 20 - 21.000|| 20 - 19.000|| 20 - 18.000 || || ||> 60 dB||Automatisch||Nein |
|} | |} | ||
− | == | + | ==Gleichlaufschwankung in WRMS== |
− | + | Professionelle Kassettendecks konnten Gleichlaufschwankungen um 0,02% erreichen, was als nicht mehr hörbar bezeichnet wurde. <br /> | |
− | Consumer | + | Consumer-Kassettendecks erreichten in etwa Werte von 0,08% WRMS, was in manchen Situationen noch hörbar ist.<br /> |
− | Dolby S | + | Dolby S-Decks und andere High-End-Decks schafften es, näher an die 0,02% Marke zu kommen. |
− | == | + | ==Tonköpfe== |
− | + | Kopftypen: | |
− | * A = | + | * A = Amorph (harman/kardon, Kenwood) |
− | * F& | + | * F&F = Ferrite & Ferrite (Sony) |
− | * S& | + | * S&F = Sendust & Ferrite (Sony) |
* SD = Sendust (Sony) | * SD = Sendust (Sony) | ||
* LA = Laser Amorphous (Sony) | * LA = Laser Amorphous (Sony) | ||
− | * AC = Amorphous Cobalt - | + | * AC = Amorphous Cobalt - bestehend aus 14 Schichten. (TEAC) |
− | * F = | + | * F = Ferrit Kopf - Doppelspalt (Yamaha) |
− | * HP = Hard Permalloy | + | * HP = Hard Permalloy Kopf (Yamaha) |
− | + | Siehe auch Artikel über Tonköpfe <ref group="Nachweis">http://www.stereo2go.com/topic/is-it-all-in-your-head</ref> | |
− | == | + | ==Anmerkungen== |
<references group="*"/> | <references group="*"/> | ||
− | == | + | ==Einzelnachweise== |
<references group="Nachweis"/> | <references group="Nachweis"/> | ||
− | [[ | + | [[Kategorie:Lexikon]] |
− | [[ | + | [[Kategorie:Dolby-S]] |
− | __NOTOC__ | + | __NOTOC__ |